{"id":16187,"date":"2014-12-05T12:33:53","date_gmt":"2014-12-05T17:33:53","guid":{"rendered":"http:\/\/johnesimpson.com\/blog\/?p=16187"},"modified":"2018-10-25T18:01:18","modified_gmt":"2018-10-25T22:01:18","slug":"deep-magic","status":"publish","type":"post","link":"https:\/\/johnesimpson.com\/blog\/2014\/12\/deep-magic\/","title":{"rendered":"Deep Magic"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/johnesimpson.com\/images\/whenitexceedsourabilitytounderstand_mancosu.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/johnesimpson.com\/images\/whenitexceedsourabilitytounderstand_mancosu_sm.jpg?ssl=1\" alt=\"'When It Exceeds Our Ability to Understand,' by user 'mancosu' on Flickr\" style=\"width: 100%;\"\/><\/a><\/p>\n<p class=\"smalltext\"><em>[Image: &#8220;When It Exceeds Our Ability to Understand,&#8221; by Fred Mancosu <a title=\"Flickr.com: 'When It Exceeds Our Ability to Understand,' by Fred Mancosu on Flickr\" href=\"https:\/\/www.flickr.com\/photos\/mancosu\/6290724581\" target=\"_blank\" rel=\"noopener\">on Flickr<\/a>.<br \/>\n(Click to enlarge.) Used under a Creative Commons license.]<\/em><\/p>\n<p>From <a title=\"whiskey river: 'Alternate Endings,' by Richard Jackson\" href=\"http:\/\/whiskeyriver.blogspot.com\/2014\/12\/alternate-endings-there-are-times-when.html\" target=\"_blank\" rel=\"noopener\"><em>whiskey river<\/em><\/a> (from which I could have selected the entire week&#8217;s offerings):<\/p>\n<blockquote><p><strong>Alternate Endings<\/strong><\/p>\n<p>There are times when they gather at the edge of your life,<br \/>\nShadows slipping over the far hills, daffodils<br \/>\nblooming too early, the dark matter of the universe<br \/>\nthat threads its way through the few thousand blackbirds<br \/>\nthat have invaded the trees out back. Every ending<\/p>\n<p>sloughs off our dreams like snakeskin. This is the kind of<br \/>\nblack ice the mind skids across. The candlelight burning down<br \/>\ninto the sand. The night leaving its ashes in our eyes.<\/p>\n<p>There are times when your voice turns over in my sleep.<br \/>\nIt is no longer blind. The sky is no longer deaf.<\/p>\n<p>There are times when it seems the stars practice<br \/>\nall night just to become fireflies, when it seems there is<br \/>\nno end to what our hearts scribble on corridor walls.<br \/>\nOnly when we look at each other do we cease to be ourselves.<br \/>\nOnly at a certain height does the smoke blend into air.<br \/>\nThere are times when your words seem welded to that sky.<\/p>\n<p>There are times when love is so complicated it circles<br \/>\nlike chimney swifts unable to decide where to land.<br \/>\nThere are endings so sad their shadows scuff the dirt.<br \/>\nTheir sky is as inconsolable as the two year old, <a title=\"New York Times (November 20, 2005): 'Never Again, Again?' by Nicholas Kristof\" href=\"http:\/\/www.nytimes.com\/2005\/11\/20\/opinion\/20kristof.html?pagewanted=print\" target=\"_blank\" rel=\"noopener\">Zahra<\/a>,<br \/>\ntorn from her mother and beaten to death in the Sudan.<\/p>\n<p>There are endings so sad I want the morning light<br \/>\nto scourge the fields. Endings that are only what the river<br \/>\ndreams when it dries up. Endings that are constant echoes.<\/p>\n<p>There are times when I think we are satellites collecting<br \/>\ndust from one of the earlier births of the universe Don&#8217;t give up.<\/p>\n<p>Each ending is an hourglass filled with doors. There are times<br \/>\nwhen I feel you might be searching for me, when I can read<br \/>\nwhat is written on the far sides of stars. I&#8217;m nearly out of time.<br \/>\nMy heart is a dragonfly. I&#8217;ll have to settle for this, standing under<br \/>\na waterfall of words you never said. There are times like this<br \/>\nwhen no ending appears, times when I am so inconsolably happy.