{"id":13794,"date":"2013-05-24T13:03:19","date_gmt":"2013-05-24T17:03:19","guid":{"rendered":"http:\/\/johnesimpson.com\/blog\/?p=13794"},"modified":"2017-04-05T06:22:50","modified_gmt":"2017-04-05T10:22:50","slug":"getting-around","status":"publish","type":"post","link":"https:\/\/johnesimpson.com\/blog\/2013\/05\/getting-around\/","title":{"rendered":"Getting Around"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" alt=\"Rocket dog\" src=\"https:\/\/i0.wp.com\/johnesimpson.com\/images\/rocketdog.jpg?ssl=1\" style=\"width: 100%;\" \/><\/p>\n<p class=\"smalltext\"><em>[Image: well, that&#8217;s one way to do it. I&#8217;m not really sure what this represents, but it got my attention.]<\/em><\/p>\n<p>From <a title=\"whiskey river: 'The Meadow,' by Marie Howe\" href=\"http:\/\/whiskeyriver.blogspot.com\/2013\/05\/the-meadow-as-we-walk-into-words-that.html\" target=\"_blank\"><em>whiskey river<\/em><\/a>:<\/p>\n<blockquote><p><strong>The Meadow<\/strong><\/p>\n<p>As we walk into words that have waited for us to enter them, so<br \/>\nthe meadow, muddy with dreams, is gathering itself together<\/p>\n<p>and trying, with difficulty, to remember how to make wildflowers.<br \/>\nImperceptibly heaving with the old impatience, it knows<\/p>\n<p>for certain that two horses walk upon it, weary of hay.<br \/>\nThe horses, sway-backed and self important, cannot design<\/p>\n<p>how the small white pony mysteriously escapes the fence every day.<br \/>\nThis is the miracle just beyond their heavy-headed grasp,<\/p>\n<p>and they turn from his nuzzling with irritation. Everything<br \/>\nis crying out. Two crows, rising from the hill, fight<\/p>\n<p>and caw-cry in mid-flight, then fall and light on the meadow grass<br \/>\nbewildered by their weight. A dozen wasps drone, tiny prop planes,<\/p>\n<p>sputtering into a field the farmer has not yet plowed,<br \/>\nand what I thought was a phone, turned down and ringing,<\/p>\n<p>is the knock of a woodpecker for food or warning, I can&#8217;t say.<br \/>\nI want to add my cry to those who would speak for the sound alone.<\/p>\n<p>But in this world, where something is always listening, even<br \/>\nmurmuring has meaning, as in the next room you moan<\/p>\n<p>in your sleep, turning into late morning. My love, this might be<br \/>\nall we know of forgiveness, this small time when you can forget<\/p>\n<p>what you are. There will come a day when the meadow will think<br \/>\nsuddenly, water, root, blossom, through no fault of its own,<\/p>\n<p>and the horses will lie down in daisies and clover. Bedeviled,<br \/>\nhuman, your plight, in waking, is to choose from the words<\/p>\n<p>that even now sleep on your tongue, and to know that tangled<br \/>\namong them and terribly new is the sentence that could change your life.<\/p><\/blockquote>\n<p>(Marie Howe, The Good Thief [<a title=\"American Public Media\/On Being: 'The Meadow,' by Marie Howe\" href=\"http:\/\/www.onbeing.org\/program\/feature\/the-meadow-by-marie-howe\/5341\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;<a title=\"whiskey river: Tomas Transtr\u00f6mer, on finding yourself in time's labyrinth\" href=\"http:\/\/whiskeyriver.blogspot.com\/2013\/05\/time-is-not-straight-line-but-rather.html\" target=\"_blank\">and<\/a>:<\/p>\n<blockquote><p>Time is not a straight line, it&#8217;s more of a labyrinth, and if you press close to the wall in the right place you can hear the hurrying steps and the voices, you can hear yourself walking past on the other side.<\/p><\/blockquote>\n<p>(Tomas Transtr\u00f6mer [<a title=\"Google Books: 'The Great Enigma: New Collected Poems,' by Tomas Transtromer\" href=\"http:\/\/books.google.com\/books?id=r_t4QO2Ub5YC&amp;pg=PA167#v=onepage&amp;q&amp;f=false\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<p><!--more--><\/p>\n<p>Not from\u00a0<em>whiskey river<\/em>:<\/p>\n<blockquote><p><strong>A Perfect Mess<\/strong><\/p>\n<p><span class=\"epigraph\">For David Freedman<\/span><\/p>\n<p>I read somewhere<br \/>\nthat if pedestrians didn&#8217;t break traffic laws to cross<br \/>\nTimes Square whenever and by whatever means possible,<br \/>\n<span style=\"margin-left: 1.5em;\">the whole city<\/span><br \/>\nwould stop, it would stop.<br \/>\nCars would back up to Rhode Island,<br \/>\nan epic gridlock not even a cat<br \/>\ncould thread through. It&#8217;s not law but the sprawl<br \/>\nof our separate wills that keeps us all flowing. Today I loved<br \/>\nthe unprecedented gall<br \/>\nof the piano movers, shoving a roped-up baby grand<br \/>\nup Ninth Avenue before a thunderstorm.<br \/>\nThey were a grim and hefty pair, cynical<br \/>\nas any day laborers. They knew what was coming,<br \/>\nthe instrument white lacquered, the sky bulging black<br \/>\nas a bad water balloon and in one pinprick instant<br \/>\nit burst. A downpour like a fire hose.<br \/>\nFor a few heartbeats, the whole city stalled,<br \/>\npaused, a heart thump, then it all went staccato.<br \/>\nAnd it was my pleasure to witness a not<br \/>\ninsignificant miracle: in one instant every black<br \/>\numbrella in Hell&#8217;s Kitchen opened on cue, everyone<br \/>\nstill moving. It was a scene from an unwritten opera,<br \/>\nthe sails of some vast armada.<br \/>\nAnd four old ladies interrupted their own slow progress<br \/>\nto accompany the piano movers.