{"id":14699,"date":"2013-10-09T15:39:00","date_gmt":"2013-10-09T19:39:00","guid":{"rendered":"http:\/\/johnesimpson.com\/blog\/?p=14699"},"modified":"2013-10-09T15:39:00","modified_gmt":"2013-10-09T19:39:00","slug":"midweek-music-break-jo-stafford-you-belong-to-me","status":"publish","type":"post","link":"https:\/\/johnesimpson.com\/blog\/2013\/10\/midweek-music-break-jo-stafford-you-belong-to-me\/","title":{"rendered":"Midweek Music Break: Jo Stafford, &#8220;You Belong to Me&#8221;"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/johnesimpson.com\/images\/jostafford.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignright\" alt=\"Jo Stafford\" src=\"https:\/\/i0.wp.com\/johnesimpson.com\/images\/jostafford_sm.jpg?resize=275%2C350&#038;ssl=1\" width=\"275\" height=\"350\" \/><\/a><span class=\"dropcap\">A<\/span>s a generation, Baby Boomers are notorious for imagining that the world started, revolved around, and ended with them and their peers. The first hit recording we ever heard\u00a0of a given song thus became the reference version, the one to which all others would be compared &#8212; usually to the others&#8217; detriment. <em>We<\/em> had no history with earlier or later versions, and since\u00a0<em>we<\/em> were the high point of pop culture (especially in the US), the other versions might as well not exist. (And if they did, they were frank rip-offs.)<\/p>\n<p>Even knowing this about my generation, I admit I was surprised to find out &#8212; just a few years ago &#8212; that The Duprees were\u00a0<em>not<\/em> the original artists for this song.<\/p>\n<p>&#8230;which news, well, didn&#8217;t bother me that much. Because I&#8217;ve never gotten past one very important moment in The Duprees&#8217; version: the concluding, drawn-out <em>you&#8230; be-long&#8230; tooooo-oo&#8230; me-eeeeeeeeee<\/em>. It sounds &#8212; has ALWAYS sounded &#8212; horribly flat to me. I always assumed they must be singing the song as actually written&#8230;<\/p>\n<p>But no.<\/p>\n<p>You may complain that I should not compare a 1960s doo-wop group who started out (as the saying goes) singing on Jersey City street corners with the vocals of a coloratura soprano, trained for opera, who just sort of fell into Big Band and later jazz. Maybe it&#8217;s not fair. And maybe I should apologize for that.<\/p>\n<p>But gawd, this version just\u00a0<em>kills<\/em> the one I grew up hearing&#8230;<\/p>\n<p style=\"text-align: center; font-size: 90%; line-height: 1.25em;\"><em>[Below, click Play button to begin <\/em>You Belong to Me<em>. While audio is playing, volume control appears at left &#8212; a row of little vertical bars. This clip is 3:06 long.<a class=\"hidden\" title=\"6.0MB - you sure about this?\" href=\"https:\/\/johnesimpson.com\/blog\/audio\/youbelongtome_jostafford.mp3\" target=\"_blank\">]<\/a><\/em><\/p>\n<div style=\"border: 1px solid silver; margin: 0.25em auto 0.5em; padding: 1em 0.5em 0pt; width: 400px; float: none; text-align: center;\" title=\"Click Play button to hear 'You Belong to Me'\">[audio:youbelongtome_jostafford.mp3|titles=&#8217;You Belong to Me&#8217;|artists=Jo Stafford]<\/div>\n<p>Now that I&#8217;ve read up more about the song&#8230;:<\/p>\n<p>It was written in 1951 or &#8217;52 by one Chilton Price (nee Searcy). Price was a record librarian for radio station WAVE in Louisville, Kentucky at the time, but she had aspirations as a songwriter. Not entirely unfounded aspirations, I should add: in 1951, she&#8217;d offered up a song to country bandleader Pee Wee King and his lead singer, Redd Stewart. Called &#8220;Slow Poke,&#8221; the song was King&#8217;s first and only <a rel=\"tag\" class=\"hashtag u-tag u-category\" href=\"https:\/\/johnesimpson.com\/blog\/tag\/1\/\">#1<\/a> hit single. Because King and Stewart had done so much to promote the song &#8212; Price said she didn&#8217;t know anything about the music industry &#8212; she freely offered them joint songwriting credit.