{"id":21026,"date":"2019-04-05T06:48:50","date_gmt":"2019-04-05T10:48:50","guid":{"rendered":"https:\/\/johnesimpson.com\/blog\/?p=21026"},"modified":"2019-04-05T07:00:13","modified_gmt":"2019-04-05T11:00:13","slug":"as-if-as-is","status":"publish","type":"post","link":"https:\/\/johnesimpson.com\/blog\/2019\/04\/as-if-as-is\/","title":{"rendered":"As If \/ As Is"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter size-full\" style=\"width: 100%;\" src=\"https:\/\/i0.wp.com\/johnesimpson.com\/images\/mermaidbidbathcloser_orchiddude.jpg?ssl=1\" alt=\"Image: 'Mermaid birdbath closer,' by user 'orchid dude' on Flickr\" \/><\/p>\n<p class=\"smalltext\"><em>[Image: adapted from &#8220;<a title=\"Flickr.com: 'Mermaid birdbatch closer,' by 'orchid dude'\" href=\"https:\/\/www.flickr.com\/photos\/32837203@N08\/3164801931\/in\/photolist-TRuwa7-MrjGxA-2aTbdkj-bPnTk6-5PErmx-5PELxT-5PK18S-e6aceU-SFkS2z-THBjov-9U7wFg-qpcaCs-4Mxonq-SFmXNc-6oT9Qj-9RdBYV-CV4Dhg-qH3CfU\/\" target=\"_blank\" rel=\"noopener\">Mermaid birdbath closer<\/a>,&#8221; by Flickr user &#8220;orchid dude.&#8221; There are a lot of images of mermaids in concrete and stone in some kind of watery setting, but this one by far had the best representation of one of the despondent and possibly ill-tempered creatures depicted in Matthea Harvey&#8217;s poem this week&#8230;]<\/em><\/p>\n<p>From <a title=\"whiskey river: Cheryl Strayed, on the life you don't (didn't) choose\" href=\"http:\/\/whiskeyriver.blogspot.com\/2019\/03\/ill-never-know-and-neither-will-you-of.html\" target=\"_blank\" rel=\"noopener\"><em>whiskey river<\/em><\/a>:<\/p>\n<blockquote><p>I&#8217;ll never know, and neither will you, of the life you don&#8217;t choose. We&#8217;ll only know that whatever that sister life was, it was important and beautiful and not ours. It was the ghost ship that didn&#8217;t carry us. There&#8217;s nothing to do but salute it from the shore.<\/p><\/blockquote>\n<p>(Cheryl Strayed [<a title=\"The Rumpus: 'Dear Sugar, The Rumpus Advice Column #71: The Ghost Ship that Didn't Carry Us,' by 'Sugar' (Cheryl Strayed); later collected in 'Tiny Beautiful Things,' by Cheryl Strayed\" href=\"https:\/\/therumpus.net\/2011\/04\/dear-sugar-the-rumpus-advice-column-71-the-ghost-ship-that-didnt-carry-us\/\" target=\"_blank\" rel=\"noopener\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;<a title=\"whiskey river: 'The Blue Guitar' (excerpt), by P.K. Page\" href=\"http:\/\/whiskeyriver.blogspot.com\/2019\/04\/they-said-you-have-blue-guitar-you-do.html\" target=\"_blank\" rel=\"noopener\">and<\/a> (epigraph + last two stanzas):<\/p>\n<blockquote><p><strong>The Blue Guitar<\/strong><\/p>\n<p><em>&#8220;They said, &#8216;You have a blue guitar,<\/em><br \/>\n<em>You do not play things as they are.&#8217;<\/em><br \/>\n<em>The man replied, &#8216;Things as they are<\/em><br \/>\n<em>are changed upon the blue guitar.'&#8221;<\/em><br \/>\n&#8212; The Blue Guitar (Wallace Stevens)<\/p>\n<p>I do my best to tell it true<br \/>\na thing exceeding hard to do<br \/>\nor tell it slant as Emily<br \/>\nadvises in her poetry,<br \/>\nand, colour blind, how can I know<br \/>\nif green is blue or cinnabar.<br \/>\nFind me a colour chart that I<br \/>\ncan check against a summer sky.<br \/>\nMy eye is on a distant star.<br \/>\n<em>They said, \u2018You have a blue guitar.\u2019<\/em><\/p>\n<p>\u2018I have,\u2019 the man replied, \u2018it\u2019s true.<br \/>\nThe instrument I strum is blue<br \/>\nI strum my joy, I strum my pain<br \/>\nI strum the sun, I strum the rain.<br \/>\nBut tell me, what is that to you?<br \/>\nYou see things as you think they are.<br \/>\nRemove the mote within your ear<br \/>\nthen talk to me of what you hear.\u2019<br \/>\nThey said, \u2018Go smoke a blue cigar!<br \/>\n<em>You do not play things as they are.\u2019<\/em><\/p>\n<p>&#8216;Things as they are? Above? Below?