{"id":17358,"date":"2015-10-23T13:09:19","date_gmt":"2015-10-23T17:09:19","guid":{"rendered":"http:\/\/johnesimpson.com\/blog\/?p=17358"},"modified":"2015-10-23T13:09:19","modified_gmt":"2015-10-23T17:09:19","slug":"far-and-widely-near-and-narrowly","status":"publish","type":"post","link":"https:\/\/johnesimpson.com\/blog\/2015\/10\/far-and-widely-near-and-narrowly\/","title":{"rendered":"Far and Widely, Near and Narrowly"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/johnesimpson.com\/images\/starmageddon_billgracey.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" style=\"width: 100%;\" src=\"https:\/\/i0.wp.com\/johnesimpson.com\/images\/starmageddon_billgracey_sm.jpg?ssl=1\" alt=\"Image: 'Starmageddon,' by Bill Gracey on Flickr\" \/><\/a><\/p>\n<p class=\"smalltext\"><em>[Image: &#8220;Starmageddon,&#8221; by Bill Gracey on Flickr. (Used under a Creative Commons license.) Read about the happy accidents which brought this photo together <a title=\"Flickr.com: 'Starmageddon,' by Bill Gracey\" href=\"https:\/\/www.flickr.com\/photos\/9422878@N08\/11283430006\/in\/album-72157638667426483\/\" target=\"_blank\">at Flickr itself<\/a>.]<\/em><\/p>\n<p>From <em><a title=\"whiskey river: 'Autumn,' by Kristian Goldmund Auman\" href=\"http:\/\/whiskeyriver.blogspot.com\/2015\/10\/life-moves-on-whether-we-act-as-cowards.html\" target=\"_blank\">whiskey river<\/a><\/em>:<\/p>\n<blockquote><p><strong>Autumn<\/strong><\/p>\n<p>The passion<br \/>\nIs still flourishing in the branches<br \/>\nYellow funny and daring red<br \/>\nThe sun warms even in the days<br \/>\nWhere the fog<br \/>\nStubbornly in the morning<br \/>\nFrom a distance<br \/>\nA woodpecker knocks<br \/>\nImpermanence<br \/>\nIs the enemy of beauty<\/p><\/blockquote>\n<p>(Kristian Goldmund Auman [<em>unsourced; possibly<\/em> <em><a title=\"Amazon.com: 'The Great Poet: Complete Poetical Works of Kristian Goldmund Aumann,' by Kristian Goldmund Aumann\" href=\"http:\/\/www.amazon.com\/The-Great-Poet-Complete-Poetical\/dp\/1478175648\/\" target=\"_blank\">here<\/a><\/em>])<\/p>\n<p>&#8230;<a title=\"Angela Carter: on October's introspective weather\" href=\"http:\/\/whiskeyriver.blogspot.com\/2015\/10\/the-lucidity-clarity-of-light-that.html\" target=\"_blank\">and<\/a>:<\/p>\n<blockquote><p>The lucidity, the clarity of light that afternoon was sufficient to itself; perfect transparency must be impenetrable, these vertical bars of brass-colored distillation of light coming down from sulphur-yellow interstices in a sky hunkered with grey clouds that bulge with more rain. It struck the wood with nicotine-stained fingers, the leaves glittered. A cold day of late October, when the withered blackberries dangled like their own dour spooks on the discolored brambles. There were crisp husks of <span class=\"explannote\" title=\"collective term for beechnuts, especially when lying on the ground\">beechmast<\/span> and cast acorn cups underfoot in the russet slime of the dead bracken where the rains of the equinox had so soaked the earth that the cold oozed up through the soles of the shoes, <span class=\"explannote\" title=\"'tearing, darting, or sharply cutting; used to describe pain' (Miller-Keane Encyclopedia and Dictionary of Medicine, Nursing, and Allied Health, 7th Ed.)\">lancinating<\/span> cold of the approaching winter that grips hold of your belly and squeezed it tight. Now the stark elders have an anorexic look; there is not much in the autumn wood to make you smile but it is not yet, not quite yet, the saddest time of the year. Only, there is a haunting sense of the imminent cessation of being; the year, in turning, turns in on itself. Introspective weather, a sickroom hush.