[Image: opening narration/subtitle from the 1999-2000 anime series Ima, Soko ni Iru Boku (Now and Then, Here and There), critically and commercially very successful — but also but very dark . One site which I consulted about the series highly recommended watching it, but added that you won’t want to watch it a second time.]
From whiskey river:
The first week of August hangs at the very top of summer, the top of the live-long year, like the highest seat of a Ferris wheel when it pauses in its turning. The weeks that come before are only a climb from balmy spring, and those that follow a drop to the chill of autumn, but the first week of August is motionless, and hot. It is curiously silent, too, with blank white dawns and glaring noons, and sunsets smeared with too much color. Often at night there is lightning, but it quivers all alone. There is no thunder, no relieving rain. These are strange and breathless days, the dog days, when people are led to do things they are sure to be sorry for after.
(Natalie Babbitt [source])
…and (italicized lines):
Night and the River
I have seen the great feet
leaping
into the riverand I have seen moonlight
milky
along the long muzzleand I have seen the body
of something
scaled and wonderfulslumped in the sudden fire of its mouth,
and I could not tell
which fit memore comfortably, the power,
or the powerlessness;
neither would have meentirely; I was divided,
consumed,
by sympathy,pity, admiration.
After a while
it was done,the fish had vanished, the bear
lumped away
to the green shoreand into the trees. And then there was only
this story.
It followed me homeand entered my house—
a difficult guest
with a single tunewhich it hums all day and through the night—
slowly or briskly,
it doesn’t matter,it sounds like a river leaping and falling;
it sounds like a body
falling apart.
(Mary Oliver [source])
…and:
One of the saddest realities is most people never know when their lives have reached the summit. Only after it is over and we have some kind of perspective do we realize how good we had it a day, a month, five years ago. The walk together in the December snow, the phone call that changed everything, and that lovely evening in the bar by the Aegean. Back then you thought “this is so nice.” Only later did you realize it was the rarest bliss.
(Jonathan Carroll [unknown source, but quoted all over])
Not from whiskey river:
Then and Now
Then was the grown-up world of tall decision,
Its beauty of late nights denied a child;
World of bewildering gifts, and strange derision,
Alien alike whether it frowned or smiled,
Yet your least wish was governed by its laws.
The landscape and the weather both were odd,
Exploding with effects that hid a cause
Serene and lonely as the Will of God.
Recall it: peopled by an august race,
Immune to the passions that attack the young,
And knowing all. There every commonplace
Must be translated from a marvellous tongue.Now is the world of grandeur dwindled, shrunk
To what the stupidest can understand.
The shabby treasures of an exile’s trunk
Include no passport to that wonderland,
Though you are told you are a citizen.
The scenery is changed, the climate dull;
The fateful masks are faces, gods are men;
Most nights are long and few are magical.
But there are strangers even here: their speech
Is rich in barbarous mystery, their ways
Are private, who live wholly beyond reach,
Admired and feared, though none of us obeys
Their foreign rule. No dictators, and yet
Strong utterly. While we, with pity wrung
For what they must do, suffer, learn, forget,
Feel shy when we approach them. They are young.
(Babette Deutsch [source])
…and:
Swells
The very longest swell in the ocean, I suspect,
carries the deepest memory, the information of actions
summarized (surface peaks and dibbles and local sharpslopes of windstorms) with a summary of the summaries
and under other summaries a deeper summary: well, maybe
deeper, longer for length here is the same as deeptime: so that the longest swell swells least; that
is, its effects in immediate events are least perceptible,
a pitch to white water rising say a millimeter morebecause of an old invisible presence: and on the ocean
floor an average so vast occurs it moves in a noticeability
of a thousand years, every blip, though, of surface andintermediacy moderated into account: I like to go
to old places where the effect dwells, summits or seas
so hard to summon into mind, even with the naturalones hard to climb or weigh: I go there in my mind
(which is, after all, where these things negotiably are)
and tune in to the wave nearly beyond rise or fall in itsstaying and hum the constant, universal assimilation: the
information, so packed, nearly silenced with majesty
and communicating hardly any action: go there andrest from the ragged and rapid pulse, the immediate threat
shot up in a disintegrating spray, the many thoughts and
sights unmanageable, the deaths of so many, hungry or mad.
(A.R. Ammons [source])
…and:
But for the Grace…
Seeing a white shape in the garden in the half-light, Nasrudin asked his wife to hand him his bows and arrows. He hit the object, went out to see what it was, came back almost in a state of collapse.
“That was a narrow shave. Just think. If I had been in that shirt of mine hanging there to dry, I would have been killed. It was shot right through the heart.”
(Nasrudin [source])
someone's brudder says
The Jonathan Carroll bit is something I’ve mused over many times, mostly since having my cryptic (now, more so) epiphany regarding “being an architect”. Much of my life has been hung on the presumption of it’s import, but… This might be the strangest character of our species. Not the oft-considered being able to contemplate one’s demise but more the ability to imagine the what ifs of a different path. Not much to do about this even with the various time-travel devices suggested in your other postings (say: Time Lapse?) and throughout the world of literature and film. But humans (this one in particular) do this and I don’t imagine that other species do. But how would we know?