<br \/>\nIn hell or heaven? Fast or slow &#8230;?&#8217;<br \/>\nThey silenced him. &#8216;It&#8217;s not about<br \/>\nphilosophy, so cut it out.<br \/>\nWe want the truth and not what you<br \/>\nare playing on the blue guitar.<br \/>\nSo start again and play it straight<br \/>\ndon&#8217;t improvise, prevaricate.<br \/>\nJust play things as they really are.&#8217;<br \/>\n<em>The man replied, &#8216;Things as they are<\/em><\/p>\n<p>are not the same as things that were<br \/>\nor will be in another year.<br \/>\nThe literal is rarely true<br \/>\nfor truth is old and truth is new<br \/>\nand faceted &#8212; a metaphor<br \/>\nfor something higher than we are.<br \/>\nI play the truth of Everyman<br \/>\nI play the truth as best I can.<br \/>\nThe things I play are better far<br \/>\n<em>when changed upon the blue guitar.&#8217;<\/em><\/p><\/blockquote>\n<p>(P. K. Page, from The Blue Guitar [<a title=\"Griffin Poetry Prize (2010): 'The Blue Guitar,' by P.K. Page\" href=\"http:\/\/www.griffinpoetryprize.com\/see-and-hear-poetry\/p-z\/p-k-page\/\" target=\"_blank\" rel=\"noopener\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;<a title=\"whiskey river: Two poems by Gesshu Soko\" href=\"http:\/\/whiskeyriver.blogspot.com\/2019\/03\/under-trees-welcoming-spring.html\" target=\"_blank\" rel=\"noopener\">and<\/a>:<\/p>\n<blockquote><p>Under the trees,<br \/>\nwelcoming spring.<br \/>\nThings take care of themselves.<\/p>\n[&#8230;]\n<p>Filling the eye,<br \/>\nblue, blue mountains<br \/>\nin all directions.<\/p><\/blockquote>\n<p>(Gesshu Soko [<a title=\"terrebess.hu: poems of Gesshu Soko\" href=\"https:\/\/terebess.hu\/zen\/mesterek\/GesshuSoko.html#a\" target=\"_blank\" rel=\"noopener\"><em>source<\/em><\/a>])<\/p>\n<p><!--more--><\/p>\n<p>Not from <em>whiskey river<\/em>:<\/p>\n<blockquote><p>The mistake ninety-nine percent of humanity made, as far as Fats could see, was being ashamed of what they were; lying about it, trying to be somebody else&#8230; <em>Authentic<\/em> and <em>inauthentic<\/em> were words that Fats used often, inside his own head; they had laser-precise meaning for him, in the way he applied them to himself and others.<\/p>\n<p>He had decided that he possessed traits that were authentic, which ought therefore to be encouraged and cultivated; but also that some of his habits of thought were the unnatural product of his unfortunate upbringing, and consequently inauthentic and to be purged.<\/p><\/blockquote>\n<p>(J.K. Rowling [<a title=\"Amazon.com: 'The Casual Vacancy,' by J.K. Rowling\" href=\"https:\/\/www.amazon.com\/dp\/B007THA4FI\/ref=dp-kindle-redirect?_encoding=UTF8&amp;btkr=1#reader_B007THA4FI\" target=\"_blank\" rel=\"noopener\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;and:<\/p>\n<blockquote><p>The body and soul are like a coach and horses and a coachman. The horses are desires. The coachman is the ego, the &#8220;I&#8221; that controls the desires and looks where he&#8217;s going (and makes sure the foot doesn&#8217;t go in the wrong place). But inside the coach is a passenger. Who is riding in the coach? It&#8217;s our soul. &#8220;Coachman, would you stop, please?&#8221; &#8220;Coachman, you are going a little too fast.&#8221;<\/p>\n<p>I am riding in my coach, and now and then my coach needs a grease job or a new bearing or a joint replaced. [While in the hospital after breaking my hip,] I&#8217;m in the coach shop for a hip joint, and they&#8217;re the coach repair experts. That&#8217;s fine as long as I know who I am&#8212;that I&#8217;m not the coach, that I am a passenger inside the coach riding along merrily, merrily, merrily.