<\/p><\/blockquote>\n<p>(Richard Jackson [<a title=\"Superstition [Review]: 'Four poems by Richard Jackson'\" href=\"http:\/\/superstitionreview.asu.edu\/issue2\/poetry\/richardjackson\" target=\"_blank\" rel=\"noopener\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;<a title=\"whiskey river: John Hay, on what lies out of language's reach\" href=\"http:\/\/whiskeyriver.blogspot.com\/2014\/12\/we-are-now-more-than-halfway-removed.html\" target=\"_blank\" rel=\"noopener\">and<\/a>:<\/p>\n<blockquote><p>We are now more than halfway removed from what the unwritten word meant to our ancestors, who believed in the original, primal word behind all manifestations of the spirit. You sang because you were answered. The answers come from life around you. Prayers, chants, and songs were also responses to the elements, to the wind, the sun and stars, the Great Mystery behind them. Life on earth springs from a collateral magic that we rarely consult. We avoid the unknown as if we were afraid that contact would lower our sense of self-esteem.<\/p><\/blockquote>\n<p>(John Hay [<a title=\"Google Books: 'A Place Apart: A Cape Cod Reader,' edited by Robert Finch\" href=\"http:\/\/books.google.com\/books?id=qTIMAAAAQBAJ&amp;pg=PA137#v=onepage&amp;q&amp;f=false\" target=\"_blank\" rel=\"noopener\"><em>source<\/em><\/a>])<\/p>\n<p><!--more--><\/p>\n<p>Not from <em>whiskey river<\/em>:<\/p>\n<blockquote><p><strong>Birds, Disappearing<\/strong><\/p>\n<p>Last spring at the Catholic church, they found<br \/>\nthe outline of a bird etched on a window,<br \/>\nglass splintering where the wings had spread<br \/>\nlike flames. But there was no blood or feathers,<br \/>\nno light bones crumpled at the sill. It was a miracle<br \/>\nand then the same thing happened at the Lutheran<br \/>\nchurch down the street. No one took note.<br \/>\nIt had been done. Still, that summer birds<br \/>\nexploded in my mind. Those mornings<br \/>\nI awoke to my room on fire for ten minutes:<br \/>\ncut tulips in the vase burning from within.<br \/>\nI worried about bodies, how to touch them,<br \/>\nwhere they go. If they&#8217;re just cast out<br \/>\ninto the weeds. It&#8217;s November now and sunlight<br \/>\nhas slunk around the south wall, tired of me,<br \/>\nmy arrangements of dried leaves. I trace<br \/>\nthe patterns of migrating geese. Over and over<br \/>\nthey drive a wedge into the sky. It is raining<br \/>\nbroken glass. I count every fallen thing.<\/p><\/blockquote>\n<p>(Bethany Schultz Hurst [<a title=\"Anhinga Press: 'Birds, Disappearing,' by Bethany Schultz Hurst\" href=\"http:\/\/www.anhinga.org\/books\/book_info.cfm?title=Miss%20Lost%20Nation\" target=\"_blank\" rel=\"noopener\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;and:<\/p>\n<blockquote><p>Now we realize that this whole zoo of sub-atomic particles, thousands of them coming out of our accelerators, can be explained by little vibrating strings. They&#8217;re like a violin string. The Pythagoreans, the Greeks, believed that violin strings were in some sense a paradigm for the universe. They didn&#8217;t quite know how it would fit, but the harmonies of the universe, they thought, would be manifest by the harmonies of a violin string. The Pythagoreans founded a school of Greek philosophy trying to find in nature harmonies and resonances. Well, that&#8217;s the analogy today, too. In fact, the quarks, according to Murray Gell-Mann, the inventor of the quark model and winner of the Nobel prize, said that the simplest representation of the quark is that it&#8217;s nothing but the vibration of a string, and these strings, in turn, can only vibrate in ten dimensions. If you have an 11-dimensional universe it decays back down to ten. Ten is the magic number that works. The irony is that western reductionism, which believes in smashing things apart in order to find the ultimate constituents of matter&#8230; these reductionists have always laughed at holists and the people who believe in Buddhism, Taoism, whatever, and the irony is that by smashing these particles to their smallest constituents, we then find strings that only vibrate in the ten-dimensional universe and all of a sudden we realize that you have to look at the whole universe in order to understand the quantum theory! So, in some sense now were combining the best traditions of holism and reductionism.