{"id":17930,"date":"2016-06-04T10:07:03","date_gmt":"2016-06-04T14:07:03","guid":{"rendered":"http:\/\/johnesimpson.com\/blog\/?p=17930"},"modified":"2016-06-04T12:03:45","modified_gmt":"2016-06-04T16:03:45","slug":"ramh8-to-one-thing-constant-never-and-a-playlist","status":"publish","type":"post","link":"https:\/\/johnesimpson.com\/blog\/2016\/06\/ramh8-to-one-thing-constant-never-and-a-playlist\/","title":{"rendered":"RAMH@8: To One Thing Constant Never&#8230; and a Playlist"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/johnesimpson.com\/images\/sapristi_vspahn_rotated.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" style=\"width: 100%;\" title=\"Caption, roughly: 'Oh, shoot -- I meant to get to the office early this morning!' Drawing by V. Spahn.\" src=\"https:\/\/i0.wp.com\/johnesimpson.com\/images\/sapristi_vspahn_rotated.jpg?ssl=1\" alt=\"Drawing by V. Spahn\" \/><\/a><\/p>\n<p class=\"smalltext\"><em>[Image: cartoon by French cartoonist\/illustrator\/humorist V. Spahn. Roughly translated, I believe the caption says something on the order of, &#8220;Oh, shoot &#8212; I meant to get to the office early this morning!&#8221;]<\/em><\/p>\n<span class=\"su-dropcap su-dropcap-style-light\" style=\"font-size:2em\">L<\/span>ike many people who fired up blogs in the Great Flowering Era &#8212; i.e., pre-2009, say (the year when Facebook first turned a profit, or at least become &#8220;<a title=\"Wikipedia, on Facebook's history 2006-12\" href=\"https:\/\/en.wikipedia.org\/wiki\/Facebook#2006.E2.80.9312:_public_access.2C_Microsoft_alliance_and_rapid_growth\" target=\"_blank\">cash-flow positive<\/a>&#8220;) &#8212; I imagined <em>Running After My Hat<\/em> would become a journal.<\/p>\n<p>A journal, of course, is <span class=\"explannote\" title=\"Facebook is more diary-like than blogging. Maybe ninety-nine percent of the posts I've seen there pretty much demand a 'Dear Diary...' salutation. On the other hand, the online diary *talks back* to the entries, in a variety of voices, much more reliably than does the old-fashioned hard-copy version. Whether you'd want your diary to talk back to you may be the one question whose answer decides, one way or the other, whether you'll have a Facebook account.\">different from a diary<\/span>. A diary celebrates or simply notes the everyday, with lesser or greater force depending on its import to the author; a journal discusses, considers, weighs, argues, and\/or blathers on about topics which may or may not be <em>based upon<\/em> something mundane, but which may also spring, unbidden, from the author&#8217;s mind and soul. The latter more closely resembles my <em>RAMH<\/em> ideal at the outset.<\/p>\n<p>I suppose the place has attained that ideal, over time, although the topics have come to differ from those I&#8217;d first imagined. I apparently have much less to say about writing, for example, than I once thought I would. (On the other hand, some of this is <span class=\"explannote\" title=\"Particularly, I don't talk much about the 'business side' of writing -- whether\/how I'm submitting work for publication, say. If I were an editor or agent, interested in an unfamiliar author, the first place I'd check for information would be the author's own Web site. And I know how I'D feel upon learning that the work I'm considering had already been rejected by many others before the author decided to submit (apparently begrudgingly) to ME.\">reticence by design<\/span>.)<\/p>\n<p>It&#8217;s also become, well, <em>stranger<\/em> than I&#8217;d planned &#8212; stranger in ways that I could not have anticipated. I didn&#8217;t know, in 2008, that the blogging wave was already cresting. For a while, I actually tried to post something new every single day; by the time <em>RAMH<\/em> attained what I think of as its own peak, though &#8212; 2011-13, maybe &#8212; the posting rate had already declined, roughly in proportion to the dwindling audience.