{"id":20263,"date":"2018-04-27T06:45:47","date_gmt":"2018-04-27T10:45:47","guid":{"rendered":"https:\/\/johnesimpson.com\/blog\/?p=20263"},"modified":"2018-04-27T09:51:35","modified_gmt":"2018-04-27T13:51:35","slug":"being-both-here-and-beyond","status":"publish","type":"post","link":"https:\/\/johnesimpson.com\/blog\/2018\/04\/being-both-here-and-beyond\/","title":{"rendered":"Being Both Here and Beyond"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/johnesimpson.com\/images\/circetheojunior.jpg\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter size-full\" style=\"width: 100%;\" src=\"https:\/\/i0.wp.com\/johnesimpson.com\/images\/circetheojunior.jpg\" alt=\"Image: 'Circe,' by user TheoJunior on Flickr\" \/><\/a><\/p>\n<p class=\"smalltext\"><em>[Image: &#8216;Circe,&#8217; by user TheoJunior <a title=\"Flickr.com: 'Circe,' by TheoJunior\" rel=\"noopener\" href=\"https:\/\/www.flickr.com\/photos\/theojunior\/3777522717\/in\/photostream\/\" target=\"_blank\">on Flickr<\/a>; used here under a Creative Commons license (thank you!). About its subject, he caption supplied by the artist says only (and wryly), &#8220;Aeaean weaver, zookeeper, apothecary, and charming hostess.&#8221; You can read more about TheoJunior&#8217;s series of molded polymer-clay faces at <a title=\"Flickr.com: about user TheoJunior\" rel=\"noopener\" href=\"https:\/\/www.flickr.com\/people\/theojunior\/\" target=\"_blank\">his\/her Flickr &#8220;about&#8221; page<\/a>.]<\/em><\/p>\n<p>From <a title=\"whiskey river: 'In the Street,' by Mary Jo Bang\" rel=\"noopener\" href=\"http:\/\/whiskeyriver.blogspot.com\/2018\/04\/in-street-here-we-are-on-top-of-utopian.html\" target=\"_blank\"><em>whiskey river<\/em><\/a>:<\/p>\n<blockquote><p><strong>In the Street<\/strong><\/p>\n<p style=\"max-width: 75%; text-align: justify;\">Here we are, on top of the utopian arc. The water is shallow. An oil spill shimmers on the surface like a lens catches light and folds it in front of a mirror. If someone stands next to you, they are there, even when outside the picture. Which makes total obscurity relative to luck and such. Unlike the law, architecture lasts. A fa\u00e7ade, like an ideal, can be oppressive unless balanced by a balcony on which you can stand and call down to those in the street, Come over here and look up at us. Aren&#8217;t we exactly what you wanted to believe in?<\/p>\n<\/blockquote>\n<p>(Mary Jo Bang [<a title=\"Google Books: 'A Doll for Throwing: Poems,' by Mary Jo Bang\" rel=\"noopener\" href=\"https:\/\/books.google.com\/books?id=L3EODQAAQBAJ&amp;pg=PA30#v=onepage&amp;q&amp;f=false\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;<a title=\"whiskey river: Annie Dillard, on the essential flip side of existing\" rel=\"noopener\" href=\"http:\/\/whiskeyriver.blogspot.com\/2018\/04\/the-world-has-signed-pact-with-devil-it.html\" target=\"_blank\">and<\/a>:<\/p>\n<blockquote><p>The world has signed a pact with the devil; it had to. It is a covenant to which every thing, even every hydrogen atom, is bound. The terms are clear: if you want to live, you have to die; you cannot have mountains and creeks without space, and space is a beauty married to a blind man. The blind man is Freedom, or Time, and he does not go anywhere without his great dog Death. The world came into being with the signing of the contract. A scientist calls it the Second Law of Thermodynamics. A poet says, &#8220;The force that through the green fuse drives the flower\/ Drives my green age.&#8221; This is what we know. The rest is gravy.