{"id":7915,"date":"2010-10-08T06:00:55","date_gmt":"2010-10-08T10:00:55","guid":{"rendered":"http:\/\/johnesimpson.com\/blog\/?p=7915"},"modified":"2010-10-08T06:00:55","modified_gmt":"2010-10-08T10:00:55","slug":"it-went-right-by-you","status":"publish","type":"post","link":"https:\/\/johnesimpson.com\/blog\/2010\/10\/it-went-right-by-you\/","title":{"rendered":"It Went Right By You"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/www.stroom.nl\/gfx\/uploads\/53514_LodzPL1994.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"Photo by Mark Pimlott: 'Lodz, PL, 1994' (click for original)\" src=\"https:\/\/i0.wp.com\/johnesimpson.com\/images\/MarkPimlottLodzPL1994_sm.jpg?resize=500%2C338&#038;ssl=1\" alt=\"\" width=\"500\" height=\"338\" \/><\/a><\/p>\n<p class=\"smalltext\"><em>[Image: &#8220;Lodz, PL, 1994.&#8221; A photo by <a title=\"Mark Pimlott's Web site\" href=\"http:\/\/www.markpimlott.com\/Site\/Mark_Pimlott.html\" target=\"_blank\">Mark Pimlott<\/a> from his 2008 exhibit, <\/em><a title=\"Mark Pimlott: 'All Things Pass,' exhibit at Stroom den Haag\" href=\"http:\/\/www.stroom.nl\/activiteiten\/tentoonstelling.php?t_id=5685355\" target=\"_blank\">All Things Pass<\/a><em>,<br \/>\nat Stroom Den Haag, The Hague, Netherlands (click for original)]<\/em><\/p>\n<p>From <a title=\"whiskey river: Margaret Atwood, on early October\" href=\"http:\/\/whiskeyriver.blogspot.com\/2010\/10\/wild-geese-fly-south-creaking-like.html\" target=\"_blank\"><em>whiskey river<\/em><\/a>:<\/p>\n<blockquote><p>Wild geese fly south, creaking like anguished hinges; along the riverbank the candles of the sumacs burn dull red. It&#8217;s the first week of October. Season of woolen garments taken out of mothballs; of nocturnal mists and dew and slippery front steps, and late-blooming slugs; of snapdragons having one last fling; of those frilly ornamental pink-and-purple cabbages that never used to exist, but are all over everywhere now.<\/p><\/blockquote>\n<p>(Margaret Atwood, from <em>The Blind Assassin<\/em> [<a title=\"Google Books: 'The Blind Assassin,' by Margaret Atwood\" href=\"http:\/\/books.google.com\/books?id=WVGJeOsebRMC&amp;pg=PA191#v=onepage&amp;q&amp;f=false\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;<a title=\"whiskey river: John O'Donohue, on transience\" href=\"http:\/\/whiskeyriver.blogspot.com\/2010\/10\/transience-is-force-of-time-that-makes.html\" target=\"_blank\">and<\/a>:<\/p>\n<blockquote><p>Transience is the force of time that makes a ghost of every experience. There was never a dawn, regardless how beautiful or promising, that did not grow into a noontime. There was never a noon that did not fall into afternoon. There was never an afternoon that did not fade toward evening. There never was a day yet that did not get buried in the graveyard of the night.<\/p><\/blockquote>\n<p>(John O&#8217;Donohue, from <em>Anam Cara<\/em> [<a title=\"Amazon.com: 'Anam Cara,' by John O'Donohue\" href=\"http:\/\/www.amazon.com\/Anam-Cara-Book-Celtic-Wisdom\/dp\/006092943X#reader_006092943X\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;<a title=\"whiskey river: 'Sleepless,' by Yuan Mei\" href=\"http:\/\/whiskeyriver.blogspot.com\/2010\/10\/sleepless-cant-get-clear-of-this-dream.html\" target=\"_blank\">and<\/a>:<\/p>\n<blockquote><p><strong>Sleepless<\/strong><\/p>\n<p>Can&#8217;t get clear of this dream,<br \/>\ncan&#8217;t get sober.<\/p>\n<p>Spring breeze chilly<br \/>\non the flesh: me all alone.<\/p>\n<p>My orphan sail<br \/>\nfinds the bank<br \/>\nwhere reed flowers fall.<\/p>\n<p>All night<br \/>\nthe river sounds<br \/>\nthe rain falling:<br \/>\nlisten.<\/p><\/blockquote>\n<p>(Yuan Mei, from <em>I Don&#8217;t Bow to Buddhas<\/em> [<a title=\"Amazon.com: 'I Don't Bow to Buddhas,' by Yuan Mei\" href=\"http:\/\/www.amazon.com\/Dont-Bow-Buddhas-Selected-Poems\/dp\/1556591209#reader_1556591209\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<p><!