{"id":8946,"date":"2011-11-16T13:27:20","date_gmt":"2011-11-16T18:27:20","guid":{"rendered":"http:\/\/johnesimpson.com\/blog\/?p=8946"},"modified":"2011-11-17T06:48:11","modified_gmt":"2011-11-17T11:48:11","slug":"midweek-music-break-simon-and-garfunkel-the-boxer","status":"publish","type":"post","link":"https:\/\/johnesimpson.com\/blog\/2011\/11\/midweek-music-break-simon-and-garfunkel-the-boxer\/","title":{"rendered":"Midweek Music Break: Simon and Garfunkel, &#8220;The Boxer&#8221;"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/johnesimpson.com\/images\/simonandgarfunkel_wallpaper.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"Simon and Garfunkel (from the simonandgarfunkel.com site)\" src=\"https:\/\/i0.wp.com\/johnesimpson.com\/images\/simonandgarfunkel_wallpaper_sm.jpg?resize=600%2C400&#038;ssl=1\" alt=\"\" width=\"600\" height=\"400\" \/><\/a><\/p>\n<p>The digital music market exploded as it did thanks to &#8212; among other reasons &#8212; the laziness and\/or venality of record labels, producers, and even the artists themselves: filling each album, cassette, and CD with ten pounds of musical\u00a0Styrofoam\u00a0and an ounce or two of, like, actually <em>good<\/em> music. When it became possible to purchase single tracks, it became possible to purchase \u00a0<em>just<\/em> the good stuff.<\/p>\n<p>Simon &amp; Garfunkel have sometimes struck me as performers who did particularly well by becoming popular when they did &#8212; before consumers could pick and choose. They released only five albums together, over the course of only six\u00a0years. Each of those albums was padded with so-so covers and original songs and experiments. (Come on, now: would you really spend 99 cents for your very own copy &#8212; for repeated listening, yet &#8212; of &#8220;Benedictus,&#8221; &#8220;Blessed,&#8221; &#8220;7 O&#8217;Clock News\/Silent Night,&#8221; or &#8220;Voices of Old People&#8221;?)<\/p>\n<p>And yet, every album also contained a handful of songs so melodically beautiful, so sweet-sounding, so achingly <em>meaningful<\/em>\u00a0to young people&#8230; How could you <em>not<\/em>\u00a0buy their albums?<\/p>\n<p>Which became the other fact of life with a Simon &amp; Garfunkel album: you listened and re-listened, over and over during the course of entire decades, memorizing every note and nuance, so that to skip over (say) the nerve-jangling &#8220;A Hazy Shade of Winter&#8221; from <em>Bookends<\/em>\u00a0would throw the whole thing out of whack. Even if not actually crafted as wholes, those five albums <em>became<\/em>\u00a0wholes. People fall madly, crazily in love with other people, seeing in them physical perfection despite lopsidedness, asymmetry, <span class=\"explannote\" title=\"a squint or misalignment of the eyes\">strabismus<\/span>&#8230; and so it was with Simon &amp; Garfunkel&#8217;s albums. Even now, people who were around then can hear a lyric from a lesser song &#8212; say,\u00a0<em>It took me four days to hitchhike from Saginaw<\/em>\u00a0&#8212; and be transported.<\/p>\n<p>Of their albums, I&#8217;ve always thought the last, <em>Bridge Over Troubled Water<\/em>,\u00a0to be a bit peculiar. I don&#8217;t know what was going on behind the scenes; I understand that the two of them had for some time been having the classic &#8220;creative differences&#8221; (and maybe personal ones too). Whatever the reasons, in <em>BOTW<\/em>\u00a0they managed to assemble an album in which every song is no worse than charming, catchy, <em>pleasant<\/em>. It doesn&#8217;t feel (to me) to have been produced <em>as<\/em>\u00a0an album, but rather to have been assembled from pearls found scattered on the floor after a lovers&#8217; quarrel.<\/p>\n<p>Among those pearls, &#8220;The Boxer&#8221; really shines, I think. There is <em>so much<\/em>\u00a0going on in this song. The lyrics, and how they wrap around and within the unconventional rhythm without ever sounding awkward&#8230;\u00a0And the music? A beautiful melody and (it almost goes without saying for S&amp;G) beautiful harmonies in their two voices. And mysteries: I&#8217;ve always wondered what that sound is &#8212; an instrument? electronic effect? &#8212; which goes sort of <em>wooba-wooba-wooba<\/em>\u00a0behind (for instance) the words &#8220;When I left my home and my family\/I was no more than a boy.