<\/p>\n<p style=\"padding-left: 30px; padding-right: 30px; font-size: 90%; line-height: 1.25em;\"><em>To be fair, the decline in my output was mirrored by the decline in my <\/em>input<em> &#8212; my reading of and participation in other blogs. It&#8217;s not as if <\/em>RAMH<em> were the only blog withering at the time. When Google dropped its &#8220;Google Reader&#8221; blog-aggregation product, in 2013, I believe the transformation of the Web from a writers-and-readers model to a social-chatter model was complete.<\/em><\/p>\n<p>What&#8217;s left, then, has become more like a <em>real<\/em> journal: a place for talking to myself, as time and circumstance allow, about topics and in ways I don&#8217;t mind making public, but also about topics and in ways I can&#8217;t imagine sharing in Facebook&#8217;s short-attention-span theater. (<em>RAMH<\/em> posts do automatically trigger brief summary posts on Facebook, for anyone who might be interested, with links to the full <em>RAMH<\/em> entries.)<\/p>\n<span class=\"su-dropcap su-dropcap-style-light\" style=\"font-size:2em\">A<\/span>lthough I haven&#8217;t done a statistical analysis, I bet ninety percent of the content here has come down to two things: posts in the &#8220;Ruminations&#8221; category &#8212; all of them <em>whiskey river Fridays<\/em> posts, I think &#8212; and posts related somehow to music. Translated, this means that my output here seldom exceeds two posts weekly: not a good mechanism for attracting and retaining loyal readers, but at the same time a good tool for &#8220;keeping my hand in.&#8221; I <em>like<\/em> ruminating, and I <em>like<\/em> learning (and talking at length) about some aspects of music, too: both pursuits which ultimately depend not on facts, but on the <em>processing<\/em> of facts. And I don&#8217;t mind processing them openly, for my own sake, even if for no one else&#8217;s.<\/p>\n<p>All the other stuff I used to post about here has transitioned to That Other Place. That place has its uses, as I&#8217;ve learned. But there&#8217;s not much room there for running after one&#8217;s hat, any more than I&#8217;d find in a shopping mall at the holidays, or a crowded amphitheater.<\/p>\n<p style=\"text-align: center;\">&#8212;<\/p>\n<p><!--more--><\/p>\n<span class=\"su-dropcap su-dropcap-style-light\" style=\"font-size:2em\">S<\/span>o there&#8217;s my anniversary rumination. How about some music?<\/p>\n<p>Here are the anniversary playlists I&#8217;ve done so far (note that I did <em>not<\/em> do an anniversary post at all in 2012, with or without a playlist):<\/p>\n<ul>\n<li><a title=\"RAMH@3: The Mix\" href=\"https:\/\/johnesimpson.com\/blog\/2011\/04\/ramh3-the-mix\/\">RAMH@3 \/ 2011: &#8220;The Mix&#8221;<\/a> (18 tracks, no particular theme except that I&#8217;d posted about all those songs here during the three years of the blog&#8217;s existence to date, and had liked them)<\/li>\n<li><a title=\"RAMH@5: Cherchez Les Femmes\" href=\"https:\/\/johnesimpson.com\/blog\/2013\/04\/ramh5-cherchez-les-femmes-a-playlist\/\">RAMH@5 \/ 2013: &#8220;<em>Cherchez Les Femmes<\/em>&#8220;<\/a> (18 tracks, music by women)<\/li>\n<li><a title=\"RAMH@6: Discoveries\" href=\"https:\/\/johnesimpson.com\/blog\/2014\/04\/ramh6-discoveries-a-playlist-and-a-rumination\/\">RAMH@6 \/ 2014: &#8220;Discoveries&#8221;<\/a> (19 tracks, music I learned about <em>because<\/em> I&#8217;m blogging)<\/li>\n<li><a title=\"RAMH@7: Old