<br \/>\neach holding what might have once been<br \/>\nlace parasols over the grunting men. I passed next<br \/>\nthe crowd of pastel ballerinas huddled<br \/>\nunder the corner awning,<br \/>\nin line for an open call &#8212; stork-limbed, ankles<br \/>\nzigzagged with ribbon, a few passing a lit cigarette<br \/>\naround. The city feeds on beauty, starves<br \/>\nfor it, breeds it. Coming home after midnight,<br \/>\nto my deserted block with its famously high<br \/>\nsubway-rat count, I heard a tenor exhale pure<br \/>\nlonging down the brick canyons, the steaming moon<br \/>\nopened its mouth to drink from on high &#8230;<\/p><\/blockquote>\n<p>(Mary Karr [<a title=\"Poetry Foundation: 'A Perfect Mess,' by Mary Karr\" href=\"http:\/\/www.poetryfoundation.org\/poetrymagazine\/poem\/244928\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;and:<\/p>\n<blockquote><p>There are some good things to be said about walking. Not many, but some. Walking takes longer, for example, than any other known form of locomotion except crawling. Thus it stretches time and prolongs life. Life is already too short to waste on speed. I have a friend who&#8217;s always in a hurry; he never gets anywhere. Walking makes the world much bigger and thus more interesting. You have time to observe the details. The utopian technologists foresee a future for us in which distance is annihilated\u2026 To be everywhere at once is to be nowhere forever, if you ask me.\u00a0That&#8217;s God&#8217;s job, not ours; that&#8217;s what we pay Him for. Her for.<\/p>\n<p>The longest journey begins with a single step, not with a turn of the ignition key. That&#8217;s the best thing about walking, the journey itself. It doesn&#8217;t much matter whether you get where you&#8217;re going ot not. You&#8217;ll get there anyway. Every good hike brings you eventually back home. Right where you started.<\/p>\n<p>Which reminds me of circles. Which reminds me of wheels. Which reminds me my old truck needs another front-end job. Any good mechanics out there, wandering through the smog?<\/p><\/blockquote>\n<p>(Edward Abbey [<a title=\"Google Books: 'The Walker's Literary Companion,' edited by Roger Gilbert, Jeffrey Robinson, Jeffrey Cane Robinson, and Anne D. Wallace\" href=\"http:\/\/books.google.com\/books?id=AUUJZjap7wkC&amp;pg=PA305#v=onepage&amp;q&amp;f=false\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<span class=\"su-dropcap su-dropcap-style-light\" style=\"font-size:2em\">T<\/span>he name <em>Erskine Hawkins<\/em> probably doesn&#8217;t ring many bells in a lot of people&#8217;s heads these days even if I add: brilliant trumpeter, composer, and leader of his own big band in the 1930s-&#8217;40s. But if I say &#8220;Tuxedo Junction&#8221; a lot more hands would go up in recognition; it was Hawkins who wrote that song, and his own band who first recorded &#8212; and scored a hit with &#8212; it a year before Glenn Miller&#8217;s band pretty much wiped every other version of it from public consciousness. Indeed, &#8220;Junction&#8221; was such a big deal that it overshadowed nearly all of Hawkins&#8217;s other works. He had a couple of lesser hits, and a fine career otherwise. (He died at age 79, in 1993, right up the road from my NJ hometown. He&#8217;d intended shortly to return to one of his favorite venues, a resort hotel in New York&#8217;s Catskill Mountains.) But almost nowhere on the Web can you find anything about his &#8220;Midnight Stroll.&#8221;<\/p>\n<p>Which is something of a shame. I&#8217;d happily argue for &#8220;Midnight Stroll&#8221; as one of the most easygoing Big Band-era songs I know, brimming with good nature and featuring a <em>really<\/em> nice solo by Hawkins himself &#8212; billed as &#8220;the 20th Century Gabriel&#8221; &#8212; characteristically bumping softly up against the ceiling of the trumpet&#8217;s range. I&#8217;ve got a lot of music from that time, but just cannot imagine the collection without it. Here&#8217;s &#8220;Midnight Stroll&#8221;:<\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>[Image: well, that&#8217;s one way to do it. I&#8217;m not really sure what this represents, but it got my attention.] From whiskey river: The Meadow As we walk into words that have waited for us to enter them, so the meadow, muddy with dreams, is gathering itself together and trying, with difficulty, to remember how [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","h5ap_radio_sources":[],"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[247,1393,74,250,5,36,251],"tags":[2512,2801,3476,3487,3488],"class_list":{"0":"post-13794","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-ruminations","7":"category-whiskey-river-runningaftermyhat","8":"category-music","9":"category-art","10":"category-06_writing","11":"category-reading","12":"category-poetry-writing_cat","13":"tag-edward-abbey","14":"tag-tomas-transtromer","15":"tag-marie-howe","16":"tag-mary-karr","17":"tag-erskine-hawkins","18":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6kZSG-3Au","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/13794","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/comments?post=13794"}],"version-history":[{"count":31,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/13794\/revisions"}],"predecessor-version":[{"id":19029,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/13794\/revisions\/19029"}],"wp:attachment":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/media?parent=13794"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/categories?post=13794"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/tags?post=13794"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}