--more--><\/p>\n<p>Not from <em>whiskey river<\/em>:<br \/>\n<a name=\"thecity\"><\/a><\/p>\n<blockquote><p>We thought all the time that we were passing through time when we really weren&#8217;t, when we never have. We&#8217;ve just been moving along with time. We said, there&#8217;s another second gone, there&#8217;s another minute and another hour and another day, when, as a matter of fact the second or the minute or the hour was never gone. It was the same one all the time. It had just moved along and we had moved with it.<\/p><\/blockquote>\n<p>(Clifford D. Simak, from <em>The City<\/em>[<a href=\"#thecity_note\">*<\/a>] [<a title=\"Wattpad: 'The City,' by Clifford D. Simak\" href=\"http:\/\/www.wattpad.com\/113625-clifford-d-simak-the-city?p=75\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<p>&#8230;and:<\/p>\n<blockquote style=\"text-align: justify;\"><p><strong>Sometimes one of us stands near the sea <\/strong><\/p>\n<p>He remains there for a long time, staring at the blue, motionless and stiff, as if in a church, knowing nothing about what weighs upon his shoulders and holds him back, so weak, hypnotized by the sea. He remembers what may have never happened. He swims through his own life. He lightly feels its shape. He explores its distant edges. He allows the sea to unfold within him:\u00a0 it grows to match his desire, becomes intoxicated on his sorrow, strikes out like a blind man\u2019s cane, and leads him without haste where the heavens alone have the last word, where no one can say anything else, where no tuft of grass, no idea grows, where the head emits a hollow sound after spitting out its soul.<\/p><\/blockquote>\n<p>(Jean-Michel Maulpoix [<a title=\"Google Books: 'AMatter of Blue' ('Sometimes one of us stands near the sea'), by Jean-Michel Maulpoix\" href=\"http:\/\/books.google.com\/books?id=mMwQWGxngeAC&amp;pg=PA25#v=onepage&amp;q&amp;f=false\" target=\"_blank\"><em>source<\/em><\/a>])<\/p>\n<p>All through the 1980s, I thought I was doing a pretty good job (thanks to still-new MTV and, later, VH1) of keeping up with music. Then came the &#8217;90s: I went into &#8220;I&#8217;m <em>writing<\/em>, damn it, leave me alone, world!&#8221; hibernation for years. Consequently, I missed a <em>lot<\/em> of good songs during their first go-round&#8230; among them, R.E.M.&#8217;s &#8220;Nightswimming.&#8221; (Thank the gods for Kid Brother, who worked hard to bring me up to speed long after normal humans would have given it up as a lost cause.)<\/p>\n<p>It&#8217;s an odd song: musically, <em>tonally<\/em> beautiful, yet not really&#8230; uh&#8230; not really <em>melodic<\/em> in any way familiar from other songs. (Speaking for myself, I have difficulty imagining it will ever be covered much, although I know, <a title=\"Wikipedia, on 'Nightswimming'\" href=\"http:\/\/en.wikipedia.org\/wiki\/Nightswimming\" target=\"_blank\">per Wikipedia<\/a>, that it has been covered some. The arrangement, and Michael Stipe&#8217;s voice, are just too much a part of it.) The lyrics don&#8217;t really scan, and rhyme &#8212; when they do &#8212; apparently only by accident. Commentators about it seem split about evenly into those who say it recounts the band&#8217;s memories of their early days, and those who say it recounts nothing in specific but merely <em>evokes<\/em>. The first few times I heard it, it went right by me. Only after a few repeated listens did it stick.<\/p>\n<p>Here&#8217;s &#8220;Nightswimming&#8217;s&#8221; video (which, yes, sorta looks like it&#8217;s saying something and sorta merely <em>evokes<\/em>); lyrics below, as usual.<\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"500\" height=\"311.5\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"flashvars\" value=\"configParams=artist%3D1009%26vid%3D9818%26uri%3Dmgid%3Auma%3Avideo%3Amtv.com%3A9818\" \/><param name=\"src\" value=\"http:\/\/media.mtvnservices.com\/mgid:uma:video:mtv.com:9818\" \/><param name=\"allowfullscreen\" value=\"true\" \/><\/object><\/p>\n<p>Lyrics:<\/p>\n<blockquote><p><em><strong>Nightswimming<\/strong><br \/>\n(by Bill Berry, Peter Buck, Mike Mills and Michael Stipe;<br \/>\nperformance by R.E.M.)