Friends\" href=\"https:\/\/johnesimpson.com\/blog\/2015\/04\/ramh7-old-friends-a-playlist-and-a-rumination-or-two\/\">RAMH@7 \/ 2015: &#8220;Old Friends&#8221;<\/a> (21 tracks, music I&#8217;d have known about with or without blogging)<\/li>\n<\/ul>\n<p>The lists have little in common except that I (a) followed the principles laid out in the RAMH@3 entry, and (b) selected and arranged all songs to fit on a single CD, should <span class=\"explannote\" title=\"I have to admit: the four playlists have frequent rotation among my own listening. I really like that music, no matter the theme.\">anyone<\/span> be so inclined, and (c) no song appears on more than one playlist. (At the moment, they all also use the old-style audio-player control, which no longer works in browsers which cripple or disable Adobe Flash for security reasons. I&#8217;ll try to bring them up to date soon.)<\/p>\n<p>There&#8217;s one obvious omission, though: although I&#8217;d built a playlist of music by women, I&#8217;d never done one of music by <em>men<\/em>. So this year&#8217;s mix should redress that gap.<\/p>\n<p>Back in 2013, I wrote (of my playlist of music by women):<\/p>\n<blockquote><p>This is a natural choice for me &#8212; for a number of reasons, not least because (on average) I simply hear women&#8217;s voices better than men&#8217;s. It does risk a certain uniformity of sound (I favor quieter, singer-songwriter solos over belted-out Big Voices supported by a hundredweight of metal or orchestra). On the other hand, maybe the skipping-around mindset would help\u2026<\/p>\n<p>Don&#8217;t look for deeper meanings. I didn\u2019t repeat anything from the third-year anniversary mix, but otherwise I considered all songs equally. The women in question aren\u2019t necessarily &#8220;my favorite women artists&#8221;&#8230; It&#8217;s just a list which, well, which by tomorrow will look to me woefully incomplete or inappropriate.<\/p><\/blockquote>\n<p>You can say much the same things about this year&#8217;s mix, with gender-switching as appropriate. I will say I was surprised by how many choices I had; in my head, I picture the music variety here lopsidedly female &#8212; but it&#8217;s probably very close to evenly split.<\/p>\n<p>Now for specifics&#8230; Not every year of <em>RAMH<\/em>&#8216;s existence is represented here (exceptions, for whatever reason: 2014 and 2016); the champ is 2008, with five contributions, while 2011 added four. I don&#8217;t know that you could draw an conclusions about my musical tastes &#8212; the genres, release date, and other things they <em>might<\/em> have in common are all over the map. It&#8217;s a mix of soloists and bands, instrumentals and vocals, old and new<\/p>\n<p>Finally, as in earlier lists, each hyperlinked song title below takes you to the post in which the song was featured:<\/p>\n<div style=\"border: 1px solid brown; padding: 3px; width: 80%; margin-left: auto; margin-right: auto; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 90%; line-height: 1.25em;\">\n<table style=\"margin-left: auto; margin-right: auto;\" cellspacing=\"3\" cellpadding=\"3\">\n<tbody>\n<tr style=\"border: 1px solid brown; background-color: #fdfcdc;\">\n<td style=\"width: 60px;\" align=\"center\"><strong>Track<\/strong><\/td>\n<td align=\"center\"><strong>Artist<\/strong><\/td>\n<td align=\"center\"><strong>Song<\/strong><\/td>\n<td align=\"center\"><strong>Time<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\"><strong>1<\/strong><\/td>\n<td>Big Daddy<\/td>\n<td valign=\"top\"><a title=\"ADMIN: Testing a New Music Player (with Big Daddy\u2019s 'Sgt. Pepper' Album)\" href=\"https:\/\/johnesimpson.com\/blog\/2015\/06\/admin-testing-a-new-music-player-with-big-daddys-sgt-pepper-album\/\" target=\"_blank\">When