<\/p><\/blockquote>\n<p>(Annie Dillard [<a title=\"The Atlantic (November, 1973): 'The Force That Drives the Flower,' by Annie Dillard\" rel=\"noopener\" href=\"https:\/\/www.theatlantic.com\/ideastour\/nature\/dillard-full.html\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;<a title=\"whiskey river: 'Breath,' by Mark Strand\" rel=\"noopener\" href=\"http:\/\/whiskeyriver.blogspot.com\/2018\/04\/breath-when-you-see-them-tell-them-i-am.html\" target=\"_blank\">and<\/a>:<\/p>\n<blockquote><p><strong>Breath<\/strong><\/p>\n<p>When you see them<br \/>\ntell them I am still here,<br \/>\nthat I stand on one leg while the other one dreams,<br \/>\nthat this is the only way,<\/p>\n<p>that the lies I tell them are different<br \/>\nfrom the lies I tell myself,<br \/>\nthat by being both here and beyond<br \/>\nI am becoming a horizon,<\/p>\n<p>that as the sun rises and sets I know my place,<br \/>\nthat breath is what saves me,<br \/>\nthat even the forced syllables of decline are breath,<br \/>\nthat if the body is a coffin it is also a closet of breath,<\/p>\n<p>that breath is a mirror clouded by words,<br \/>\nthat breath is all that survives the cry for help<br \/>\nas it enters the stranger&#8217;s ear<br \/>\nand stays long after the world is gone,<\/p>\n<p>that breath is the beginning again, that from it<br \/>\nall resistance falls away, as meaning falls<br \/>\naway from life, or darkness falls from light,<br \/>\nthat breath is what I give them when I send my love.<\/p><\/blockquote>\n<p>(Mark Strand [<a title=\"Google Books: 'Collected Poems,' by Mark Strand\" rel=\"noopener\" href=\"https:\/\/books.google.com\/books?id=HHxIAwAAQBAJ&amp;pg=PT89#v=onepage&amp;q&amp;f=false\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<p><!--more--><\/p>\n<p>Not from <em>whiskey river<\/em>:<\/p>\n<blockquote><p><strong>The Ghost Light<\/strong><br \/>\n<em>(excerpt)<\/em><\/p>\n<p>Lit from within is the sole secure way<br \/>\nto traverse dark matter. Some life forms?&#8212;<br \/>\ncertain mushrooms, snails, jellyfish, worms?&#8212;<br \/>\nglow bioluminescent, and people as well; we<br \/>\nemit infrared light from our most lucent selves.<br \/>\nOur tragedy is we can\u2019t see it.<\/p>\n<p>We see by reflection. We need biofluorescence<br \/>\nto show our true colors. External illumination can<br \/>\ndistort, though. When gravity bends light, huge galaxy<br \/>\nclusters can act as telescopes, elongating background<br \/>\nimages of star systems to faint arcs?&#8212;?a lensing effect<br \/>\nlike viewing distant street lamps through a glass of wine.<\/p><\/blockquote>\n<p>(Robin Morgan [<a title=\"Poetry Foundation: 'The Ghost Light' (excerpt), by Robin Morgan\" rel=\"noopener\" href=\"https:\/\/www.poetryfoundation.org\/poetrymagazine\/poems\/143931\/the-ghost-light\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;and:<\/p>\n<blockquote><p><strong>Aunt Joe Learns To Keep Her Balance<\/strong><\/p>\n<p>Everything I need arrives in time&#8211;sunlight,<br \/>\na little breeze at night, dancing music,<br \/>\nas though a kind Aunt were lending me her things,<br \/>\nso I begin to lend mine too. Now I\u2019m famous for it.<br \/>\nMy pie plates turn up at church suppers,<br \/>\nmy fishing lures are drying on Briske\u2019s grass,<br \/>\nLast week I sent my cat to be someone\u2019s mouser<br \/>\nand now her eyes glow like flashlights<br \/>\nfrom the neighbor\u2019s basement windows. Objects blow<br \/>\nback and forth among us in an erratic trade wind.<br \/>\nSometimes I have too much, sometimes too little.<br \/>\nSitting on my porch, I count my rain hats.<br \/>\nAll afternoon people have returned them.<br \/>\nI look up. The sky lowers and growls.<br \/>\nHere comes Mrs. Sorensen on her bicycle wearing<br \/>\nthree rain hats, waving an umbrella for me.<br \/>\nShe\u2019s old enough to be my mother, but<br \/>\nshe still tips dangerously, first to one side<br \/>\nthen to the other. I try to memorize it,<br \/>\nhow she keeps her balance.<\/p><\/blockquote>\n<p>(Jeanne Murray Walker [<a title=\"Poetry Magazine (July, 1991): 'Aunt Joe Learns to Keep Her Balance,' by Jeanne Murray Walker\" rel=\"noopener\" href=\"https:\/\/www.poetryfoundation.org\/poetrymagazine\/browse?contentId=38114\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;and:<\/p>\n<blockquote>[Charles Darwin&#8217;s ship] the <em>Beagle<\/em> had rung down its anchor at what the Spanish had called, with singular discernment, the &#8220;Encantadas,&#8221; the Enchanted Isles.