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Story Up My Sleeve #21: “Mirror Games,” by Colette

By John on May 21, 2013 | 1 Response

Women at Paris cafe, 1920s[Don't know what this is? See the Story Up My Sleeve background page.]

The brunette is pretty and the blonde is charming — and bleached. But the brunette, dressed all in gray velvet with panels of flame-colored beads, a stole of silver foxes around her neck, shoes covered with sequins, feathers, and paste jewels, gloves that are embroidered and funnel-shaped, and a hat with a spray of aigrettes which hang, above two stars, like a threatening cloud, the brunette is resplendent with the somewhat harsh elegance people go for nowadays… The greedy, chattering women fall silent as she enters. They stare at her, and the envy in their eyes enhances her beauty the way a summer rain adds luster to the enameled feathers of a kingfisher. She is warm and drinks like a pigeon, her neck stretched out, her jabot hanging. She has two gestures which, though frequent as tics, are the result of a studied coquetry: with her forefinger she flicks a very light brown curl away from her eyebrow, displaying her almond-shaped fingernail, which glistens near her wide, tapering eye; she sticks a trident-shaped tortoiseshell comb into the hair at the nape of her neck, and as she raises her arm, the eye follows the roundness of her well-supported breast, which rises with the arm.

The blonde… the blonde is charming in her own way. She’s merely a blonde in black Moroccan crepe and a plush cape, a blonde with a short neck and a carnivorous mouth. Her mannerisms do not make her more attractive. She thrusts out her chin the way a pug does, and wrinkles up her nose like a baby seal as it comes blinking up out of the water. It’s not a pretty sight. I’d like to tell her so… another time. And now, beneath the fiery glances, she’s imitating her friend’s little game. She puffs out her chest and with one hand pats at her low, golden chignon. In the same way a younger sister unconsciously imitates an older sister already sure of her seductive power. What a delight to the eye it is to watch these two well-trained peahens!

[source]

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Posted in Short Fiction, Story Up My Sleeve | Tagged Collette | 1 Response

Story Up My Sleeve #20: “Jeeves and the Unbidden Guest,” by P.G. Wodehouse

By John on May 20, 2013 | Leave a response

Illustration by Paul Cox for a Folio Society edition of Wodehouse's stories[Don't know what this is? See the Story Up My Sleeve background page.]

I’m not absolutely certain of my facts, but I rather fancy it’s Shakespeare — or, if not, it’s some equally brainy lad — who says that it’s always just when a chappie is feeling particularly top-hole, and more than usually braced with things in general that Fate sneaks up behind him with a bit of lead piping. There’s no doubt the man’s right. It’s absolutely that way with me. Take, for instance, the fairly rummy matter of Lady Malvern and her son Wilmot. A moment before they turned up, I was just thinking how thoroughly all right everything was.

It was one of those topping mornings, and I had just climbed out from under the cold shower, feeling like a two-year-old. As a matter of fact, I was especially bucked just then because the day before I had asserted myself with Jeeves — absolutely asserted myself, don’t you know. You see, the way things had been going on I was rapidly becoming a dashed serf. The man had jolly well oppressed me. I didn’t so much mind when he made me give up one of my new suits, because, Jeeves’s judgment about suits is sound. But I as near as a toucher rebelled when he wouldn’t let me wear a pair of cloth-topped boots which I loved like a couple of brothers. And when he tried to tread on me like a worm in the matter of a hat, I jolly well put my foot down and showed him who was who. It’s a long story, and I haven’t time to tell you now, but the point is that he wanted me to wear the Longacre — as worn by John Drew — when I had set my heart on the Country Gentleman — as worn by another famous actor chappie — and the end of the matter was that, after a rather painful scene, I bought the Country Gentleman. So that’s how things stood on this particular morning, and I was feeling kind of manly and independent.

Well, I was in the bathroom, wondering what there was going to be for breakfast while I massaged the good old spine with a rough towel and sang slightly, when there was a tap at the door. I stopped singing and opened the door an inch.

“What ho without there!”

“Lady Malvern wishes to see you, sir,” said Jeeves.

“Eh?”

“Lady Malvern, sir. She is waiting in the sitting-room.”

“Pull yourself together, Jeeves, my man,” I said, rather severely, for I bar practical jokes before breakfast. “You know perfectly well there’s no one waiting for me in the sitting-room. How could there be when it’s barely ten o’clock yet?”

“I gathered from her ladyship, sir, that she had landed from an ocean liner at an early hour this morning.”

This made the thing a bit more plausible. I remembered that when I had arrived in America about a year before, the proceedings had begun at some ghastly hour like six, and that I had been shot out on to a foreign shore considerably before eight.