&#8221; In <a title=\"Wikipedia, on 'The Boxer's' creation and recording\" href=\"http:\/\/en.wikipedia.org\/wiki\/The_Boxer#Creation_and_recording\" target=\"_blank\">its excellent section<\/a> on the song&#8217;s composition and production, Wikipedia doesn&#8217;t answer the question, exactly, but it hints that it might be a bass harmonica. (It also includes a great extended quote from an interview with Fred Carter, Jr., who played guitar during the recording.)<\/p>\n<p>I&#8217;m not 100% convinced that the lyrics tell a coherent story (not that they need to). Wikipedia reports, &#8220;It is sometimes suggested that the words represent a &#8216;sustained attack on Bob Dylan'&#8221; &#8212; which strikes me as an even goofier implausibility. But whadda I know?<\/p>\n<p>Anyhow, here&#8217;s that glorious pearl,\u00a0&#8220;The Boxer&#8221;:<\/p>\n<p style=\"text-align: center; font-size: 90%; line-height: 1.25em;\"><em>[Below, click Play button to begin <\/em>The Boxer<em>. While audio is playing, volume control appears at left &#8212; a row of little vertical bars. This clip is 5:13 long.<a class=\"hidden\" title=\"7.3MB - you sure about this?\" href=\"https:\/\/johnesimpson.com\/blog\/audio\/theboxer_simonandgarfunkel.mp3\" target=\"_blank\">]<\/a><\/em><\/p>\n<div style=\"border: 1px solid silver; margin: 0.25em 0.5em 0.5em; padding: 1em 0.5em 0pt; width: 400px; float: none; text-align: center;\" title=\"Click Play button to hear 'The Boxer'\">[audio:theboxer_simonandgarfunkel.mp3|titles=&#8217;The Boxer&#8217;|artists=Simon and Garfunkel]<\/div>\n<p><em>[<a title=\"Lyrics: 'The Boxer'\" onclick=\"javascript:wopen('https:\/\/johnesimpson.com\/blog\/lyrics\/theboxer_simonandgarfunkel.html', 'new', 400, 500); return false;\">Lyrics<\/a>]<\/em><\/p>\n<p>As for <em>Bridge Over Troubled Water<\/em>, the BBC <a title=\"BBC One: 'The Harmony Game'\" href=\"http:\/\/www.bbc.co.uk\/programmes\/b0171r6x\" target=\"_blank\">recently broadcast<\/a> an American-made documentary about its making, <em><a title=\"IMDB: The Harmony Game\" href=\"http:\/\/www.imdb.com\/title\/tt1836183\/\" target=\"_blank\">The Harmony Game<\/a><\/em>. The only related things I&#8217;ve found so far on YouTube or other video sources have been blink-and-you&#8217;ll-miss-&#8217;em &#8220;trailers.&#8221; It&#8217;d be nice to see <em>sometime<\/em>, though!<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The digital music market exploded as it did thanks to &#8212; among other reasons &#8212; the laziness and\/or venality of record labels, producers, and even the artists themselves: filling each album, cassette, and CD with ten pounds of musical\u00a0Styrofoam\u00a0and an ounce or two of, like, actually good music. When it became possible to purchase single [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","h5ap_radio_sources":[],"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2252,74],"tags":[2684,2685,2686,2687,2688],"class_list":{"0":"post-8946","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-midweek-music-break","7":"category-music","8":"tag-simon-and-garfunkel","9":"tag-the-boxer","10":"tag-recording-industry","11":"tag-analogue-vs-digital-music","12":"tag-the-harmony-game","13":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6kZSG-2ki","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/8946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/comments?post=8946"}],"version-history":[{"count":16,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/8946\/revisions"}],"predecessor-version":[{"id":8960,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/posts\/8946\/revisions\/8960"}],"wp:attachment":[{"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/media?parent=8946"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/categories?post=8946"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/johnesimpson.com\/blog\/wp-json\/wp\/v2\/tags?post=8946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}