{"id":23588,"date":"2020-10-16T08:31:41","date_gmt":"2020-10-16T12:31:41","guid":{"rendered":"https:\/\/johnesimpson.com\/blog\/?p=23588"},"modified":"2020-10-16T11:01:39","modified_gmt":"2020-10-16T15:01:39","slug":"the-day-your-hourglass-runs-out-of-sand","status":"publish","type":"post","link":"https:\/\/johnesimpson.com\/blog\/2020\/10\/the-day-your-hourglass-runs-out-of-sand\/","title":{"rendered":"The Day Your Hourglass Runs Out of Sand"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"810\" src=\"https:\/\/i0.wp.com\/johnesimpson.com\/blog\/wp-content\/uploads\/2020\/10\/doa_obrien_sm.jpg?resize=1024%2C810&#038;ssl=1\" alt=\"\" class=\"wp-image-23592\" style=\"width: 100%;\" srcset=\"https:\/\/i0.wp.com\/johnesimpson.com\/blog\/wp-content\/uploads\/2020\/10\/doa_obrien_sm.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/johnesimpson.com\/blog\/wp-content\/uploads\/2020\/10\/doa_obrien_sm.jpg?resize=300%2C237&amp;ssl=1 300w, https:\/\/i0.wp.com\/johnesimpson.com\/blog\/wp-content\/uploads\/2020\/10\/doa_obrien_sm.jpg?resize=768%2C608&amp;ssl=1 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<p class=\"smalltext\"><em>[Movie poster for D.O.A. (1950), starring Edmond O&#8217;Brien&#8230; more, <a href=\"https:\/\/johnesimpson.com\/blog\/2020\/10\/the-day-your-hourglass-runs-out-of-sand#doapoem\">below<\/a>]<\/em><\/p>\n\n\n\n<p>From <em><a href=\"http:\/\/whiskeyriver.blogspot.com\/2020\/10\/if-you-knew-what-if-you-knew-youd-be.html\" target=\"_blank\" rel=\"noreferrer noopener\">whiskey river<\/a><\/em>:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p><strong>If You Knew<\/strong><\/p><p>What if you knew you&#8217;d be the last<br>to touch someone?<br>If you were taking tickets, for example,<br>at the theater, tearing them,<br>giving back the ragged stubs,<br>you might take care to touch that palm,<br>brush your fingertips<br>along the life line&#8217;s crease.<\/p><p>When a man pulls his wheeled suitcase<br>too slowly through the airport, when<br>the car in front of me doesn&#8217;t signal,<br>when the clerk at the pharmacy<br>won&#8217;t say <em>Thank you<\/em>, I don&#8217;t remember<br>they&#8217;re going to die.<\/p><p>A friend told me she&#8217;d been with her aunt.<br>They&#8217;d just had lunch and the waiter,<br>a young gay man with plum black eyes,<br>joked as he served the coffee, kissed<br>her aunt&#8217;s powdered cheek when they left.<br>Then they walked half a block and her aunt<br>dropped dead on the sidewalk.<\/p><p>How close does the dragon&#8217;s spume<br>have to come? How wide does the crack<br>in heaven have to split?<br>What would people look like<br>if we could see them as they are,<br>soaked in honey, stung and swollen,<br>reckless, pinned against time?<\/p><\/blockquote>\n\n\n\n<p>(Ellen Bass [<em><a rel=\"noreferrer noopener\" href=\"https:\/\/books.google.com\/books?id=TiVfAwAAQBAJ&amp;lpg=PA50&amp;pg=PA50#v=onepage&amp;q&amp;f=false\" target=\"_blank\">source<\/a><\/em>])<\/p>\n\n\n\n<p>&#8230;<a href=\"http:\/\/whiskeyriver.blogspot.com\/2020\/10\/the-best-thing-about-time-passing-is.html\" target=\"_blank\" rel=\"noreferrer noopener\">and<\/a>:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>The best thing about time passing is the privilege of running out of it, of watching the wave of mortality break over me and everyone I know. No more time, no more potential. The privilege of ruling things out. Finishing. Knowing I&#8217;m finished. And knowing time will go on without me.<\/p><p>Look at me, dancing my little dance for a few moments against the background of eternity.<\/p><\/blockquote>\n\n\n\n<p>(Sarah Manguso [<em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.amazon.com\/dp\/B00Q20AU52\/ref=dp-kindle-redirect?