I&#8217;m Sixty-Four<\/a><\/td>\n<td valign=\"top\">3:20<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\"><strong>2<\/strong><\/td>\n<td valign=\"top\">The Searchers<\/td>\n<td valign=\"top\"><a title=\"Consider the Things We Miss (Then Consider Our Missing Them)\" href=\"https:\/\/johnesimpson.com\/blog\/2013\/02\/consider-the-things-we-miss-then-consider-our-missing-them\/\" target=\"_blank\">Needles and Pins<\/a><\/td>\n<td valign=\"top\">2:15<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\"><strong>3<\/strong><\/td>\n<td valign=\"top\">Frank Sinatra<\/td>\n<td valign=\"top\"><a title=\"Mother's Day Music Break: Sinatra -- All or Nothing At All\" href=\"https:\/\/johnesimpson.com\/blog\/2015\/05\/mothers-day-music-break-sinatra-all-or-nothing-at-all\/\" target=\"_blank\">Try a Little Tenderness<\/a><\/td>\n<td valign=\"top\">3:21<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\"><strong>4<\/strong><\/td>\n<td valign=\"top\">Paul Simon<\/td>\n<td valign=\"top\"><a title=\"Not Trying Quite So Hard, But It Feels Right\" href=\"https:\/\/johnesimpson.com\/blog\/2011\/04\/not-trying-quite-so-hard-but-it-feels-right\/\" target=\"_blank\">Loves Me Like a Rock<\/a><\/td>\n<td valign=\"top\">3:32<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\"><strong>5<\/strong><\/td>\n<td>Fearing and White<\/td>\n<td valign=\"top\"><a title=\"Midweek Music Break: Fearing &amp; White, 'Under the Silver Sky'\" href=\"https:\/\/johnesimpson.com\/blog\/2011\/08\/midweek-music-break-fearing-white-under-the-silver-sky\/\" target=\"_blank\">Under the Silver Sky<\/a><\/td>\n<td valign=\"top\">5:29<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\"><strong>6<\/strong><\/td>\n<td valign=\"top\">Stevie Ray Vaughan<\/td>\n<td valign=\"top\"><a title=\"Salvaging the Honey at Heaven's Edge\" href=\"https:\/\/johnesimpson.com\/blog\/2008\/10\/salvaging-the-honey-at-heavens-edge\/\" target=\"_blank\">Crossfire<\/a><\/td>\n<td valign=\"top\">4:09<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\"><strong>7<\/strong><\/td>\n<td>Kris Kristofferson<\/td>\n<td valign=\"top\"><a title=\"A Silence, Serving It Up\" href=\"https:\/\/johnesimpson.com\/blog\/2008\/10\/a-silence-serving-it-up\/\" target=\"_blank\">For the Good Times<\/a><\/td>\n<td valign=\"top\">3:22<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\"><strong>8<\/strong><\/td>\n<td valign=\"top\">Paul McCartney<\/td>\n<td valign=\"top\"><a title=\"Flying, Not Flying\" href=\"https:\/\/johnesimpson.com\/blog\/2008\/09\/flying-not-flying\/\" target=\"_blank\">Blackbird (Live)<\/a><\/td>\n<td valign=\"top\">2:06<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\"><strong>9<\/strong><\/td>\n<td valign=\"top\">Eric Bibb<\/td>\n<td valign=\"top\"><a title=\"Musical Interlude: Chin Up\" href=\"https:\/\/johnesimpson.com\/blog\/2010\/08\/musical-interlude-chin-up\/\" target=\"_blank\">Don&#8217;t Ever Let Nobody Drag Your Spirit Down<\/a><\/td>\n<td valign=\"top\">6:52<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\"><strong>10<\/strong><\/td>\n<td valign=\"top\">Roger Waters &amp; Eddie Van Halen<\/td>\n<td valign=\"top\"><a title=\"Near Misses: 'The Legend of 1900'\" href=\"https:\/\/johnesimpson.com\/blog\/2008\/12\/near-misses-the-legend-of-1900\/\" target=\"_blank\">Lost Boys Calling<\/a><\/td>\n<td valign=\"top\">5:21<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\"><strong>11<\/strong><\/td>\n<td>Saint Motel<\/td>\n<td valign=\"top\"><a title=\"Midweek Music Break: Saint Motel, 'Benny Goodman'\" href=\"https:\/\/johnesimpson.com\/blog\/2012\/12\/midweek-music-break-saint-motel-benny-goodman\/\" target=\"_blank\">Benny Goodman<\/a><\/td>\n<td