{"id":17723,"date":"2016-02-26T06:35:03","date_gmt":"2016-02-26T11:35:03","guid":{"rendered":"http:\/\/johnesimpson.com\/blog\/?p=17723"},"modified":"2016-02-26T06:35:03","modified_gmt":"2016-02-26T11:35:03","slug":"what-i-imagined-i-thought-i-remembered-i-might-see","status":"publish","type":"post","link":"https:\/\/johnesimpson.com\/blog\/2016\/02\/what-i-imagined-i-thought-i-remembered-i-might-see\/","title":{"rendered":"What I Imagined I Thought I Remembered I Might See"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/johnesimpson.com\/images\/vivianmayer_untitled_floating.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" style=\"width: 100%;\" src=\"https:\/\/i0.wp.com\/johnesimpson.com\/images\/vivianmayer_untitled_floating_sm.jpg?ssl=1\" alt=\"Untitled (?), by Vivian Maier\" \/><\/a><\/p>\n<p class=\"smalltext\"><em>[Photo (untitled, as far as I know) by Vivian Maier.]<\/em><\/p>\n<p>From <a title=\"whiskey river: 'Writing in the Afterlife,' by Billy Collins\" href=\"http:\/\/whiskeyriver.blogspot.com\/2016\/02\/writing-in-afterlife-i-imagined.html\" target=\"_blank\"><em>whiskey river<\/em><\/a>:<\/p>\n<blockquote><p><strong>Writing in the Afterlife<\/strong><\/p>\n<p>I imagined the atmosphere would be clear,<br \/>\nshot with pristine light,<br \/>\nnot this sulphurous haze,<br \/>\nthe air ionized as before a thunderstorm.<\/p>\n<p>Many have pictured a river here,<br \/>\nbut no one mentioned all the boats,<br \/>\ntheir benches crowded with naked passengers,<br \/>\neach bent over a writing tablet.<\/p>\n<p>I knew I would not always be a child<br \/>\nwith a model train and a model tunnel,<br \/>\nand I knew I would not live forever,<br \/>\njumping all day through the hoop of myself.<\/p>\n<p>I had heard about the journey to the other side<br \/>\nand the clink of the final coin<br \/>\nin the leather purse of the man holding the oar,<br \/>\nbut how could anyone have guessed<\/p>\n<p>that as soon as we arrived<br \/>\nwe would be asked to describe this place<br \/>\nand to include as much detail as possible&#8212;<br \/>\nnot just the water, he insists,<\/p>\n<p>rather the oily, fathomless, rat-happy water,<br \/>\nnot simply the shackles, but the rusty,<br \/>\niron, ankle-shredding shackles&#8212;<br \/>\nand that our next assignment would be<\/p>\n<p>to jot down, off the tops of our heads,<br \/>\nour thoughts and feelings about being dead,<br \/>\nnot really an assignment,<br \/>\nthe man rotating the oar keeps telling us&#8212;<\/p>\n<p>think of it more as an exercise, he groans,<br \/>\nthink of writing as a process,<br \/>\na never-ending, infernal process,<br \/>\nand now the boats have become jammed together,<\/p>\n<p>bow against stern, stern locked to bow,<br \/>\nand not a thing is moving, only our diligent pens.<\/p><\/blockquote>\n<p>(Billy Collins [<a title=\"Google Books: 'Aimless Love: New and Selected Poems,' by Billy Collins\" href=\"https:\/\/books.google.com\/books?id=fUXWVdWaumgC&amp;pg=PT40#v=onepage&amp;q&amp;f=false\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;<a title=\"whiskey river: Ted Hughes, on the child at the center of every adult\" href=\"http:\/\/whiskeyriver.blogspot.com\/2016\/02\/at-every-moment-behind-most-efficient.html\" target=\"_blank\">and<\/a>:<\/p>\n<blockquote><p>At every moment, behind the most efficient seeming adult exterior, the whole world of the person&#8217;s childhood is being carefully held like a glass of water bulging above the brim. And in fact, that child is the only real thing in them. It&#8217;s their humanity, their real individuality, the one that can&#8217;t understand why it was born and that knows it will have to die, in no matter how crowded a place, quite on its own. That&#8217;s the carrier of all the living qualities. It&#8217;s the center of all the possible magic and revelation.<\/p><\/blockquote>\n<p>(Ted Hughes [<a title=\"Amazon.com: 'The Letters of Ted Hughes,' by Ted Hughes (Christopher Reid, ed.)