<\/p><\/blockquote>\n<p>(Michio Kaku [<a title=\"Amazon.com: 'Voices of Truth: Conversations with Scientists, Thinkers, and Healers,' by Nina L. Diamond\" href=\"http:\/\/www.amazon.com\/Voices-Truth-Conversations-Scientists-Thinkers\/dp\/0914955829#reader_0914955829\" target=\"_blank\" rel=\"noopener\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;and:<\/p>\n<blockquote><p><strong>A Letter in October<\/strong><\/p>\n<p>Dawn comes later and later now,<br \/>\nand I, who only a month ago<br \/>\ncould sit with coffee every morning<br \/>\nwatching the light walk down the hill<br \/>\nto the edge of the pond and place<br \/>\na doe there, shyly drinking,<\/p>\n<p>then see the light step out upon<br \/>\nthe water, sowing reflections<br \/>\nto either side&#8212;a garden<br \/>\nof trees that grew as if by magic&#8212;<br \/>\nnow see no more than my face,<br \/>\nmirrored by darkness, pale and odd,<\/p>\n<p>startled by time. While I slept,<br \/>\nnight in its thick winter jacket<br \/>\nbridled the doe with a twist<br \/>\nof wet leaves and led her away,<br \/>\nthen brought its black horse with harness<br \/>\nthat creaked like a cricket, and turned<\/p>\n<p>the water garden under. I woke,<br \/>\nand at the waiting window found<br \/>\nthe curtains open to my open face;<br \/>\nbeyond me, darkness. And I,<br \/>\nwho only wished to keep looking out,<br \/>\nmust now keep looking in.<\/p><\/blockquote>\n<p>(Ted Kooser [<a title=\"Poetry Foundation: 'A Letter in October,' by Ted Kooser\" href=\"http:\/\/www.poetryfoundation.org\/poem\/171349\" target=\"_blank\" rel=\"noopener\"><em>source<\/em><\/a>])<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Image: &#8220;When It Exceeds Our Ability to Understand,&#8221; by Fred Mancosu on Flickr. (Click to enlarge.) Used under a Creative Commons license.] From whiskey river (from which I could have selected the entire week&#8217;s offerings): Alternate Endings There are times when they gather at the edge of your life, Shadows slipping over the far hills, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","h5ap_radio_sources":[],"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[247,1393,95,405,250,5,251],"tags":[437,442,1214,2491,3834,3931,3932,3933,3934,3935],"class_list":{"0":"post-16187","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-ruminations","7":"category-whiskey-river-runningaftermyhat","8":"category-science-medicine","9":"category-nature","10":"category-art","11":"category-06_writing","12":"category-poetry-writing_cat","13":"tag-physics","14":"tag-dogs","15":"tag-magic","16":"tag-ted-kooser","17":"tag-michio-kaku","18":"tag-fred-mancosu","19":"tag-richard-jackson","20":"tag-john-hay","21":"tag-bethany-schultz-hurst","22":"tag-quantum-theory","23":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6kZSG-4d5","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/16187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/comments?post=16187"}],"version-history":[{"count":7,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/16187\/revisions"}],"predecessor-version":[{"id":20678,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/16187\/revisions\/20678"}],"wp:attachment":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/media?parent=16187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/categories?post=16187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/tags?post=16187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}