“Who the deuce is Lady Malvern, Jeeves?”

“Her ladyship did not confide in me, sir.”

“Is she alone?”

“Her ladyship is accompanied by a Lord Pershore, sir. I fancy that his lordship would be her ladyship’s son.”

“Oh, well, put out rich raiment of sorts, and I’ll be dressing.”

“Our heather-mixture lounge is in readiness, sir.”

“Then lead me to it.”

While I was dressing I kept trying to think who on earth Lady Malvern could be. It wasn’t till I had climbed through the top of my shirt and was reaching out for the studs that I remembered.

“I’ve placed her, Jeeves. She’s a pal of my Aunt Agatha.”

“Indeed, sir?”

“Yes. I met her at lunch one Sunday before I left London. A very vicious specimen. Writes books. She wrote a book on social conditions in India when she came back from the Durbar.”

“Yes, sir? Pardon me, sir, but not that tie!”

[source]

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Posted in Humor, Short Fiction, Story Up My Sleeve | Tagged P.G. Wodehouse | Leave a response

Story Up My Sleeve #19: “Everything That Rises Must Converge,” by Flannery O’Connor

By John on May 19, 2013 | Leave a response

Bus, approx. 1950s[Don't know what this is? See the Story Up My Sleeve background page.]

“With the world in the mess it’s in,” [his mother] said, “it’s a wonder we can enjoy anything. I tell you, the bottom rail is on the top.”

Julian sighed.

“Of course,” she said, “if you know who you are, you can go anywhere.” She said this every time he took her to the reducing class. “Most of them in it are not our kind of people,” she said, “but I can be gracious to anybody. I know who I am.”

“They don’t give a damn for your graciousness,” Julian said savagely. “Knowing who you are is good for one generation only. You haven’t the foggiest idea where you stand now or who you are.”

She stopped and allowed her eyes to flash at him. “I most certainly do know who I am,” she said, “and if you don’t know who you are, I’m ashamed of you.”

“Oh hell,” Julian said.

“Your great-grandfather was a former governor of this state,” she said. “Your grandfather was a prosperous landowner. Your grandmother was a Godhigh.”

“Will you look around you,” he said tensely, “and see where you are now?” and he swept his arm jerkily out to indicate the neighborhood, which the growing darkness at least made less dingy.

“You remain what you are,” she said. “Your great-grand-father had a plantation and two hundred slaves.”

“There are no more slaves,” he said irritably.

“They were better off when they were,” she said. He groaned to see that she was off on that topic. She rolled onto it every few days like a train on an open track. He knew every stop, every junction, every swamp along the way, and knew the exact point at which her conclusion would roil majestically into the station: “It’s ridiculous. It’s simply not realistic. They should rise, yes, but on their own side of the fence.”

[source]

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Posted in Short Fiction, Story Up My Sleeve | Tagged Flannery O'Connor | Leave a response

Story Up My Sleeve #18: “Jeffty Is Five,” by Harlan Ellison

By John on May 18, 2013 | Leave a response

Jeffty, maybe[Don't know what this is? See the Story Up My Sleeve background page.]

What I mean by five years old is not that Jeffty was retarded. I don’t think that’s what it was. Smart as a whip for five years old; very bright, quick, cute, a funny kid.

But he was three feet tall, small for his age, and perfectly formed: no big head, no strange jaw, none of that. A nice, normal-looking five-year-old kid. Except that he was the same age as I was: twenty-two.

When he spoke it was with the squeaking, soprano voice of a five-year-old; when he walked it was with the little hops and shuffles of a five-year-old; when he talked to you it was about the concerns of a five-year-old… comic books, playing soldier, using a clothespin to attach a stiff piece of cardboard to the front fork of his bike so the sound it made when the spokes hit was like a motorboat, asking questions like why does that thing do that like that, how high is up, how old is old, why is grass green, what’s an elephant look like? At twenty-two, he was five.

[source]

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Posted in Fantasy, Science Fiction, Short Fiction, Story Up My Sleeve | Tagged Harlan Ellison | Leave a response

The Line Between Should and Do

By John on May 17, 2013 | Leave a response

Modal verbs

[Image: The English translation -- with original emphasis -- is, "Daughter, you have to go out and become rich." Found it at the Grimm Grammar site of the University of Texas, which uses 36 characters from the classic fairy tales to illustrate how German grammar works; the characters above are Cinderella's stepmother and a (bored, dissolute) stepsister. This illustration accompanies the discussion of modal verbs.]

From whiskey river:

We continually look and hope for a new, special thing that is going to last or make us happy, fulfill our needs, answer all our questions. In actuality, what are we going to get? We will get more seeing, hearing, smelling, tasting, touching, and thinking. That’s it. That’s what life is.