<\/p>\n<p>Scroll ahead a few months: now Price had another song which she thought the fellows might be interested in. This one was a wistful tune about a pilot returning home from service in World War II, and &#8212; written for a woman singer, obviously &#8212; was called &#8220;Hurry Home to Me.&#8221;<\/p>\n<p>This time around, King and Stewart took a more active role in the song&#8217;s composition. It&#8217;s not clear who&#8217;s right and who&#8217;s wrong; Price herself <a title=\"Internet Archive: 'To Chilton goes all the credit,' by Nick Clooney (Cincinatti Post, 2002-09-27)\" href=\"http:\/\/web.archive.org\/web\/20050817174123\/http:\/\/www.cincypost.com\/2002\/sep\/27\/cloon092702.html\" target=\"_blank\">told Nick Clooney in 2002<\/a> that it was her words and her tune, while Pee Wee King&#8217;s autobiography,\u00a0<em>Hell Bent for Music<\/em>, <a title=\"Google Books: 'Hell-Bent for Music,' by Pee Wee King (with Wade H. Hall)\" href=\"http:\/\/books.google.com\/books?id=Iz6u0h_yyBMC&amp;pg=PA152#v=onepage&amp;q&amp;f=false\" target=\"_blank\">says<\/a>:<\/p>\n<blockquote><p>Chilton wrote complete songs, and they were beautiful, but since she doesn&#8217;t sing, she didn&#8217;t know how they would sound&#8230; Redd and I took her songs and played them, singing and humming, changing words and notes here and there until we&#8217;d get a version easier to sing. At the time it was hard to get war songs recorded, so we gave &#8220;Hurry Home to Me&#8221; a new name and changed it into a kind of universal song about separated lovers.<\/p><\/blockquote>\n<p>Regardless of which version you believe, what seems beyond debate is that Price quite happily shared writing credit with King and Stewart on &#8220;You Belong to Me.&#8221; (In that Clooney interview, she conceded the issue quite charmingly.)<\/p>\n<p>Jo Stafford didn&#8217;t record the song first. That honor went to a country singer named Sue Thompson, in 1952. And &#8220;You Belong to Me&#8221; didn&#8217;t just sit around on the shelves afterwards; by mid-1952, both Jo Stafford and Patti Page had recorded hit versions. From then on, it never really languished; it&#8217;s one of those pop songs which seems to get picked up by every (yes) generation. It&#8217;s been covered by Patsy Cline, Dean Martin, Bob Dylan, Jim Reeves, Connie Stevens, Eddie Vedder&#8230; But it was Stafford&#8217;s recording which really broke out first, going to <a rel=\"tag\" class=\"hashtag u-tag u-category\" href=\"https:\/\/johnesimpson.com\/blog\/tag\/1\/\">#1<\/a> in both the US and the UK. (Even The Duprees couldn&#8217;t push it that high, only getting up to #7.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As a generation, Baby Boomers are notorious for imagining that the world started, revolved around, and ended with them and their peers. The first hit recording we ever heard\u00a0of a given song thus became the reference version, the one to which all others would be compared &#8212; usually to the others&#8217; detriment. We had no [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","h5ap_radio_sources":[],"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2252,74],"tags":[1003,3627,3628,3629,3630],"class_list":{"0":"post-14699","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-midweek-music-break","7":"category-music","8":"tag-songwriting","9":"tag-jo-stafford","10":"tag-chilton-price","11":"tag-pee-wee-king","12":"tag-redd-stewart","13":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6kZSG-3P5","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/14699","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/comments?post=14699"}],"version-history":[{"count":6,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/14699\/revisions"}],"predecessor-version":[{"id":14705,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/14699\/revisions\/14705"}],"wp:attachment":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/media?parent=14699"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/categories?post=14699"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/tags?post=14699"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}