<\/p>\n<p>Odysseus had come similarly upon Circe&#8217;s island, only to find his crew transformed into animals&#8212;specifically, into pigs. When, at his behest, the changelings were created men once more, they took on a more lively and youthful appearance. By the sixteenth century the Florentine writer Giovanni Battista Gelli had produced <a title=\"Internet Archive: 'The Circe of Signior Giovanni Battista Gelli... Consisting of ten dialogues between men transformed into beasts'\" rel=\"noopener\" href=\"https:\/\/archive.org\/details\/circesigniorgio00gellgoog\" target=\"_blank\">his <em>Circe<\/em><\/a>, in which a variety of animals refused Odysseus&#8217; offer to restore them to their original form. Their arguments for remaining as they were constitute an ingenious commentary on the human condition. From rabbit to lion the animals are united in being done with humanity. Not all the argumentative wiles of Odysseus can talk them back into the shape of <em>Homo sapiens<\/em>. The single exception proves to be a Greek philosopher immured in the body of an elephant. He alone consents to a renewed transformation&#8230;<\/p>\n<p>Circe kept herself hidden, but it was evident to the wondering Darwin that there was a power hidden in time and isolation that alone could transmute, not just men, but all things living, into wavering shadows.<\/p><\/blockquote>\n<p>(Loren Eiseley [<a title=\"Google Books: 'The Unexpected Universe,' by Loren Eiseley\" rel=\"noopener\" href=\"https:\/\/books.google.com\/books?id=U_X4BprwBksC&amp;pg=PA14#v=onepage&amp;q&amp;f=false\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;and:<\/p>\n<blockquote><p><strong>The Paradox of Life<\/strong><\/p>\n<p>A bit beyond perception&#8217;s reach<br \/>\nI sometimes believe I see<br \/>\nthat Life is two locked boxes, each<br \/>\ncontaining the other&#8217;s key.<\/p><\/blockquote>\n<p>(Piet Hein [<a title=\"Wikiquote: Grook, 'The Paradox of Life,' by Piet Hein\" rel=\"noopener\" href=\"https:\/\/en.wikiquote.org\/wiki\/Piet_Hein\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Image: &#8216;Circe,&#8217; by user TheoJunior on Flickr; used here under a Creative Commons license (thank you!). About its subject, he caption supplied by the artist says only (and wryly), &#8220;Aeaean weaver, zookeeper, apothecary, and charming hostess.&#8221; You can read more about TheoJunior&#8217;s series of molded polymer-clay faces at his\/her Flickr &#8220;about&#8221; page.] From whiskey river: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":20274,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","h5ap_radio_sources":[],"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"Piet Hein, Mark Strand, Mary Jo Bang, Robin Morgan, et al.: 'Being Both Here and Beyond'","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[247,1393,250,5,251,3477,4159],"tags":[295,684,2908,4282,4691,4722,4723,4724,4725],"class_list":{"0":"post-20263","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-ruminations","8":"category-whiskey-river-runningaftermyhat","9":"category-art","10":"category-06_writing","11":"category-poetry-writing_cat","12":"category-fantasy-06_writing","13":"category-essays","14":"tag-annie-dillard","15":"tag-mark-strand","16":"tag-loren-eiseley","17":"tag-mythology","18":"tag-mary-jo-bang","19":"tag-piet-hein","20":"tag-robin-morgan","21":"tag-jeanne-murray-walker","22":"tag-odysseus","23":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/johnesimpson.com\/blog\/wp-content\/uploads\/2018\/04\/circetheojunior_thumb.jpg?fit=500%2C562&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p6kZSG-5gP","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/20263","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/comments?post=20263"}],"version-history":[{"count":9,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/20263\/revisions"}],"predecessor-version":[{"id":20273,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/20263\/revisions\/20273"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/media\/20274"}],"wp:attachment":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/media?parent=20263"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/categories?post=20263"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/tags?post=20263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}