{"id":15013,"date":"2013-12-11T13:25:50","date_gmt":"2013-12-11T18:25:50","guid":{"rendered":"http:\/\/johnesimpson.com\/blog\/?p=15013"},"modified":"2013-12-17T09:46:19","modified_gmt":"2013-12-17T14:46:19","slug":"midweek-music-break-she-her-i-everybody-loves-my-baby","status":"publish","type":"post","link":"https:\/\/johnesimpson.com\/blog\/2013\/12\/midweek-music-break-she-her-i-everybody-loves-my-baby\/","title":{"rendered":"Midweek Music Break: She Her & I: “Everybody Loves My Baby”"},"content":{"rendered":"

\"She<\/a><\/p>\n

“Everybody Loves My Baby” has been bouncing around in pop music for a long<\/em> time. First recorded in 1924 by Clarence Williams’s Blue Five (featuring a young cornetist named Louis Armstrong, who did not sing at all in this version), it seems to be rediscovered every ten years or so. The lyrics change according to the singer’s gender, but the preferred presentation features one woman singer — or a group of them — playing against a hopping, hot-jazz accompaniment.<\/p>\n

About the comma-eschewing trio named She Her & I, unfortunately,\u00a0I can tell you almost nothing. Their Web site<\/a> includes no “About” page; a brief paragraph on the home pages says only:<\/p>\n

Straight out of the zeitgeist,\u00a0SHE HER & I\u00a0is a vintage-meets-modern cocktail of tight harmonies, hot jazz, and big band and gypsy swing.<\/p><\/blockquote>\n

I think that “gypsy swing” phrase (whatever it means) probably helped me decide to feature them today. In their video performances I’ve seen, they come across as at once flirtatious and slightly scary (of course, I’m easily scared), and they can really\u00a0sing<\/em> as well as swing.<\/p>\n

Facebook<\/a> is a bit more informative, however:<\/p>\n

Description<\/strong>
\nInspired by the Boswell Sisters, Django Reinhardt, Duke Ellington, Etta James, The Andrews Sisters and the fervent joy of New Orleans vintage jazz…<\/p>\n

Band Interests<\/strong>
\njazz, swing, swagger<\/p>\n

Artists We Also Like<\/strong>
\nBoswell Sisters, Big Bad Voodoo Daddy, Django Reinhardt, Duke Ellington, Glenn Miller Orchestra, The Andrews Sisters, Oh dear… the list is long…<\/p><\/blockquote>\n

(A little poking around there finally uncovered their names:\u00a0Francesca Vannucci, Corrie Shenigo and Alisa Burket.\u00a0It also reveals that both their record label and their booking agent is someone — or something — named “Belle Aesthete.”)<\/p>\n

I can<\/em> tell you, unambiguously, that I first discovered She Her & I via\u00a0another<\/em> performer’s video\u00a0of a completely different song. Which performer, which video, which song? Patience, Grasshopper. (All will be revealed in the fullness of time, which according to my watch will be in about ten days<\/del> a week<\/del>\u00a0no, ten days after all.)<\/p>\n

[Below, click Play button to begin <\/em>Everybody Loves My Baby. While audio is playing, volume control appears at left — a row of little vertical bars. This clip is 2:54 long.]<\/a><\/em><\/p>\n

[audio:everybodylovesmybaby_sheherandi.mp3|titles=’Everybody Loves My Baby’|artists=She Her & I]<\/div>\n

“Everybody Loves My Baby” has been covered by a good range of artists, with a good range of personal styles. (The Andrews Sisters — actually Boswell Sisters — approach seems to predominate.) Most recently, it made a pretty big splash when featured in the HBO series\u00a0Boardwalk Empire<\/em><\/a>. Wikipedia devotes an entire rather painful paragraph<\/a> to a parsing of the lyrics, especially their grammatical ambiguities which apparently drive some people crazy. (Not least, one suspects, some people who edit Wikipedia articles.)<\/p>\n

For contrast, here’s the first recording, by Clarence Williams’s Blue Five (including \u00a0Eva Taylor’s vocals and, again, Louis\u00a0Armstrong on the cornet):<\/p>\n