<\/em><\/p>\n<p>Nightswimming deserves a quiet night<br \/>\nThe photograph on the dashboard, taken years ago,<br \/>\nTurned around backwards so the windshield shows<br \/>\nEvery streetlight reveals the picture in reverse<br \/>\nStill, it&#8217;s so much clearer<br \/>\nI forgot my shirt at the water&#8217;s edge<br \/>\nThe moon is low tonight<\/p>\n<p>Nightswimming deserves a quiet night<br \/>\nI&#8217;m not sure all these people understand<br \/>\nIt&#8217;s not like years ago,<br \/>\nThe fear of getting caught,<br \/>\nOf recklessness and water<br \/>\nThey cannot see me naked<br \/>\nThese things, they go away,<br \/>\nReplaced by everyday<\/p>\n<p>Nightswimming, remembering that night<br \/>\nSeptember&#8217;s coming soon<br \/>\nI&#8217;m pining for the moon<br \/>\nAnd what if there were two<br \/>\nSide by side in orbit<br \/>\nAround the fairest sun?<br \/>\nThat bright, tight forever drum<br \/>\nCould not describe nightswimming<\/p>\n<p>You, I thought I knew you<br \/>\nYou, I cannot judge<br \/>\nYou, I thought you knew me,<br \/>\nThis one laughing quietly underneath my breath<br \/>\nNightswimming<\/p>\n<p>The photograph reflects,<br \/>\nEvery streetlight a reminder<br \/>\nNightswimming deserves a quiet night, deserves a quiet night<\/p><\/blockquote>\n<p>____________________<\/p>\n<p><a name=\"thecity_note\"><\/a>* Gosh, <em>The City<\/em> &#8212; I haven&#8217;t read any of that in years. From <a title=\"Wikipedia, introducing the plot of 'The City'\" href=\"http:\/\/en.wikipedia.org\/wiki\/City_%28novel%29#Plot_introduction\" target=\"_blank\">Wikipedia<\/a>, introducing the plot:<\/p>\n<blockquote><p>The novel describes a legend consisting of eight tales the pastoral and pacifist Dogs recite as they pass down an oral legend of a creature known as Man. Each tale is preceded by doggish notes and learned discussion.<\/p>\n<p>An editor&#8217;s preface notes that after each telling of the legend the pups ask many questions:<\/p>\n<p style=\"padding-left: 30px;\">&#8220;What is Man?&#8221; they&#8217;ll ask.<br \/>\nOr perhaps: &#8220;What is a city?&#8221;<br \/>\nOr: &#8220;What is a war?&#8221;<br \/>\nThere is no positive answer to any of these questions.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>[<a href=\"#thecity\">back to text<\/a>]<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Image: &#8220;Lodz, PL, 1994.&#8221; A photo by Mark Pimlott from his 2008 exhibit, All Things Pass, at Stroom Den Haag, The Hague, Netherlands (click for original)] From whiskey river: Wild geese fly south, creaking like anguished hinges; along the riverbank the candles of the sumacs burn dull red. It&#8217;s the first week of October. Season [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","h5ap_radio_sources":[],"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[38,247,1393,74,250,5,36,251],"tags":[178,1532,1645,2004,2005,2006,2007,2008,2009],"class_list":{"0":"post-7915","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-backwards","7":"category-ruminations","8":"category-whiskey-river-runningaftermyhat","9":"category-music","10":"category-art","11":"category-06_writing","12":"category-reading","13":"category-poetry-writing_cat","14":"tag-whiskey-river","15":"tag-john-odonohue","16":"tag-margaret-atwood","17":"tag-mark-pimlott","18":"tag-yuan-mei","19":"tag-clifford-d-simak","20":"tag-jean-michel-maulpoix","21":"tag-r-e-m","22":"tag-nightswimming","23":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6kZSG-23F","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/7915","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/comments?post=7915"}],"version-history":[{"count":1,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/7915\/revisions"}],"predecessor-version":[{"id":7916,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/7915\/revisions\/7916"}],"wp:attachment":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/media?parent=7915"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/categories?post=7915"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/tags?post=7915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}