[Image: artist’s rendering of “Sea-Ty,” a bowl-shaped floating-but-underwater city, open to the sky. The page where I found this image says that it “resembles a traditional hillside town with a network of stairs connecting the various levels.” Each of those little box-type things, apparently, is a house or other building.]
From whiskey river (italicized portion):
Every human being is intended to have a character of his own; to be what no others are, and to do what no other can do. Our common nature is to be unfolded in unbounded diversities. It is rich enough for infinite manifestations. It is to wear innumerable forms of beauty and glory.
(William Ellery Channing [source])
…and:
Sometimes, When the Light
Sometimes, when the light strikes at odd angles
and pulls you back into childhoodand you are passing a crumbling mansion
completely hidden behind old willowsor an empty convent guarded by hemlocks
and giant firs standing hip to hip,you know again that behind that wall,
under the uncut hair of the willowssomething secret is going on,
so marvelous and dangerousthat if you crawled through and saw,
you would die, or be happy forever.
(Lisel Mueller [source])
…and:
The Night, the Porch
To stare at nothing is to learn by heart
What all of us will be swept into, and baring oneself
To the wind is feeling the ungraspable somewhere close by.
Trees can sway or be still. Day or night can be what they wish.
What we desire, more than a season or weather, is the comfort
Of being strangers, at least to ourselves. This is the crux
Of the matter, which is why even now we seem to be waiting
For something whose appearance would be its vanishing—
The sound, say, of a few leaves falling, or just one leaf,
Or less. There is no end to what we can learn. The book out there
Tells us as much, and was never written with us in mind.
(Mark Strand [source])
Not from whiskey river:
Do you suffer from what a French paleontologist called “the distress that makes human wills founder daily under the crushing number of living things and stars”? For the world is as glorious as ever, and exalting, but for credibility’s sake let’s start with the bad news.
An infant is a pucker of the earth’s thin skin; so are we. We arise like budding years and break off; we forget our beginnings. A mammal swells and circles and lays him down. You and I have finished swelling; our circling periods are playing out, but we can still leave footprints in a trail whose end we do not know.
Buddhism notes that it is always a mistake to think your soul can go it alone.
(Annie Dillard [source])
…and:
There are 1,198,500,000 people alive now in China. To get a feel for what this means, simply take yourself — in all your singularity, importance, complexity, and love — and multiply by 1,198,500,000. See? Nothing to it.
(Dillard, ibid.)
…and:
It is a weakening and discoloring idea, that rustic people knew God permanently once upon a time — or even knew selflessness or courage or literature — but that it is too late for us. In fact, the absolute is available to everyone in every age. There never was a more holy age than ours, and never a less.
There is no less holiness at this time — as you are reading this — than there was the day the Red Sea parted, or that day in the thirtieth year, in the fourth month, on the fifth day of the month, as Ezekiel was a captive by the river Chebar, when the heavens opened and he saw visions of God. There is no whit less enlightenment under the tree by your street than there was under the Buddha’s bo tree. There is no whit less might in heaven or on earth than there was the day Jesus said, “Maid, arise” to the centurion’s daughter, or the day Peter walked on water, or the night Mohammed flew to heaven on a horse. In any instant the sacred might wipe you with its finger. In any instant the bush may flare, your feet may rise, or you may see a bunch of souls in a tree. In any instant you may avail yourself of the power to love your enemies; to accept failure, slander, or the grief of loss; or to endure torture.
Purity’s time is always now.
(Dillard, ibid.)
…and:
If Feeling Isn’t In It
You can take it away, as far as I’m concerned — I’d rather spend the afternoon with a nice dog. I’m not kidding. Dogs have what a lot of poems lack: excitements and responses, a sense of play the ability to impart warmth, elation…
Howard MossDogs will also lick your face if you let them.
Their bodies will shiver with happiness.
A simple walk in the park is just about
the height of contentment for them, followed
by a bowl of food, a bowl of water,
a place to curl up and sleep. Someone
to scratch them where they can’t reach
and smooth their foreheads and talk to them.
Dogs also have a natural dislike of mailmen
and other bringers of bad news and will
bite them on your behalf. Dogs can smell
fear and also love with perfect accuracy.
There is no use pretending with them.
Nor do they pretend. If a dog is happy
or sad or nervous or bored or ashamed
or sunk in contemplation, everybody knows it.
They make no secret of themselves.
You can even tell what they’re dreaming about
by the way their legs jerk and try to run
on the slippery ground of sleep.
Nor are they given to pretentious self-importance.
They don’t try to impress you with how serious
or sensitive they are. They just feel everything
full blast. Everything is off the charts
with them. More than once I’ve seen a dog
waiting for its owner outside a café
practically implode with worry. “Oh, God,
what if she doesn’t come back this time?
What will I do? Who will take care of me?
I loved her so much and now she’s gone
and I’m tied to a post surrounded by people
who don’t look or smell or sound like her at all.”
And when she does come, what a flurry
of commotion, what a chorus of yelping
and cooing and leaps straight up into the air!
It’s almost unbearable, this sudden
fullness after such total loss, to see
the world made whole again by a hand
on the shoulder and a voice like no other.
(John Brehm [source])
Jayne says
Ah, the pucker. Dillard is quite, well, something.
That great big, bobbing ball of a city made me instantly anxious. I worried that it might tilt too far one way, only to tear violently back in the opposite direction. I’ve so many questions, I don’t know where to begin. I imagine one would have to be an expert at staring and being swept into nothingness, to the marvelous and dangerous secret that’s going on,
to design a city like it’s a Christmas ornament.