From whiskey river:
There will come soft rains
There will come soft rains and the smell of the ground,
And swallows circling with their shimmering sound;And frogs in the pools singing at night,
And wild plum-trees in tremulous white;Robins will wear their feathery fire
Whistling their whims on a low fence-wire;And not one will know of the war, not one
Will care at last when it is done.Not one would mind, neither bird nor tree
If mankind perished utterly;And Spring herself, when she woke at dawn,
Would scarcely know that we were gone.
(Sara Teasdale)
…and:
Snow Geese
Oh, to love what is lovely, and will not last!
What a task
to askof anything, or anyone,
yet it is ours,
and not by the century or the year, but by the hours.
(Mary Oliver)
Not from whiskey river, but “Snow Geese” continues on as follows:
One fall day I heard
above me, and above the sting of the wind, a sound
I did not know, and my look shot upward; it wasa flock of snow geese, winging it
faster than the ones we usually see,
and, being the color of snow, catching the sunso they were, in part at least, golden. I
held my breath
as we do
sometimes
to stop time
when something wonderful
has touched usas with a match,
which is lit, and bright,
but does not hurt
in the common way,but delightfully,
as if delight
were the most serious thing
you ever felt.The geese
flew on,
I have never
seen them again.Maybe I will, someday, somewhere.
Maybe I won’t.
It doesn’t matter.
What matters
is that, when I saw them,
I saw them
as through the veil, secretly, joyfully, clearly.
One more from whiskey river (via The Querulous Squirrel):
Poem With Two Endings
Say “death” and the whole room freezes —
even the couches stop moving,
even the lamps.
Like a squirrel suddenly aware it is being looked at.Say the word continuously,
and things begin to go forward.
Your life takes on
the jerky texture of an old film strip.Continue saying it, hold it moment after moment inside the mouth,
it becomes another syllable.
A shopping mall swirls around the corpse of a beetle.Death is voracious, it swallows all the living.
Life is voracious, it swallows all the dead.
neither is ever satisfied, neither is ever filled,
each swallows and swallows the world.The grip of life is as strong as the grip of death.
(but the vanished, the vanished beloved, o where?)
(Jane Hirshfield)
Finally, on a lighter note: a lithe, lean little barefoot-shuffle of a sermonette from Jack Johnson (lyrics below)…
Lyrics:
Gone
words and music by Jack Johnson
performance by Ben Harper and Jack JohnsonWell look at all those fancy clothes
But these could keep us warm
Just like those.
And what about your soul
Is it cold
Is it straight from the mould
And ready to be sold.And cars and phones and diamond rings
Bling, bling
Those are only removable things
And what about your mind
Does it shine or
Are there things that concern you more
Than your timeGone going
Gone everything
Gone give a damn
Gone be the birds when they don’t want to sing
Gone people
All awkward with their things
GoneLook at you out to make a deal
You try to be appealing but you lose your appeal
And what about those shoes you’re in today
They’ll do no good
On the bridges you burnt along the wayYou’re willing to sell anything
Gone with your herd
Leave your footprints
And we’ll shame them with our wordsGone people
All awkward with their things
Gone
Jules says
HAVE MERCY, you Poetry Friday folks are gonna make me keel over. Such beautiful selections I’m reading today, including EACH AND EVERY one of these. “I saw them
as through the veil, secretly, joyfully, clearly.” Heavy sigh. And that Hirshfield poem? Oh holy crap, I’m wiping away tears.
Jules, who really wanted to do your six-words challenges, but everything I keep coming up with is too…I dunno…half-glass empty :)
Sarah says
John- you’ve probably already addressed this somewhere, but how do you get around the whole copyright thing?
marta says
This is a lovely place to end my online evening. Safe journey wherever you are.
John says
Jules: Glad you liked it. It seems like it was a good Poetry Friday, huh?
No comment on your wimping out on the challenges. Well, except that one. (And that one. (And…))
marta: Thanks for the good wishes. It was a good and, yes, safe journey to a place in Florida I’d never been to before. (There are a lot of them, to be honest.) I’m not sure where in Florida you used to live; this was Melbourne. A strange mix of wonderful downtown and always-under-construction sprawl.
Sarah: I confess your question brought me up short. Like, “get around”? Which implies to me a sort of skulking thievery in the night.
I pretty much never grab something like a poem which I haven’t seen elsewhere on the Web. Furthermore, I try to honor the poet in ways which other sites often don’t: I look for the original version of the poem to confirm line breaks and line spacing.
(For instance, “Snow Geese” appears in many places around the Web. In none of them, including whiskey river, did I see the line indents as reproduced above; I found them only at the Google Books page which reproduced the poem as originally printed. My guess is that others are pretty much copying-and-pasting as they find the poems.)
For ten years, I’ve been on the Board of Directors of a small, independent, but nationally well-respected poetry press. I’m acutely aware of the dangers of posting poetry on the Web; at our site (where I’m also the Webmaster), we reproduce verbatim one or (usually) more poems of every one of our titles.
Would I be appalled to find any of our poems copy-and-pasted elsewhere? Not at all. Would I feel differently if they were my own poems? Nope. Would I happily remove — or formally credit, with little © symbol and all — any poem(s), song lyrics, and so on to whose posting the author objected? You bet I would.
Jules, above, mentioned the Web-wide Poetry Friday series. I’m not a participant in that (although I guess I could be), so I don’t often go to the sites which are. I know that as a rules-following librarian, Jules herself is scrupulous about including copyright information. I completely admire this (as well as many other things) about Jules and her 7-Imp site. But I don’t think it’s strictly necessary, and as I said, I’d be surprised if any poets felt violated by my not doing so at RAMH, of all places.
I’d love to hear from any I’ve plundered, though, so I can correct the problem!