valign=\"top\">3:38<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\"><strong>12<\/strong><\/td>\n<td valign=\"top\">Jim James &amp; The New Multitudes<\/td>\n<td valign=\"top\"><a title=\"Midweek Music Break: Jim James\/The New Multitudes, 'Talking Empty Bed Blues'\" href=\"https:\/\/johnesimpson.com\/blog\/2012\/02\/midweek-music-break-jim-jamesthe-new-multitudes-talking-empty-bed-blues\/\" target=\"_blank\">Talking Empty Bed Blues<\/a><\/td>\n<td valign=\"top\">4:09<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\"><strong>13<\/strong><\/td>\n<td valign=\"top\">\u00a0The Band<\/td>\n<td valign=\"top\"><a title=\"Everyday Matters\" href=\"https:\/\/johnesimpson.com\/blog\/2008\/12\/everyday-matters\/\" target=\"_blank\">All La Glory<\/a><\/td>\n<td valign=\"top\">3:35<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\"><strong>14<\/strong><\/td>\n<td valign=\"top\">\u00a0Elvis Presley<\/td>\n<td valign=\"top\"><a title=\"What's in a Song: 'Begin the Beguine' (2)\" href=\"https:\/\/johnesimpson.com\/blog\/2009\/08\/whats-in-a-song-begin-the-beguine-2\/\" target=\"_blank\">You&#8217;ll Be Gone<\/a><\/td>\n<td valign=\"top\">2:25<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\"><strong>15<\/strong><\/td>\n<td>\u00a0Chuck Jackson<\/td>\n<td valign=\"top\"><a title=\"Midweek Music Break: Haunting Songs\" href=\"https:\/\/johnesimpson.com\/blog\/2011\/09\/midweek-music-break-haunting-songs\/\" target=\"_blank\">Any Day Now<\/a><\/td>\n<td valign=\"top\">3:24<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\"><strong>16<\/strong><\/td>\n<td>\u00a0Marvin Hamlisch<\/td>\n<td valign=\"top\"><a title=\"Midweek Music Break: Scott Joplin's 'Solace'\" href=\"https:\/\/johnesimpson.com\/blog\/2011\/03\/midweek-music-break-scott-joplins-solace\/\" target=\"_blank\">Solace<\/a><\/td>\n<td valign=\"top\">3:35<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\"><strong>17<\/strong><\/td>\n<td valign=\"top\">\u00a0Bob Dylan<\/td>\n<td valign=\"top\"><a title=\"Surprising the Audience\" href=\"https:\/\/johnesimpson.com\/blog\/2009\/01\/surprising-the-audience\/\" target=\"_blank\">Like a Rolling Stone<\/a><\/td>\n<td valign=\"top\">6:07<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\"><strong>18<\/strong><\/td>\n<td valign=\"top\">\u00a0Joey Alexander<\/td>\n<td valign=\"top\"><a title=\"Midweek Music Break: Joey Alexander, 'My Favorite Things'\" href=\"https:\/\/johnesimpson.com\/blog\/2015\/09\/weekend-music-break-joey-alexander-my-favorite-things\/\" target=\"_blank\">Over the Rainbow<\/a><\/td>\n<td valign=\"top\">4:32<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<p style=\"padding-top: 10px;\">And now to the playlist itself. If you&#8217;d like to listen to this in a separate little window of its own while you use this browser window for other purposes, just click the little &#8216;Popout&#8217; button at the top left:<\/p>\n<div><\/div>\n<p>______________________<\/p>\n<p><strong>Footnote: <\/strong>A couple of stray points about this post:<\/p>\n<ul>\n<li>The title alludes to this verse, from Shakespeare&#8217;s <em>Much Ado About Nothing<\/em>:<\/li>\n<\/ul>\n<p style=\"padding-left: 40px;\"><em>Sigh no more, ladies, sigh no more.<\/em><br \/>\n<em> Men were deceivers ever,<\/em><br \/>\n<em>One foot in sea, and one on shore,<\/em><br \/>\nTo one thing constant never<em>.<\/em><br \/>\n<em>Then sigh not so, but let them go,<\/em><br \/>\n<em> And be you blithe and bonny,<\/em><br \/>\n<em>Converting all your sounds of woe<\/em><br \/>\n<em> Into hey nonny, nonny.<\/em><\/p>\n<p style=\"padding-left: 40px;\"><em>Sing no more ditties, sing no more<\/em><br \/>\n<em> Of dumps so dull and heavy.