(Jack Kornfield [source])

…and:

What the Living Do
(excerpt)

…We want the spring to come and the winter to pass. We want
whoever to call or not call, a letter, a kiss — we want more and more and then more of it.

But there are moments, walking, when I catch a glimpse of myself in the window glass,
say, the window of the corner video store, and I’m gripped by a cherishing so deep

for my own blowing hair, chapped face, and unbuttoned coat that I’m speechless:
I am living…

(Marie Howe [source])

…and:

The Moment

Oh, the coming-out-of-nowhere moment
when,   nothing
happens
no what-have-I-to-do-today-list

maybe  half a moment
the rush of traffic stops.
The whir of I should be, I should be, I should be
slows to silence,
the white cotton curtains hanging still.

(Marie Howe [source])

Continue reading “The Line Between Should and Do“

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Posted in Art & Photography, Language, Nature & Pets, Poetry, Ruminations, Science & Medicine, whiskey river Fridays, Writing | Tagged David Quammen, Grimm Grammar, J. Allyn Rosser, Jack Kornfield, Lia Purpura, Marie Howe, Stephen Edgar | Leave a response

Story Up My Sleeve #17: “Abominable,” by Carol Emshwiller

By John on May 17, 2013 | Leave a response

Footprints in snow[Don't know what this is? See the Story Up My Sleeve background page. A regular whiskey river Fridays post will follow later today.]

We are advancing into an unknown land with a deliberate air of nonchalance, our elbows out or our hands on hips, or standing one foot on a rock when there’s the opportunity for it. Always to the left, the river, as they told us it should be. Always to the right, the hills. At every telephone booth we stop and call. Frequently the lines are down because of high winds or ice. The Commander says we are already in an area of the sightings. We must watch now, he has told us over the phone, for those curious two-part footprints no bigger than a boy’s and of a unique delicacy. “Climb a tree,” the Commander says, “or a telephone pole, whichever is the most feasible, and call out a few of the names you have memorized.” So we climb a pole and cry out: Alice, Betty, Elaine, Jean, Joan, Marilyn, Mary… and so on, in alphabetical order. Nothing comes of it.

We are seven manly men in the dress uniform of the Marines, though we are not (except for one) Marines. But this particular uniform has always been thought to attract them. We are seven seemingly blasé (our collars open at the neck in any weather) experts in our fields, we, the research team for the Committee on Unidentified Objects that Whizz by in Pursuit of Their Own Illusive Identities. Our guns shoot sparks and stars and chocolate-covered cherries and make a big bang. It’s already the age of frontal nudity; of “Why not?” instead of “Maybe.” It’s already the age of devices that can sense a warm, pulsing, live body at seventy-five yards and home in on it, and we have one of those devices with us. (I might be able to love like that myself someday.) On the other hand, we carry only a few blurry pictures in our wallets, most of these from random sightings several months ago. One is thought to be the wife of the Commander. It was taken from a distance and we can’t make out her features, she was wearing her fur coat. He thought he recognized it. He has said there was nothing seriously wrong with her.

So far there has been nothing but snow. What we put up with for these creatures!

[source]

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Posted in Humor, Science Fiction, Short Fiction, Story Up My Sleeve | Tagged Carol Emshwiller | Leave a response

Story Up My Sleeve #16: “A Clean, Well-Lighted Place,” by Ernest Hemingway

By John on May 16, 2013 | Leave a response

Cafe Shadows (by Trev Stair on Flickr)[Don't know what this is? See the Story Up My Sleeve background page.]

“I want to go home and into bed.”

“We are of two different kinds,” the older waiter said. He was now dressed to go home. “It is not only a question of youth and confidence although those things are very beautiful. Each night I am reluctant to close up because there may be some one who needs the cafe.”

“Hombre, there are bodegas open all night long.”

“You do not understand. This is a clean and pleasant cafe. It is well lighted. The light is very good and also, now, there are shadows of the leaves.”

“Good night,” said the younger waiter.

“Good night,” the other said. Turning off the electric light he continued the conversation with himself. It is the light of course but it is necessary that the place be clean and pleasant. You do not want music. Certainly you do not want music. Nor can you stand before a bar with dignity although that is all that is provided for these hours. What did he fear? It was not a fear or dread, It was a nothing that he knew too well. It was all a nothing and a man was a nothing too. It was only that and light was all it needed and a certain cleanness and order.

[source]

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Story Up My Sleeve #15 / Midweek Music Break: “Cell Block Tango,” by John Kander and Fred Ebb

By John on May 15, 2013 | 2 Responses

Girl's hand holding a knife, apparently not in food prep[Continuing to combine the Story Up My Sleeve and Midweek Music Break series for Wednesdays in May...]