<\/p><\/blockquote>\n<p>(Ram Dass [<a title=\"Google Books: 'Still Here,' by Ram Dass\" href=\"https:\/\/books.google.com\/books?id=GixTCgAAQBAJ&amp;pg=PT132\" target=\"_blank\" rel=\"noopener\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;and:<\/p>\n<blockquote><p><strong>The Backyard Mermaid<\/strong><\/p>\n<p>The Backyard Mermaid slumps across the birdbath, tired of fighting birds for seeds and lard. She hates those fluffed-up feathery fish imitations, but her hatred of the cat goes fathoms deeper. That beast is always twining about her tail, looking to take a little nip of what it considers a giant fish. Its breath smells of possible friends. She collects every baseball or tennis ball that flies into her domain to throw at the creature, but it advances undeterred, even purring. To add further insult to injury it has a proper name, <em>Furball<\/em>, stamped on a silver tag on its collar. She didn&#8217;t even know she had a name until one day she heard the human explaining to another one, &#8220;Oh that&#8217;s just the backyard mermaid.&#8221; Backyard Mermaid she murmured, as if in prayer. On days when there&#8217;s no sprinkler to comb through her curls, no rain pouring in glorious torrents from the gutters, no dew in the grass for her to nuzzle with her nose, not even a mud puddle in the kiddie pool, she wonders how much longer she can bear this life. The front yard thud of the newspaper every morning. Singing songs to the unresponsive push mower in the garage. Wriggling under fence after fence to reach the house four down which has an aquarium in the back window. She wants to get lost in that sad glowing square of blue. Don&#8217;t you?<\/p><\/blockquote>\n<p>(Matthea Harvey [<a title=\"Poetry.org: 'The Backyard Mermaid,' by Matthea Harvey\" href=\"https:\/\/www.poets.org\/poetsorg\/poem\/backyard-mermaid\" target=\"_blank\" rel=\"noopener\"><em>source<\/em><\/a>])<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Image: adapted from &#8220;Mermaid birdbath closer,&#8221; by Flickr user &#8220;orchid dude.&#8221; There are a lot of images of mermaids in concrete and stone in some kind of watery setting, but this one by far had the best representation of one of the despondent and possibly ill-tempered creatures depicted in Matthea Harvey&#8217;s poem this week&#8230;] From [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":21032,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","h5ap_radio_sources":[],"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"Cheryl Strayed, Ram Dass, et al., on things as they are, as they might be, as they ARE: 'As If \/ As Is'","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[247,1393,250,5,251,4159],"tags":[2425,3886,4835,4899,4900,4901],"class_list":{"0":"post-21026","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-ruminations","8":"category-whiskey-river-runningaftermyhat","9":"category-art","10":"category-06_writing","11":"category-poetry-writing_cat","12":"category-essays","13":"tag-j-k-rowling","14":"tag-cheryl-strayed","15":"tag-ram-dass","16":"tag-p-k-page","17":"tag-gesshu-soko","18":"tag-matthea-harvey","19":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/johnesimpson.com\/blog\/wp-content\/uploads\/2019\/04\/mermaidbidbathcloser_orchiddude_thumb.jpg?fit=500%2C352&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p6kZSG-5t8","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/21026","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/comments?post=21026"}],"version-history":[{"count":9,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/21026\/revisions"}],"predecessor-version":[{"id":21037,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/21026\/revisions\/21037"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/media\/21032"}],"wp:attachment":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/media?parent=21026"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/categories?post=21026"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/tags?post=21026"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}