<\/em><br \/>\n<em>The fraud of men was ever so<\/em><br \/>\n<em> Since summer first was leafy.<\/em><br \/>\n<em>Then sigh not so, but let them go,<\/em><br \/>\n<em> And be you blithe and bonny,<\/em><br \/>\n<em>Converting all your sounds of woe<\/em><br \/>\n<em> Into hey, nonny, nonny.<\/em><\/p>\n<ul>\n<li style=\"list-style-type: none;\">It seemed a suitable epigraph for the context &#8212; and, of course, it&#8217;s about men. (It didn&#8217;t hurt, either, that this anniversary&#8217;s illustration likewise suggests things blowing with the wind.)<\/li>\n<li>Coincidentally, this playlist includes the same number of songs as 2013&#8217;s <em>Cherchez Les Femmes<\/em> anniversary post. I really don&#8217;t plan these things&#8230; in fact, 18 seems to be the most common number of songs in these lists to date.<\/li>\n<li>Thanks to a prolonged interlude of hard-drivelessness (a story which I may or may not detail here eventually), I&#8217;d begun but couldn&#8217;t finish this post in time for the <em>actual<\/em> anniversary (April 20). At the time I&#8217;m composing this bullet now, on June 4, I don&#8217;t know how I&#8217;ll deal with this issue in the end. Will I just post this and let readers figure out (or not) what&#8217;s going on? Or will I <em>back-date<\/em> the publication date to 4\/20\/2016? Decisions, decisions&#8230;<\/li>\n<li>I was reminded as I looked at the <em>post<\/em> titles how much I like the ones I come up with for the <em>whiskey river Fridays<\/em> series. Probably my favorite among the post titles in this year&#8217;s mix: &#8220;Consider the Things We Miss (Then Consider Our Missing Them).&#8221; That neatly encapsulates a lot of the feelings stirred up every year when I do an anniversary post!<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>[Image: cartoon by French cartoonist\/illustrator\/humorist V. Spahn. Roughly translated, I believe the caption says something on the order of, &#8220;Oh, shoot &#8212; I meant to get to the office early this morning!&#8221;] ike many people who fired up blogs in the Great Flowering Era &#8212; i.e., pre-2009, say (the year when Facebook first turned a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","h5ap_radio_sources":[],"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"Six weeks late, 2016's blogiversary post: 'RAMH@8: To One Thing Constant Never... and a Playlist'","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[38,12,1027,1393,2252,74,250,37,5],"tags":[225,229,846,1256,4324,4325],"class_list":{"0":"post-17930","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-backwards","7":"category-03_runningaftermyhat","8":"category-whats-in-a-song-runningaftermyhat","9":"category-whiskey-river-runningaftermyhat","10":"category-midweek-music-break","11":"category-music","12":"category-art","13":"category-onlineworld","14":"category-06_writing","15":"tag-shakespeare","16":"tag-blogging","17":"tag-playlists","18":"tag-anniversaries","19":"tag-facebook","20":"tag-v-spahn","21":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6kZSG-4Fc","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/17930","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/comments?post=17930"}],"version-history":[{"count":48,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/17930\/revisions"}],"predecessor-version":[{"id":18145,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/17930\/revisions\/18145"}],"wp:attachment":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/media?parent=17930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/categories?post=17930"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/tags?post=17930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}