Miriam Forster, of the charmingly monikered Dancing with Dragons is Hard on Your Shoes blog, has issued a challenge to writers (and readers!). It springs from an annual event sponsored by the American Library Association, called Banned Books Week. From the ALA site:

Held during the last week of September, Banned Books Week highlights the benefits of free and open access to information while drawing attention to the harms of censorship by spotlighting actual or attempted bannings of books across the United States.

Intellectual freedom — the freedom to access information and express ideas, even if the information and ideas might be considered unorthodox or unpopular — provides the foundation for Banned Books Week.  BBW stresses the importance of ensuring the availability of unorthodox or unpopular viewpoints for all who wish to read and access them.

Here’s Miriam’s call to action for the month of September:

Since 1990, according to the ALA Challenge Database, over ten thousand books have been challenged in our country. These include The Diary of Anne Frank, The Lord of the Rings by J. R. R. Tolkien,1984 by George Orwell, the Bible, and the dictionary. [JES: ?!?]

The last week in September is Banned Book Week, a way to celebrate and highlight these and other censored books. In honor of Banned Book Week, a community of writers and readers have decided to be part of the Banned Book Challenge.

The Challenge is simple: Read one or more banned or challenged books during the month of September, and post reviews  of them. The reviews will be collected and posted to a central site so that people can find out more about these books.

The above comes from the official invitation at the new Banned Book Challenge site which Miriam has set up.

So how do you participate?

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Some things are just too entertaining and… unclassifiable not to pass around. Hence: “Marcel the Shell with Shoes On.”

[Hat tip to Eileen of Speak Coffee to Me, temporarily coming out of... well, you know.]

This utterly breaks with the whiskey river Fridays tradition here. But the most recent post there seems to demand passing around among ourselves. From whiskey river:

I had hardly begun to read
I asked how can you ever be sure
that what you write is really
any good at all and he said you can’t

you can’t you can never be sure
you die without knowing
whether anything you wrote was any good
if you have to be sure don’t write

(W. S. Merwin)

For what it’s worth, the above are the closing stanzas of his “Berryman,” which you can read in full here, courtesy of The Writer’s Almanac.

[The scene opens in the waiting room of Super Mega Giant medical center in a mid-sized city in northern Florida, USA. He is a middle-aged male, and has been for some time. This report includes two Shes: A, a medical assistant; and J, a nurse practitioner.]

A: Mr. He?

He: Right here.

A: Very good, come with me. [She leads him to an alcove with a scale, weighs him, makes note on chart.] All right, now, here’s the exam room you’ll be using. [Extends hand.] My name is A, and I’m Dr. B’s new medical assistant.

[He does not know what a "medical assistant" is, or where people with that title reside on the medical hierarchy, but believes He will be able to guess from what follows. He is right.]

A: Let me just take your blood pressure and your pulse…

[She does so, then moves to computer, sits down, and asks series of very basic questions about His medical history as she keys in His answers. He concludes she's some sort of trainee. She checks computer screen.]

A: Okaaay… Looks like you’re due for EXAM* today, is that right?

[He wasn't expecting it. He never is; its various surprises, after all, are essential features of EXAM.]

He: Um, I guess, sure.

A: Well, I’m pretty much done here. I’m not sure if J will do EXAM or if Dr. B will. I’ll let them sort that out. J will be in in just a minute. Nice to meet you!

[She exits. Five-ten minutes later, J, the nurse practitioner, enters.]

J: Good morning. Mr. He, nice to see you again.

[She sits at computer terminal. Asks him many questions about his prescriptions' status. Asks if he has any questions about his lab results.]

He: Nope, I think I understood what I was looking at.

J: [Standing up.] All right then. I’ll just take care of this one last thing…

[She approaches the table on which He sits. He dismounts from the table, turns to face it, unfastens his belt and pants, lowers his pants---]

J: Wait! What the hell are you doing?!?

He: Uh, well, A said that either you or—

J: Oh, she did, did she? Well I’ll just straighten her out!

[She leaves exam room. He waits perhaps a minute and concludes that he should refasten his pants.]

[Five-ten minutes more, J re-enters exam room.]

J: Now, as I started to say, let me just get this stethoscope off the wall here so I can check your heart and lungs…

He: Ah. So then you aren’t going to, umm, do EXAM?

J: [Shakes head violently, makes "time-out" sign with both hands.] NO. Dr. B will be in when I’m done and he will take care of you.

He: You have to admit, this is pretty funny—

J: [Says nothing, but shudders exaggeratedly, and leaves.]

_____________

* Details of EXAM need not be spelled out, need they?

From whiskey river (italicized portion):

People don’t realize how much they are in the grip of ideas. We live among ideas much more than we live in nature... I think a person finally emerges from all this nonsense when he becomes aware that his life has a much larger meaning he has been ignoring — a transcendent meaning. And that his life is, at its most serious, some kind of religious enterprise, not one that has to do with the hurly-burly of existence.

(Saul Bellow, from Conversations with Saul Bellow [source])

…and:

I
Don’t trace out your profile –
forget your side view –
all that is outer stuff.