\" href=\"http:\/\/www.amazon.com\/Letters-Ted-Hughes\/dp\/0374185301#reader_0374185301\" target=\"_blank\"><em>source<\/em><\/a>, p. 513])<\/p>\n<p>&#8230;<a title=\"whiskey river: Ted Hughes, on the yardstick for respecting others\" href=\"http:\/\/whiskeyriver.blogspot.com\/2016\/02\/at-every-moment-behind-most-efficient.html\" target=\"_blank\">and<\/a>:<\/p>\n<blockquote><p>And that&#8217;s how we measure out our real respect for people &#8212; by the degree of feeling they can register, the voltage of life they can carry and tolerate &#8212; and enjoy. End of sermon. As Buddha says: live like a mighty river. And as the old Greeks said: live as though all your ancestors were living again through you.<\/p><\/blockquote>\n<p>(Ted Hughes [<a title=\"Amazon.com: 'The Letters of Ted Hughes,' by Ted Hughes (Christopher Reid, ed.)\" href=\"http:\/\/www.amazon.com\/Letters-Ted-Hughes\/dp\/0374185301#reader_0374185301\" target=\"_blank\"><em>source<\/em><\/a>, p. 514])<\/p>\n<p>&#8230;<a title=\"whiskey river: Marc Chernoff (ascribed), on the pretense of not-dying\" href=\"http:\/\/whiskeyriver.blogspot.com\/2016\/02\/i-interviewed-woman-who-is-terminally.html\" target=\"_blank\">and<\/a>:<\/p>\n<blockquote><p>I interviewed a woman who is terminally ill. So I tried to delicately ask, &#8220;What is it like to wake up every morning and know that you are dying?&#8221; &#8220;Well,&#8221; she responded, &#8220;What is it like to wake up every morning and pretend that you are not?&#8221;<\/p><\/blockquote>\n<p>(Marc Chernoff [<em>ascribed; <a title=\"makesmethink.com (Augst 11, 2009): unattributed quote posted by 'Suzie'\" href=\"http:\/\/makesmethink.com\/view\/Miscellaneous\/178\" target=\"_blank\">source<\/a><\/em>])<\/p>\n<p><!--more--><\/p>\n<p>Not from <em>whiskey river<\/em>:<\/p>\n<blockquote><p><strong>XCVI<\/strong><\/p>\n<p>My life closed twice before its close;<br \/>\nIt yet remains to see<br \/>\nIf Immortality unveil<br \/>\nA third event to me,<\/p>\n<p>So huge, so hopeless to conceive,<br \/>\nAs these that twice befell.<br \/>\nParting is all we know of heaven,<br \/>\nAnd all we need of hell.<\/p><\/blockquote>\n<p>(Emily Dickinson [<a title=\"Bartleby.com: 'Complete Poems of Emily Dickinson'\" href=\"http:\/\/www.bartleby.com\/113\/1096.html\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;and:<\/p>\n<blockquote><p><strong>Integrity<\/strong><br \/>\n<span style=\"margin-left: 30px;\"><em>the quality or state of being complete; unbroken condition; entirety<\/em><\/span><br \/>\n<span style=\"margin-left: 30px;\">&#8212;Webster<\/span><\/p>\n<p>A wild patience has taken me this far<\/p>\n<p>as if I had to bring to shore<br \/>\na boat with a spasmodic outboard motor<br \/>\nold sweaters, nets, spray-mottled books<br \/>\ntossed in the prow<br \/>\nsome kind of sun burning my shoulder-blades.<br \/>\nSplashing the oarlocks. Burning through.<br \/>\nYour fore-arms can get scalded, licked with pain<br \/>\nin a sun blotted like unspoken anger<br \/>\nbehind a casual mist.<\/p>\n<p>The length of daylight<br \/>\nthis far north, in this<br \/>\nforty-ninth year of my life<br \/>\nis critical.<\/p>\n<p>The light is critical: of me, of this<br \/>\nlong-dreamed, involuntary landing<br \/>\non the arm of an inland sea.<br \/>\nThe glitter of the shoal<br \/>\ndepleting into shadow<br \/>\nI recognize: the stand of pines<br \/>\nviolet-black really, green in the old postcard<br \/>\nbut really I have nothing but myself<br \/>\nto go by; nothing<br \/>\nstands in the realm of pure necessity<br \/>\nexcept what my hands can hold.<br \/>\nNothing but myself?&#8230; My selves.<br \/>\nAfter so long, this answer.<br \/>\nAs if I had always known<br \/>\nI steer the boat in, simply.<br \/>\nThe motor dying on the pebbles<br \/>\ncicadas taking up the hum<br \/>\ndropped in the silence.<\/p>\n<p>Anger and tenderness: my selves.<br \/>\nAnd now I can believe they breathe in me<br \/>\nas angels, not polarities.