{"id":27154,"date":"2024-04-26T11:40:21","date_gmt":"2024-04-26T15:40:21","guid":{"rendered":"https:\/\/johnesimpson.com\/blog\/?p=27154"},"modified":"2024-04-26T11:40:27","modified_gmt":"2024-04-26T15:40:27","slug":"the-hard-mysterious-wisdom-of-what-we-cannot-touch","status":"publish","type":"post","link":"https:\/\/johnesimpson.com\/blog\/2024\/04\/the-hard-mysterious-wisdom-of-what-we-cannot-touch\/","title":{"rendered":"The Hard, Mysterious Wisdom of What We Cannot Touch"},"content":{"rendered":"
\"\"<\/figure>\n\n\n

[Image: “The Limits of Tenancy,” by John E. Simpson. (Photo shared here under a Creative Commons License; for more information, see this page<\/a> at <\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em>RAMH.)<\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em>]<\/em><\/p>\n\n\n\n

From whiskey river<\/a><\/em>:<\/p>\n\n\n\n

\n

The unreal is more powerful than the real.<\/p>\n\n\n\n

Because nothing is as perfect as you can imagine it.<\/p>\n\n\n\n

Because it’s only intangible ideas, concepts, beliefs, fantasies that last. Stone crumbles. Wood rots. People, well, they die.<\/p>\n\n\n\n

But things as fragile as a thought, a dream, a legend, they can go on and on.<\/p>\n\n\n\n

If you can change the way people think. The way they see themselves. The way they see the world. If you do that, you can change the way people live their lives. And that’s the only lasting thing you can create.<\/p>\n<\/blockquote>\n\n\n\n

(Chuck Palahniuk [source<\/a><\/em>])<\/p>\n\n\n\n

…and<\/a>:<\/p>\n\n\n\n

\n

Here where the world ends, and has beginning,
Here where the sunlight-spring of all our minds
Has birth again, and new beginning
The seeker finds.<\/p>\n\n\n\n

Here there is body’s peace, and the heart’s uprising,
Here the illumined minds of other men
Are beacons on a mountain peak uprising
Beyond our ken.<\/p>\n\n\n\n

Here there is quiet, and the world about us,
Here there is wisdom foolish men must know.
The earth is dumb with suffering about us,
And I must go.<\/p>\n<\/blockquote>\n\n\n\n

(Christmas Humphreys, Both Sides of the Circle<\/em> [source: despite a wide search, I never could find the full original source for this quotation; <\/em>Both Sides of the Circle is the title of Christmas Humphreys’ autobiography, but the passage does not appear therein… it does appear in a fragment<\/a> from one 1984 volume of a journal, <\/em>The Theosophist, but the entire text isn’t available online<\/em>])<\/p>\n\n\n\n

Not from whiskey river<\/em>:<\/p>\n\n\n

\n\n\n\n
\n

Hod Putt<\/strong><\/p>\n

Here I lie close to the grave
Of Old Bill Piersol,
Who grew rich trading with the indians, and who
Afterwards took the bankrupt law
And emergeed from it richer than ever.
Myself grown tired of toil and poverty
And beholding how Old Bill and others grew in wealth,
Robbed a traveler one night near Proctor’s Grove,
Killing him unwittingly while doing so,
For the which I was tried and hanged.
That was my way of going into bankruptcy.
Now we who took the bankrupt law in our respective ways
Sleep peacefully side by side.<\/p>\n<\/td>\n

\n

The Circuit Judge<\/strong><\/p>\n

Take note, passers-by, of the sharp erosions
Eaten in my head-stone by the wind and rain —
Almost as if an intangible Nemesis or hatred
Were marking scores against me,
But to destroy, and not preserve, my memory.
I in life was the Circuit judge, a maker of notches,
Deciding cases on the points the lawyers scored,
Not on the right of the matter.
O wind and rain, leave my head-stone alone!
For worse than the anger of the wronged,
The curses of the poor,
Was to lie speechless, yet with vision clear,
Seeing that even Hod Putt, the murderer,
Hanged by my sentence,
Was innocent in soul compared with me.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/blockquote>\n\n\n