<\/p><\/blockquote>\n<p>(Angela Carter [<a title=\"Amazon.com: 'Burning Your Boats: The Collected Short Stories,' by Angela Carter\" href=\"http:\/\/www.amazon.com\/Burning-Your-Boats-Collected-Stories\/dp\/0140255281\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;<a title=\"whiskey river: 'October,' by Charles Wright\" href=\"http:\/\/whiskeyriver.blogspot.com\/2015\/10\/sometimes-theres-neither-sun-nor-shadow.html\" target=\"_blank\">and<\/a>:<\/p>\n<blockquote><p><strong>October<\/strong><\/p>\n<p>The leaves fall from my fingers<br \/>\nCornflowers scattered across the field like stars,<br \/>\n<span style=\"margin-left: 20em;\">like smoke stars,<\/span><br \/>\nBy the train tracks, the leaves in a drift<\/p>\n<p>Under the slow clouds<br \/>\n<span style=\"margin-left: 9.5em;\">and the nine steps to heaven,<\/span><br \/>\nThe light falling in great sheets through the trees,<br \/>\nSheets almost tangible.<\/p>\n<p>The transfiguration will start like this, I think,<br \/>\n<span style=\"margin-left: 18.5em;\">breathless,<\/span><br \/>\nQuick blade through the trees,<br \/>\nSomething with red colors falling away from my hands,<\/p>\n<p>The air beginning to go cold&#8230;<br \/>\n<span style=\"margin-left: 12.5em;\">And when it does<\/span><br \/>\nI&#8217;ll rise from this tired body, a blood-knot of light,<br \/>\nReady to take the darkness in.<\/p>\n<p>&#8212;Or for the wind to come<br \/>\nAnd carry me, bone by bone, through the sky,<br \/>\nIts wafer a burn on my tongue,<br \/>\n<span style=\"margin-left: 12.5em;\">its wine deep forgetfulness.<\/span><\/p><\/blockquote>\n<p>(Charles Wright [<a title=\"Google Books: 'The World of the Ten Thousand Things: Poems 1980-1990,' by Charles Wright\" href=\"https:\/\/books.google.com\/books?id=ulLRAwAAQBAJ&amp;pg=PA24#v=onepage&amp;q&amp;f=false\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<p><!--more--><\/p>\n<p>Not from <em>whiskey river<\/em>:<\/p>\n<blockquote><p><strong>October<\/strong><\/p>\n<p>How suddenly<br \/>\nthe woods<br \/>\nhave turned<br \/>\nagain. I feel<\/p>\n<p>like Daphne, standing<br \/>\nwith my arms<br \/>\noutstretched<br \/>\nto the season,<\/p>\n<p>overtaken<br \/>\nby color, crowned<br \/>\nwith the hammered gold<br \/>\nof leaves.<\/p><\/blockquote>\n<p>(Linda Pastan [<a title=\"Poetry Foundation: 'The Months,' by Linda Pastan\" href=\"http:\/\/www.poetryfoundation.org\/poetrymagazine\/poem\/29908\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;and:<\/p>\n<blockquote><p>Let your walks now be a little more adventurous; ascend the hills. If, about the last of October, you ascend any hill in the outskirts of our town, and probably of yours, and look over the forest, you may see well, what I have endeavored [in this essay] to describe. All this you surely <em>will<\/em> see, and much more, if you are prepared to see it,&#8212;if you <em>look<\/em> for it. Otherwise, regular and universal as this phenomenon is, whether you stand on the hill-top or in the hollow, you will think for threescore years and ten that all the wood is, at this season, sear and brown. Objects are concealed from our view, not so much because they are out of the course of our visual ray as because we do not bring our minds and eyes to bear on them; for there is no power to see in the eye itself, any more than in any other jelly. We do not realize how far and widely, or how near and narrowly, we are to look. The greater part of the phenomena of Nature are for this reason concealed from us all our lives. The gardener sees only the gardener&#8217;s garden. Here, too, as in political economy, the supply answers to the demand. Nature does not cast pearls before swine. There is just as much beauty visible to us in the landscape as we are prepared to appreciate,&#8212;not a grain more. The actual objects which one man will see from a particular hill-top are just as different from those which another will see as the beholders are different. The Scarlet Oak must, in a sense, be in your eye when you go forth. We cannot see anything until we are possessed with the idea of it, take it into our heads,&#8212;and then we can hardly see anything else&#8230; A botanist absorbed in the study of grasses does not distinguish the grandest pasture oaks. He, as it were, tramples down oaks unwittingly in his walk, or at most sees only their shadows. I have found that it required a different intention of the eye, in the same locality, to see different plants, even when they were closely allied, as <span class=\"explannote\" title=\"rushes\"><em>Juncace\u00e6<\/em><\/span> and <span class=\"explannote\" title=\"grasses\"><em>Gramine\u00e6<\/em><\/span>: when I was looking for the former, I did not see the latter in the midst of them. How much more, then, it requires different intentions of the eye and of the mind to attend to different departments of knowledge! How differently the poet and the naturalist look at objects!