{"id":15816,"date":"2014-07-23T12:05:15","date_gmt":"2014-07-23T16:05:15","guid":{"rendered":"http:\/\/johnesimpson.com\/blog\/?p=15816"},"modified":"2017-04-15T10:01:06","modified_gmt":"2017-04-15T14:01:06","slug":"midweek-music-break-elton-john-sixty-years-on-border-song-and-the-song-everyone-hates-to-love","status":"publish","type":"post","link":"https:\/\/johnesimpson.com\/blog\/2014\/07\/midweek-music-break-elton-john-sixty-years-on-border-song-and-the-song-everyone-hates-to-love\/","title":{"rendered":"Midweek Music Break: Elton John, &#8220;Sixty Years On,&#8221; &#8220;Border Song,&#8221; and the Song Everyone Hates to Love"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/johnesimpson.com\/images\/eltonjohn_eltonjhon.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignright\" src=\"https:\/\/i0.wp.com\/johnesimpson.com\/images\/eltonjohn_eltonjhon.jpg?ssl=1\" alt=\"Elton John's 'Elton John' album (1970)\" style=\"width: 40%;\" \/><\/a><span class=\"su-dropcap su-dropcap-style-light\" style=\"font-size:2em\">E<\/span>lton John&#8217;s self-titled album (that&#8217;s the cover over there at the right) wasn&#8217;t his absolute first. But it was the first one released in the US, landing here in 1970. As was common for me then, I didn&#8217;t latch onto the album on my own. I didn&#8217;t listen to the right radio stations, and never read music reviews. For <em>Elton John<\/em>, I relied specifically on the judgment of a woman who (since high school) I&#8217;d hoped might be my first girlfriend.*<\/p>\n<p>Ida could neither sing nor play an instrument. But she had what I thought of as a musical voice. And she had a habit, when introducing me to new music, of reciting the lyrics aloud. I can still remember her voice saying:<\/p>\n<p style=\"padding-left: 30px;\"><em>It&#8217;s a little bit funny&#8230;<\/em><br \/>\n<em>This feeling inside&#8230;<\/em><br \/>\n<em>I&#8217;m not one of those who can&#8230;<\/em><br \/>\n<em>Usually hide&#8230;<\/em><\/p>\n<p>She&#8217;d pause melodramatically at the end of every line &#8212; or rather, where she thought the lines should break &#8212; and look at me expectantly. <em>See?<\/em> she seemed to be saying. <em>This is the genius of poetry, is it not?<\/em><\/p>\n<p class=\"smalltext\" style=\"text-align: center;\"><span style=\"color: #999999;\"><em>[Ah, the innocence of youth&#8230;]<\/em><\/span><\/p>\n<p>Even people who never heard the entire<em> Elton John<\/em> album remember or otherwise know <em>that<\/em> song, of course. But for my money, the really good stuff &#8212; the music and lyrics that really lodged in my head, and kept coming back to me over all the decades to come &#8212; was buried in the middle.<\/p>\n<p>&#8220;Sixty Years On&#8221; and &#8220;Border Song&#8221; appeared back-to-back. Memorability (and of course John&#8217;s voice) aside, they have little in common: the first, a (for me) haunting, lovely intertwining of gentle Latin-rhythmed music and lyrics, sort of nibbling around the edges of a mournful dirge for what might yet be; the second, a gospel-like, straight-ahead, piano-pounding rocker whose unambiguous lyrics hammered loudly at the door of social injustice.<\/p>\n<p>And then there was, yes, &#8220;Take Me to the Pilot.&#8221; Nobody back then had any idea what the hell the words meant, and I doubt if anyone yet has done more than poke at them. I&#8217;ve read various reviews of the album which single this song out as an example of Bernie Taupin&#8217;s absolutely worst, most self-indulgent lyrics. But oh my, the music&#8230; It&#8217;s another rocker, and it&#8217;s &#8212; well, I&#8217;ll tell you, it&#8217;s like Velcro: covered with tiny little hooks. As rock critic Robert Christgau says, speaking of what he calls &#8220;the &#8220;Take Me to the Pilot&#8221; effect&#8221; in the midst of a very ambivalent <em>Village Voice<\/em> review of John&#8217;s career up to 1975:<\/p>\n<blockquote><p>&#8230;there are few people who like rock and roll, or any pop music, who remain unreached by Elton John. It&#8217;s not just that he&#8217;s so pervasive, although that helps; quite simply, the man is a genius. No matter how you deplore his sloppiness, or his one-dimensionality, or his $40,000 worth of rose-colored glasses, you will find yourself humming &#8220;Take Me to the Pilot&#8221;&#8230;<\/p><\/blockquote>\n<p>All three songs easily merit a midweek music break &#8212; especially for a blogger currently fighting to rid himself of their earworms.<\/p>\n\n<p>_______________<\/p>\n<p>* In the end, she never became a girlfriend at all. But Ida was a good, good friend, and passed on to something like her reward in 2001.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>lton John&#8217;s self-titled album (that&#8217;s the cover over there at the right) wasn&#8217;t his absolute first. But it was the first one released in the US, landing here in 1970. As was common for me then, I didn&#8217;t latch onto the album on my own. I didn&#8217;t listen to the right radio stations, and never [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","h5ap_radio_sources":[],"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[38,2252,74],"tags":[1015,3838,3839],"class_list":{"0":"post-15816","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-backwards","7":"category-midweek-music-break","8":"category-music","9":"tag-elton-john","10":"tag-bernie-taupin","11":"tag-robert-christgau","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6kZSG-476","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/15816","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/comments?post=15816"}],"version-history":[{"count":20,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/15816\/revisions"}],"predecessor-version":[{"id":19143,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/15816\/revisions\/19143"}],"wp:attachment":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/media?parent=15816"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/categories?post=15816"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/tags?post=15816"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}