(Edgar Lee Masters [source: here<\/a> and here<\/a><\/em>])<\/p>\n\n\n\n

…and:<\/p>\n\n\n\n

\n

Certainly, the most violent pain that one can experience is for a mother the loss of a child, and for a son the loss of a mother. It is violent and terrible, it overturns and lacerates; but one is healed of such catastrophes, as of large, bleeding wounds. But, certain accidents, certain things hinted at, suspected, certain secret griefs, certain perfidy, of the sort that stirs up in us a world of grievous thoughts, which opens before us suddenly the mysterious door of moral suffering, complicated, incurable, so much the more profound because it seems worthy, so much the more stinging because unseizable, the more tenacious because artificial, these leave upon the soul a train of sadness, a feeling of sorrow, a sensation of disenchantment that we are long in ridding ourselves of.<\/p>\n<\/blockquote>\n\n\n\n

(Guy de Maupassant [source<\/a><\/em>])<\/p>\n\n\n\n

…and:<\/p>\n\n\n\n

\n

For What Binds Us<\/strong><\/p>\n\n\n\n

There are names for what binds us:
strong forces, weak forces.
Look around, you can see them:
the skin that forms in a half-empty cup,
nails rusting into the places they join,
joints dovetailed on their own weight.
The way things stay so solidly
wherever they’ve been set down—
and gravity, scientists say, is weak.<\/p>\n\n\n\n

And see how the flesh grows back
across a wound, with a great vehemence,
more strong
than the simple, untested surface before.
There’s a name for it on horses,
when it comes back darker and raised: proud flesh,<\/p>\n\n\n\n

as all flesh,
is proud of its wounds, wears them
as honors given out after battle,
small triumphs pinned to the chest—<\/p>\n\n\n\n

And when two people have loved each other
see how it is like a
scar between their bodies,
stronger, darker, and proud;
how the black cord makes of them a single fabric
that nothing can tear or mend.<\/p>\n<\/blockquote>\n\n\n\n

(Jane Hirshfield [source<\/a><\/em>])<\/p>\n","protected":false},"excerpt":{"rendered":"

[Image: “The Limits of Tenancy,” by John E. Simpson. (Photo shared here under a Creative Commons License; for more information, see this page at RAMH.)] From whiskey river: The unreal is more powerful than the real. Because nothing is as perfect as you can imagine it. Because it’s only intangible ideas, concepts, beliefs, fantasies that […]<\/p>\n","protected":false},"author":1,"featured_media":27162,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","h5ap_radio_sources":[],"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"federate","footnotes":"","jetpack_publicize_message":"Chuck Palahniuk, Jane Hirshfield, et al.: 'The Hard, Mysterious Wisdom of What We Cannot Touch'","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[183,247,1393,4701,250,4878,251],"tags":[270,1288,3991,5899,5900,5901,5902],"class_list":{"0":"post-27154","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-everyday-life","8":"category-ruminations","9":"category-whiskey-river-runningaftermyhat","10":"category-my-photography","11":"category-art","12":"category-fiction","13":"category-poetry-writing_cat","14":"tag-jane-hirshfield","15":"tag-edgar-lee-masters","16":"tag-chuck-palahniuk","17":"tag-guy-de-maupassant","18":"tag-christmas-humphreys","19":"tag-tangible-vs-intangible","20":"tag-real-vs-unreal","21":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/johnesimpson.com\/blog\/wp-content\/uploads\/2024\/04\/thelimitsoftenancy_johnesimpson_med.jpg?fit=1024%2C683&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p6kZSG-73Y","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/27154","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/comments?post=27154"}],"version-history":[{"count":10,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/27154\/revisions"}],"predecessor-version":[{"id":27165,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/27154\/revisions\/27165"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/media\/27162"}],"wp:attachment":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/media?parent=27154"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/categories?post=27154"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/tags?post=27154"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}