<\/p><\/blockquote>\n<p>(Henry David Thoreau [<a title=\"Google Books: 'The Atlantic Monthly: Volume 10' (October, 1862), 'Autumnal Tints' by Henry David Thoreau\" href=\"https:\/\/books.google.com\/books?id=9qxIAAAAcAAJ&amp;pg=PA401#v=onepage&amp;q&amp;f=false\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;and:<\/p>\n<blockquote><p><strong>The Future<\/strong><\/p>\n<p>When I finally arrive there&#8212;<br \/>\nAnd it will take many days and nights&#8212;<br \/>\nI would like to believe others will be waiting<br \/>\nand might even want to know how it was.<\/p>\n<p>So I will reminisce about a particular sky<br \/>\nor a woman in a white bathrobe<br \/>\nor the time I visited a narrow strait<br \/>\nwhere a famous naval battle had taken place.<\/p>\n<p>Then I will spread out on a table<br \/>\na large map of my world<br \/>\nand explain to the people of the future<br \/>\nin their pale garments what it was like&#8212;<\/p>\n<p>how mountains rose between the valleys<br \/>\nand this was called geography,<br \/>\nhow boats loaded with cargo plied the rivers<br \/>\nand this was known as commerce,<\/p>\n<p>how the people from this pink area<br \/>\ncrossed over into this light-green area<br \/>\nand set fires and killed whoever they found<br \/>\nand this was called history&#8212;<\/p>\n<p>and they will listen, mild-eyed and silent,<br \/>\nas more of them arrive to join the circle,<br \/>\nlike ripples moving toward,<br \/>\nnot away from, a stone tossed into a pond.<\/p><\/blockquote>\n<p>(Billy Collins [<a title=\"Google Books: 'Aimless Love: New and Selected Poems,' by Billy Collins\" href=\"https:\/\/books.google.com\/books?id=fUXWVdWaumgC&amp;pg=PT109#v=onepage&amp;q&amp;f=false\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Image: &#8220;Starmageddon,&#8221; by Bill Gracey on Flickr. (Used under a Creative Commons license.) Read about the happy accidents which brought this photo together at Flickr itself.] From whiskey river: Autumn The passion Is still flourishing in the branches Yellow funny and daring red The sun warms even in the days Where the fog Stubbornly in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","h5ap_radio_sources":[],"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[247,1393,250,5,36,251,4159],"tags":[941,1141,1812,4195,4196,4197,4198,4199,4200],"class_list":{"0":"post-17358","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-ruminations","7":"category-whiskey-river-runningaftermyhat","8":"category-art","9":"category-06_writing","10":"category-reading","11":"category-poetry-writing_cat","12":"category-essays","13":"tag-charles-wright","14":"tag-billy-collins","15":"tag-linda-pastan","16":"tag-bill-gracey","17":"tag-kristian-goldmund-auman","18":"tag-angela-carter","19":"tag-henry-david-thoreau","20":"tag-the-seasons","21":"tag-october","22":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6kZSG-4vY","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/17358","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/comments?post=17358"}],"version-history":[{"count":13,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/17358\/revisions"}],"predecessor-version":[{"id":17372,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/17358\/revisions\/17372"}],"wp:attachment":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/media?parent=17358"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/categories?post=17358"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/tags?post=17358"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}