[Image: postcard, “The Big Shot” (the Big Room, Carlsbad Caverns, NM). For more information, see the note at the bottom of this post.]
From whiskey river:
Freedom means being able to choose how we respond to things. When wisdom is not well developed, it can be easily obscured by the provocations of others. In such cases we may as well be animals or robots. If there is no space between an insulting stimulus and its immediate conditioned response — anger — then we are in fact under the control of others. Mindfulness opens up such a space, and when wisdom is there to fill it one is capable of responding with forbearance. It’s not that anger is repressed; anger never arises in the first place.
(Andrew Olendzki)
…and (regarding February 29):
Today is an ephemeral ghost. A strange amazing day that comes only once every four years. For the rest of the time it does not exist.
In mundane terms, it marks a leap in time, when the calendar is adjusted to make up for extra seconds accumulated over the preceding three years due to the rotation of the earth. A day of temporal tune up.
But this day holds another secret — it contains one of those truly rare moments of delightful transience and light uncertainty that only exist on the razors edge of things, along a buzzing plane of quantum probability.
A day of unlocked potential.
(Vera Nazarian, The Perpetual Calendar of Inspiration)
Not from whiskey river:
Space, as Douglas Adams once so aptly wrote, is big.
To try imagining how big, place a penny down in front of you. If our sun were the size of that penny, the nearest star, Alpha Centauri, would be 350 miles away. Depending on where you live, that’s very likely in the next state (or possibly country) over.
Attempting to imagine distances larger than this quickly becomes troublesome. At this scale, the Milky Way galaxy would be 7.5 million miles across, or more than 30 times the distance between the Earth and the moon.
(Wired, “How to Picture the Size of the Universe” [source]; also be sure to visit the wonderful Scale of Universe site, which demonstrates these concepts with a clever and slick but almost “No, jeez, too much, stop, please!” clarity.)
…and:
Altitudes
I
Look up into the dome:
It is a great salon, a brilliant place,
Yet not too splendid for the race
Whom we imagine there, wholly at home
With the gold-rosetted white
Wainscot, the oval windows and the fault-
Less figures of the painted vault.
Strolling, conversing in that precious light,
They chat no doubt of love,
The pleasant burden of their courtesy
Borne down at times to you and me
Where, in this dark, we stand and gaze above.
For all they cannot share,
All that the world cannot in fact afford,
Their lofty premises are floored
With the massed voices of continual prayer.II
How far it is from here
To Emily Dickinson’s father’s house in America;
Think of her climbing a spiral stair
Up to the little cupola with its clear
Small panes, its room for one.
Like the dark house below, so full of eyes
In mirrors and of shut-in flies,
This chamber furnished only with the sun
Is she and she alone,
A mood to which she rises, in which she sees
Bird-choristers in all the trees
And a wild shining of the pure unknown
On Amherst. This is caught
In the dormers of a neighbour, who, no doubt,
Will before long be coming out
To pace about his garden, lost in thought.
(Richard Wilbur [source])
…and:
Each thought has a size, and most are about three feet tall, with the level of complexity of a lawnmower engine, or a cigarette lighter, or those tubes of toothpaste that, by mingling several hidden pastes and gels, create a pleasantly striped product. Once in a while, a thought may come up that seems, in its woolly, ranked composure, roughly the size of one’s hall closet. But a really large thought, a thought in the presence of which whole urban centers would rise to their feet, and cry out with expressions of gratefulness and kinship; a thought with grandeur, and drenching, barrel-scorning cataracts, and detonations of fist-clenched hope, and hundreds of cellos; a thought that can tear phone books in half, and rap on the iron nodes of experience until every blue girder rings; a thought that may one day pack everything noble and good into its briefcase, elbow past the curators of purposelessness, travel overnight toward Truth, and shake it by the indifferent marble shoulders until it finally whispers its cool assent — this is the size of thought worth thinking about.
(Nicholson Baker [source])
…and:
The Raspberry Room
It was solid hedge, loops of bramble and thorny
as it had to be with its berries thick as bumblebees.
It drew blood just to get there, but I was queen
of that place, at ten, though the berries shook like fists
in the wind, daring anyone to come in. I was trying
so hard to love this world — real rooms too big and full
of worry to comfortably inhabit — but believing I was born
to live in that cloistered green bower: the raspberry patch
in the back acre of my grandparents’ orchard. I was cross-
stitched and beaded by its fat, dollmaker’s needles. The effort
of sliding under the heavy, spiked tangles that tore
my clothes and smeared me with juice was rewarded
with space, wholly mine, a kind of room out of
the crush of the bushes with a canopy of raspberry
dagger-leaves and a syrup of sun and birdsong.
Hours would pass in the loud buzz of it, blood
made it mine — the adventure of that red sting singing
down my calves, the place the scratches brought me to:
just space enough for a girl to lie down.
