From whiskey river:
The Moment
Walking the three tiers in first light, out
here so my two-year-old son won’t wake the house,
I watch him pull and strip ragweed, chicory, yarrow,
so many other weeds and wildflowers
I don’t know the names for, him saying Big, and Mine,
and Joshua — words, words, words. Then
it is the moment, that split-second
when he takes my hand, gives it a tug,
and I feel his entire body-weight, his whole
heart-weight, pulling me toward
the gleaming flowers and weeds he loves.
That moment which is eternal and is gone in a second,
when he yanks me out of myself like some sleeper
from his dead-dream sleep into the blues and whites
and yellows I must bend down to see clearly, into
the faultless flesh of his soft hands, his new brown eyes,
the miracle of him, and of the earth itself,
where he lives among the glitterings, and takes me.
(Len Roberts)
Not from whiskey river:
The Twelfth Year
That autumn we walked and walked around the lake
as if around a clock whose hands swept time
and again back to the hour we’d started from,
that high noon in midsummer years before
when I in white had marched straight to my place
beside you and was married and your face
held in it all the hours I hoped to live.
Now, as we talked in circles, grim, accusing,
we watched the green trees turning too and losing
one by one every leaf, those bleeding hearts.
And when they all had fallen, to be trod
and crumbled underfoot, when flaming red
had dulled again to dun, to ash, to air,
when we had seen the other’s hurts perfected
and magnified like barren boughs reflected
upside-down in water, then the clouds
massed overhead and muffled us in snow,
answered the rippling lake and stopped the O
of its nightmare scream. The pantomime
went on all winter, nights without a word
or thoughts to fit one, days when all we heard
was the ticking crunch of snowboots on the track
around the lake, the clock we thought we either
were winding up or running down or neither.
Spring came unexpected. We thought the cold
might last forever, or that despite the thaw
nothing would grow again from us; foresaw
no butter-yellow buds, no birds, no path
outward into a seasoned innocence.
When the circle broke at last it wasn’t silence
or speech that helped us, neither faith nor will
nor anything that people do at all;
love made us green for no sure cause on earth
and grew, like our children, from a miracle.
(Mary Jo Salter, from Sunday Skaters)
Finally:
At school we had air-raid drills. We took the drills seriously; surely Pittsburgh, which had the nation’s steel, coke, and aluminum, would be the enemy’s first target.
[…]When the air-raid siren sounded, our teachers stopped talking and led us to the school basement. There the gym teachers lined us up against the cement walls and steel lockers, and showed us how to lean in and fold our arms over our heads. Our small school ran from kindergarter through twelfth grade. We had air-raid drills in small batches, four or five grades together, because there was no room for us all against the walls. The teachers had to stand in the middle of the basement rooms: those bright Pittsburgh women who taught Latin, science, and art, and those educated. beautifully mannered European women who taught French, history, and German, who had landed in Pittsburgh at the end of their respective flights from Hitler, and who had baffled us by their common insistence on tidiness, above all, in our written work.
The teachers stood in the middle of the room, not talking to each other. We tucked against the walls and lockers: dozens of clean girls wearing green jumpers, green knee socks, and pink-soled white bucks. We folded our skinny arms over our heads, and raised to the enemy a clatter of gold scarab bracelets and gold bangle bracelets.
If the bomb actually came, should we not let the little kids — the kindergartners like Molly, and the first and second graders — go against the wall? We older ones would stand in the middle with the teachers. The European teachers were almost used to this sort of thing. We would help them keep spirits up; we would sing “Frère Jacques,” or play Buzz.
(Annie Dillard, An American Childhood)
marta says
The first poem reminded me how my son makes me see the world. The last excerpt made me wonder how he’ll remember what he’s seen.
cynth says
One of the things I miss most about the kids being, well, kids, is that ability to stop time and see things their way, from the ground, from the dirt, from the puddle they’re standing in. If I stop and admire the ground now, people assume I’ve dropped something and sometimes help me look for it! But alas, my children’s past is not in the puddles at my feet. Oh, well.
The last poem reminded me of Walnut Street School, going out into the hallway and crouching down as if that would protect us. Do you remember that, John?
Jules says
“The Moment” made me swoon.
John says
I’m guessing you’re all mothers. :)
marta: To take that a step further, what would your parents make of your childhood memories? Would they be surprised at what you’d noticed?
cynth: A whiskey river quotation from the past week which I considered using with the one above goes:
(Mark Tobey)
In those puddles you might find more of your children’s past than you think.
I’ve got a few years on you so no, I don’t remember Walnut Street School. I remember Hickory Street School. :)
Jules: Yeah — the tugging hand, “the earth itself/where he lives among the glitterings”! If, when I was a kid, I moved adults half as much as my niece and nephews did me — heck, I must have been quite a kid. Heh.
marta says
My dad and I remember everything differently–especially when it comes to his second wife.
John says
marta: That will surprise nobody who visits your blog often enough!