<br \/>\nAnger and tenderness: the spider&#8217;s genius<br \/>\nto spin and weave in the same action<br \/>\nfrom her own body, anywhere &#8212;<br \/>\neven from a broken web.<\/p>\n<p>The cabin in the stand of pines<br \/>\nis still for sale. I know this. Know the print<br \/>\nof the last foot, the hand that slammed and locked that door,<br \/>\nthen stopped to wreathe the rain-smashed clematis<br \/>\nback on the trellis<br \/>\nfor no one&#8217;s sake except its own.<br \/>\nI know the chart nailed to the wallboards<br \/>\nthe icy kettle squatting on the burner.<br \/>\nThe hands that hammered in those nails<br \/>\nemptied that kettle one last time<br \/>\nare these two hands<br \/>\nand they have caught the baby leaping<br \/>\nfrom between trembling legs<br \/>\nand they have worked the vacuum aspirator<br \/>\nand stroked the sweated temples<br \/>\nand steered the boat here through this hot<br \/>\nmisblotted sunlight, critical light<br \/>\nimperceptibly scalding<br \/>\nthe skin these hands will also salve.<\/p><\/blockquote>\n<p>(Adrienne Rich [<a title=\"Google Books: 'Later Poems Selected and New: 1971-2012,' by Adrienne Rich\" href=\"https:\/\/books.google.com\/books?id=kLNng4aQtMYC&amp;pg=PA75#v=onepage&amp;q&amp;f=false\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;and:<\/p>\n<blockquote><p>I have yet to figure out what life is really all about, and I doubt that I will ever come up with the answer. I do find a certain fascination with the unpredictable. The transitory years we wade through are what they are &#8212; what we make of them. I&#8217;m still happy to be here, and I&#8217;m clever enough to know that my date of departure remains time&#8217;s secret. I trust time. It has been my friend for a long while, and we have been through a lot together.<\/p><\/blockquote>\n<p>(Gordon Parks [<a title=\"Amazon.com: 'Voices in the Mirror: An Autobiography,' by Gordon Parks\" href=\"http:\/\/www.amazon.com\/Voices-Mirror-Autobiography-Harlem-Classics\/dp\/0767922123#reader_0767922123\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Photo (untitled, as far as I know) by Vivian Maier.] From whiskey river: Writing in the Afterlife I imagined the atmosphere would be clear, shot with pristine light, not this sulphurous haze, the air ionized as before a thunderstorm. Many have pictured a river here, but no one mentioned all the boats, their benches crowded [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","h5ap_radio_sources":[],"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"'What I Imagined I Thought I Remembered I Might See': what seldom (but often enough) WAS","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[247,1393,250,5,251,4159],"tags":[1141,3523,3887,4022,4263,4264,4265,4266],"class_list":{"0":"post-17723","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-ruminations","7":"category-whiskey-river-runningaftermyhat","8":"category-art","9":"category-06_writing","10":"category-poetry-writing_cat","11":"category-essays","12":"tag-billy-collins","13":"tag-emily-dickinson","14":"tag-the-past","15":"tag-ted-hughes","16":"tag-gordon-parks","17":"tag-adrienne-rich","18":"tag-marc-chernoff","19":"tag-vivian-maier","20":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6kZSG-4BR","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/17723","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/comments?post=17723"}],"version-history":[{"count":8,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/17723\/revisions"}],"predecessor-version":[{"id":17731,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/17723\/revisions\/17731"}],"wp:attachment":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/media?parent=17723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/categories?post=17723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/tags?post=17723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}