Doing this Story Up My Sleeve series has reminded me of a forgotten pleasure: the reading of short-story anthologies. I’ve never been able to read, cover-to-cover, an entire anthology of stories by a single writer (although I came close with John Cheever); but I’ve read the entirety of many anthologies of stories by multiple writers. I just haven’t done so in a long time.

So when casting about for a song to feature today, I was delighted to suddenly think of this number, from the Kander & Ebb musical Chicago. The lyrics present an anthology of six short-short stories, each with a different first-person narrator; while the stories are spoken rather than sung, each has a certain built-in crescendo-to-climax as the “murderesses” take turns describing their crimes murders, and as each story is told the other women sing the background refrain: He had it coming.

[Below, click Play button to begin Cell Block Tango (He Had It Coming). While audio is playing, volume control appears at left -- a row of little vertical bars. This clip is 7:22 (!) long.]

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

[Lyrics]

(Those lyrics are a little squirrely, so to speak. I began with lyrics commonly found around the Internet, but must’ve spent at least 45 minutes stopping the song, adjusting the lyrics, re-starting and backing up in the song to make sure I had it right so far, continuing, stopping again… (The lyrics I had obviously came from some production other than the film. Maybe they were the original lyrics as published, I don’t know. They sure didn’t fit flush with the lyrics as sung.) Finally I just said the hell with it and posted what I had to that point. :))

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Posted in Midweek Music Break, Story Up My Sleeve | Tagged Chicago, Kander & Ebb | 2 Responses

Story Up My Sleeve #14: “The Burning,” by Eudora Welty

By John on May 14, 2013 | Leave a response

White horse, up close and personal[Don't know what this is? See the Story Up My Sleeve background page.]

Delilah was dancing up to the front with a message; that was how she happened to be the one to see. A horse was coming in the house, by the front door. The door had been shoved wide open. And all behind the horse, a crowd with a long tail of dust was coming after, all the way up their road from the gate between the cedar trees.

She ran on into the parlor, where they were. They were standing up before the fireplace, their white sewing dropped over their feet, their backs turned, both ladies. Miss Theo had eyes in the back of her head.

“Back you go, Delilah,” she said.

“It ain’t me, it’s them,” cried Delilah, and now there were running feet to answer all over the downstairs; Ophelia and all had heard. Outside the dogs were thundering. Miss Theo and Miss Myra, keeping their backs turned to whatever shape or ghost Commotion would take when it came — as long as it was still in the yard, mounting the steps, crossing the porch, or even, with a smell of animal sudden as the smell of snake, planting itself in the front hall — they still had to see if it came in the parlor, the white horse. It drew up just over the ledge of the double doors Delilah had pushed open, and the ladies lifted their heads together and looked in the mirror over the fireplace, the one called the Venetian mirror, and there it was.

It was a white silhouette, like something cut out of the room’s dark. July was so bright outside, and the parlor so dark for coolness, that at first nobody but Delilah could see. Then Miss Myra’s racing speech interrupted everything.

“Will you take me on the horse? Please take me first.”

[source]

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Posted in History, Short Fiction, Story Up My Sleeve | Tagged Eudora Welty | Leave a response

Story Up My Sleeve #13: “A Toy for Juliette,” by Robert Bloch

By John on May 13, 2013 | Leave a response

Publicity still from the 'Toby Dammit' segment (directed by Federico Fellini) of 'Spirits of the Dead' (1968)[Don't know what this is? See the Story Up My Sleeve background page.]

Juliette wasn’t smiling at herself. She smiled because she knew that Grandfather was back, and he’d brought her another toy. In just a few moments it would be decontaminated and delivered, and she wanted to be ready.

[source]

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Posted in Horror, Science Fiction, Short Fiction, Story Up My Sleeve | Tagged Robert Bloch | Leave a response

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  • Story Up My Sleeve #20: “Jeeves and the Unbidden Guest,” by P.G. Wodehouse
  • Story Up My Sleeve #19: “Everything That Rises Must Converge,” by Flannery O’Connor
  • Story Up My Sleeve #18: “Jeffty Is Five,” by Harlan Ellison
  • The Line Between Should and Do
  • Story Up My Sleeve #17: “Abominable,” by Carol Emshwiller
  • Story Up My Sleeve #16: “A Clean, Well-Lighted Place,” by Ernest Hemingway
  • Story Up My Sleeve #15 / Midweek Music Break: “Cell Block Tango,” by John Kander and Fred Ebb
  • Story Up My Sleeve #14: “The Burning,” by Eudora Welty
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