II
Look for your other half
who walks always next to you
and tends to be who you aren’t.

(Antonio Machado, Moral Proverbs and Folk Songs)

…and (paired with the Bellow quote above):

That it doesn’t strike us at all when we look around us, move about in space, feel our own bodies, shows how natural these things are to us. We do not notice that we see space perspectively or that our visual field is in some sense blurred towards the edges. It doesn’t strike us and never can strike us because it is the way we perceive. We never give it a thought and it’s impossible we should, since there is nothing that contrasts with the form of our world. What I wanted to say is it’s strange that those who ascribe reality only to things and not to our ideas move about so unquestioningly in the world as idea and never long to escape from it.

(Ludwig Wittgenstein)

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[Alfalfa, of the Our Gang comedies, sings of his love for sweet little round-faced, soft-focus Darla. And yes, I know: the song title doesn't have that extra syllable in it. :)]

Whom, exactly, do you try to impress?

Note that I’m not asking about classes or groups of people. Most of us would like to be regarded favorably by our families and friends, our co-workers, the critics and audiences, and maybe even — ha ha — total strangers on the bus and in, ahem, Genuine Joe’s coffee shop (little in-joke there). And I know we’re not all “on” all the time, even the most determined poseurs among us: everyone has moments of utter un-self-consciousness, when our guard is down, we’re at our easiest and most natural, and we’re not actively evaluating what someone might think of us.

No, I’m just wondering, well…

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I’m pretty sure I posted a link to this on Facebook and/or Twitter a couple months ago, when I first encountered it. For some reason it’s found its way back into my head today, and has been positively ringing there for the last several hours. When a song will simply not leave me alone, my solution is to just, well, listen to it. It goes away immediately. So, as much for my own sake as for yours…

Here’s “Don’t Worry, I’m Yours” — DJ Dain’s ingenious mashup of Bobby McFerrin’s “Don’t Worry, Be Happy” and Jason Mraz’s “I’m Yours.” (The ukulele accompaniment, as I understand it, actually makes this a three-way mashup: it came from a recording called “Wonderful World,” by the late Hawaiian musician Israel Kamakawiwo’ole.)

Lyrics to both songs are below, displayed side by side so you can (if you’re clever and, unlike me, somehow able not to get lost in the catchiness!) follow along with the interleaved audio.

[Below, click Play button to begin 'Don't Worry/I'm Yours'. While audio is playing, volume control appears at left -- a row of little vertical bars. This clip is 9:47 long.]

[Image of Fay Ray, by William Wegman (1988), found here, as well as elsewhere
on the Web (e.g., Style Me to the Moon)]

From whiskey river:

My Hand

See how the past is not finished
here in the present
it is awake the whole time
never waiting
it is my hand now but not what I held
it is not my hand but what I held
it is what I remember
but it never seems quite the same
no one else remembers it
a house long gone into air
the flutter of tires over a brick road
cool light in a vanished bedroom
the flash of the oriole
between one life and another
the river a child watched

(W. S. Merwin, The Shadow of Sirius)

…and:

And now here’s the thing. It takes a time like this for you to find out how sore your heart has been, and, moreover, all the while you thought you were going around idle terribly hard work was taking place. Hard, hard work, excavation and digging, mining, moiling through tunnels, heaving, pushing, moving rock, working, working, working, working, panting, hauling, hoisting. And none of this work is seen from the outside. It’s internally done. It happens because you are powerless and unable to get anywhere, to obtain justice or have requital, and therefore in yourself you labor, you wage and combat, settle scores, remember insults, fight, reply, deny, blab, denounce, triumph, outwit, overcome, vindicate, cry, persist, absolve, die and rise again. All by yourself? Where is everybody? Inside your breast and skin, the entire cast.

(Saul Bellow, The Adventures of Augie March [source])

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['Super Powers,' by Mark Stivers. Click to view the full set of six.]

Given a choice, I think the caption below my portrait — in ten words or less — would say something like writes brilliant stories one hour at a time*. (My Kryptonite: the Internet.)

Yours?

_______________

* Edit to add: Just to make it plain — this is not a super power I have. (The operative words above: given a choice.) God, no. It’s a super power I’d love to have — a super power I’d have if I were my ideal superhero.

Edit to add, 2: Now that I’ve read all these other great ideas, I think maybe the super power I already have is something like: can spot important trends with 20/20 hindsight.

Every year around now, a large chunk of blogosphere real estate is turned over to posts, tweets, Facebook status updates, and Flickr albums about a gathering called BlogHer. As the conference title suggests, the focus in on women who blog — it’s apparently attended by a number of guys, as well — and for the several days of BlogHer, attendees take in workshops and panel discussions, attend parties, and go out with friends to take in the sights of that year’s city. (This year, earlier this month, it took place in New York City.)

I’ve never gone to BlogHer, and never expect to, although I follow and admire the bejeezus out of maybe a half-dozen of the BlogHerers (?) with wide name recognition (Maggie, The Bloggess, Kelly…) and make occasional trips through the takeout windows of another half-dozen or so.

There are a few reasons while I’ll probably never get there:

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