_encoding=UTF8&amp;btkr=1\" target=\"_blank\">source<\/a><\/em>])<\/p>\n\n\n\n<p>&#8230;<a href=\"http:\/\/whiskeyriver.blogspot.com\/2020\/10\/for-coming-extinction-gray-whale-now.html\" target=\"_blank\" rel=\"noreferrer noopener\">and<\/a>:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p><strong>For a Coming Extinction<\/strong><\/p><p>Gray whale<br>Now that we are sending you to The End<br>That great god<\/p><p>Tell him<br>That we who follow you invented forgiveness<br>And forgive nothing<\/p><p>I write as though you could understand<br>And I could say it<br>One must always pretend something<br>Among the dying<br>When you have left the seas nodding on their stalks<br>Empty of you<br>Tell him that we were made<br>On another day<\/p><p>The bewilderment will diminish like an echo<br>Winding along your inner mountains<br>Unheard by us<br>And find its way out<br>Leaving behind it the future<br>Dead<br>And ours<\/p><p>When you will not see again<br>The whale calves trying the light<br>Consider what you will find in the black garden<br>And its court<br>The sea cows the Great Auks the gorillas<br>The irreplaceable hosts ranged countless<br>And fore-ordaining as stars<br>Our sacrifices<\/p><p>Join your word to theirs<br>Tell him<br>That it is we who are important<\/p><\/blockquote>\n\n\n\n<p>(W. S. Merwin [<em><a href=\"http:\/\/archives.csuchico.edu\/digital\/collection\/p17133coll6\/id\/25923\/\" target=\"_blank\" rel=\"noreferrer noopener\">source<\/a><\/em>])<\/p>\n\n\n\n<!--more-->\n\n\n\n<p>Not from <em>whiskey river<\/em>:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\" id=\"doapoem\"><p><strong>D.O.A.<\/strong><\/p><p>&#8220;You knew who I was<br>when I walked in the door.<br>You thought that I was dead.<br>Well, I am dead. A man<br>can walk and talk and even<br>breathe and still be dead.&#8221;<br>Edmond O&#8217;Brien is perspiring<br>and chewing up the scenery<br>in my favorite film noir,<br><em>D.O.A<\/em>. I can&#8217;t stop watching,<br>can\u2019t stop relating. When I walked down<br>Columbus to Endicott last night<br>to pick up Tor&#8217;s new novel,<br>I felt the eyes of every<br>Puerto Rican teen, crackhead,<br>yuppie couple focus on my cane<br>and makeup. &#8220;You&#8217;re dead,&#8221;<br>they seemed to say in chorus.<br>Somewhere in a dark bar<br>years ago, I picked up &#8220;luminous<br>poisoning.&#8221; My eyes glowed<br>as I sipped my drink. After that,<br>there was no cure, no turning back.<br>I had to find out what was gnawing<br>at my gut. The hardest part&#8217;s<br>not even the physical effects:<br>stumbling like a drunk (Edmond<br>O&#8217;Brien was one of Hollywood&#8217;s<br>most active lushes) through<br>Forties sets, alternating sweats<br>and fevers, reptilian spots<br>on face and scalp. It&#8217;s having<br>to say goodbye like the scene<br>where soundtrack violins go crazy<br>as O&#8217;Brien gives his last embrace<br>to his girlfriend-<em>cum<\/em>-Girl<br>Friday, Paula, played by Pamela<br>Britton. They&#8217;re filmdom&#8217;s least<br>likely lovers&#8212;the squat and jowly<br>alkie and the homely fundamentally<br>talentless actress who would hit<br>the height of her fame as the pillhead-<br>acting landlady on&nbsp;<em>My Favorite Martian<\/em><br>fifteen years in the future. I don&#8217;t have<br>fifteen years, and neither does Edmond<br>O&#8217;Brien. He has just enough time to tell<br>Paula how much he loves her, then<br>to drive off in a convertible<br>for the showdown with his killer.