(Karin Gottshall [source])
__________________________
Note (about the image): The caption printed on the back of this postcard reads:
The Big Shot
Worlds Largest Flashbulb Photograph
Carlsbad Caverns National Park
New MexicoHistory was made on August 19, 1952, 750 feet below the surface of the earth, at Carlsbad Caverns National Park. Tex Helm fired off 2400 number 2 Super Flashbulbs, lighting 55million square feet of surface in the Big Room, to capture the beauty of this view. Never attempted again, this magnificant “Big Shot” is a result of Mr Helm’s technical know-how gained through 30 years of photographic experience throughout the world.
(Found it here.)
According to answers.com, Tex Helm had been hired by Sylvania to demonstrate the effectiveness of flash bulbs (vs. old-style magnesium flashes). (It adds, “National Geographic noted that this was the most vivid flash since the atomic bomb was fired in 1945.”)
Note that the photographer was Ennis Creed “Tex” Helm, not to be confused with George “Tex” Helm. The latter, a mid-19th-century frontiersman, was peripherally connected to a variety of outlaws at the time — notably his brother, or perhaps cousin, Boone Helm. The same source identifies Boone as a “desperado” and says (on the page before Tex’s entry) that he had “matured as a wild and unruly young man, inclined toward bowie knives, horseplay, alcohol, and rough companions.” Which is hardly the half of it, as you can see from his entire entry (if no one else has ever written a book about Boone Helm, I hereby claim dibs!). I was so enthralled that I forgot to check Wikipedia about him — where, of course, he’s got an entry.
Jules says
That Vera Nazarian excerpt…. How lovely.
John says
I loved it too!
Jayne says
“Temporal tuneup.” You know, Friday’s are like that here.
Oh my, I love Gottshall’s room of her own. If I could slip under that bramble, I might very well find some transformative moments. Or at least sit there, and contemplate the awakening. Enough room for me.
Living in the present is all we have. How we do it is everything. Or something like that, right?
John says
Living in the present: well, um, yeah. I mean, we can’t live directly in the future. And we can’t change how we lived in the past — in the sense of having actually lived otherwise (although of course we can change how we’d live otherwise in the future, given identical circumstances but additional information about consequences, etc.). But the present is a very slippery state or condition; it’s almost impossible to surf that knife-edge of now because it borrows from the future to become the past too fast to be seen, let alone balanced upon…
I doubt that I’m the only person who’s noticed this, but I’ve always been fascinated by the best way to carry a cup too full of hot tea. (I do this several times a day — carry a cup of hot tea, I mean, although it’s not, ha!, always too full.) If I look down at the cup as I make my way from Point A to Point B, no matter how familiar I am with the route, I’m almost certain to slosh the stuff over the edge. If I don’t look down at all, I almost never spill a drop. This seems completely counter-intuitive, but it also seems true. And I suspect that’s what is meant by living successfully in the present: as soon as you try to maintain course, Unpleasant (at the least, Unplanned) Things Will Happen. Best to just maintain a state of mind clear of any awareness that you’re doing something improbable (if not impossible); when you finally get to wherever you were going, you can look back on it with surprise that you pulled it off.
(In that way, although we’ve actually lived through it, the past can be full of surprises.)
Jayne says
“…it’s almost impossible to surf that knife-edge of now because it borrows from the future to become the past too fast to be seen, let alone balanced upon…”
Oyoyoyoy… I carry lots of teacups round the house, too. This is why we need to replace several rugs. Ha.
Nance says
Thoughts as I read.
Olendzki: I cultivated that spaciousness of mind once, and then someone stole something from me and all the scaffolding, which had taken years to build, crashed down and I’ve been choking on the dust down here ever since. The best I’ve been able to do is dream levitation dreams. Keep reminding me.
Wilbur on Dickinson: Have you read Lives Like Loaded Guns? This means even more in that light.
Downloading Baker’s The Size of Thought. These impulse e-books are irresistible.
With Jayne, Gottshall’s captured me. Mine was a low-slung grape arbor that had to be crawled into and was just the right size for one cousin, or two, or three–and what we imagined were some very big ideas.
John says
Re: Olendzki passage — yikes. When you say “someone stole something from [you],” you mean a SPECIFIC someone? In any case, that story is one I’d like to see you write about at some point.
I’d read about Lives Like Loaded Guns when it first came out — isn’t that a great title? — but thanks for reminding me that I meant to read it.
Nicholson Baker isn’t necessarily an acquired taste, but he’s not a universal one either. Some of his flights of language and metaphor drive some readers bonkers. But, my gosh — I fell in love with his stuff from the time I first encountered it, in a New Yorker piece (which also appeared in his first novel, The Mezzanine). Not a fan of his quasi-erotica, however (The Fermata and Vox).
The Missus’s childhood memory of magical encounters with wild plants involves a “fairy ring” of mushrooms, lying on the ground, and, well, daydreaming.
The most striking childhood memory of my own about plants involved the stinging nettles (we called them “burnweeds”) in the back yard of my grandparents’ house. Needless to say, this memory is a bit more… a bit more fraught than y’all’s.