<br>I&#8217;d like to have a showdown too, if I<br>could figure out which pistol-packing<br>brilliantined and ruthless villain<br>in a hound&#8217;s-tooth overcoat took<br>my life. Lust, addiction, being<br>in the wrong place at the wrong<br>time? That&#8217;s not the whole<br>story. Absolute fidelity<br>to the truth of what I felt, open<br>to the moment, and in every case<br>a kind of love: all of the above<br>brought me to this tottering<br>self-conscious state&#8212;pneumonia,<br>emaciation, grisly cancer,<br>no future, heart of gold,<br>passionate engagement with a great<br>B film, a glorious summer<br>afternoon in which to pick up<br>the ripest plum tomatoes of the year<br>and prosciutto for the feast I&#8217;ll cook<br>tonight for the man I love,<br>phone calls from my friends<br>and a walk to the park, ignoring<br>stares, to clear my head. A day<br>like any, like no other. Not so bad<br>for the dead.<\/p><\/blockquote>\n\n\n\n<p>(Tim Dlugos [<em><a rel=\"noreferrer noopener\" href=\"https:\/\/books.google.com\/books?id=FrBYquAO3KkC&amp;pg=PA167#v=onepage&amp;q&amp;f=false\" target=\"_blank\">source<\/a><\/em>])<\/p>\n\n\n\n<p>&#8230;and:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>There is the famous story of the Buddha&#8217;s being approached by a mother carrying her dead baby in her arms. She pleads with the Buddha: &#8220;You are an enlightened being; you must have all these extraordinary powers, so I want you to bring my child back to life.&#8221; The Buddha says, &#8220;All right, I&#8217;ll do this for you if you&#8217;ll do one thing for me first.&#8221; &#8220;I&#8217;ll do anything,&#8221; she replied. He responds, &#8220;I want you to go around and knock on all the doors of this town and ask each person who comes to the door whether he or she had anyone die in his or her family, and if he or she says no, then ask him or her to give you a sesame seed.&#8221; The woman knocks on every door she can, and returns empty-handed, saying to the Buddha, &#8220;I don&#8217;t want you to bring back my child now. I understand what you are trying to teach me.&#8221;<\/p><\/blockquote>\n\n\n\n<p>(Traleg Kyabgon Rinpoche [<em><a href=\"https:\/\/tricycle.org\/trikedaily\/accepting-unacceptable\/\" target=\"_blank\" rel=\"noreferrer noopener\">source<\/a><\/em>])<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Movie poster for D.O.A. (1950), starring Edmond O&#8217;Brien&#8230; more, below] From whiskey river: If You Knew What if you knew you&#8217;d be the lastto touch someone?If you were taking tickets, for example,at the theater, tearing them,giving back the ragged stubs,you might take care to touch that palm,brush your fingertipsalong the life line&#8217;s crease. When a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","h5ap_radio_sources":[],"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"Ellen Bass, Tim Dlugos, et al.: 'The Day Your Hourglass Runs Out of Sand'","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[183,247,1393,53,250,5,4878,251,4159],"tags":[351,1061,3895,4055,4105,5228,5229],"class_list":{"0":"post-23588","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-everyday-life","7":"category-ruminations","8":"category-whiskey-river-runningaftermyhat","9":"category-movies-media","10":"category-art","11":"category-06_writing","12":"category-fiction","13":"category-poetry-writing_cat","14":"category-essays","15":"tag-ws-merwin","16":"tag-death","17":"tag-impermanence","18":"tag-ellen-bass","19":"tag-sarah-manguso","20":"tag-traleg-kyabgon-rinpoche","21":"tag-tim-dlugos","22":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6kZSG-68s","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/23588","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/comments?post=23588"}],"version-history":[{"count":12,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/23588\/revisions"}],"predecessor-version":[{"id":23602,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/23588\/revisions\/23602"}],"wp:attachment":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/media?parent=23588"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/categories?post=23588"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/tags?post=23588"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}