[Image: “Chess Knights in Battle,” by Ken Teegardin on Flickr. (Used here under a Creative Commons license; thank you!) The photographer apparently took this photo as some kind of illustration for his own Web site, having to do with senior retirement planning; however, his site seems not to exist anymore. So I’ll use it here, as a photographic metaphor for having options we don’t necessarily see right away.]
From whiskey river:
As they say “to be in the world, but not of the world.” You can go to the Himalayas and miss it completely, and you can be stuck in the middle of New York and be very spiritual. I mean, I noticed in certain places, like New York, it brings out a certain thing in myself. If I go to some place like Switzerland, I find a lot of uptight people because they’re living amongst so much beauty there’s no urgency in trying to find the beauty within themselves. If you’re stuck in New York you have to somehow look within yourself — otherwise you’d go crackers. So, in a way, it’s good to be able to go in and out of both situations. Most people think when the world gets itself together we’ll all be okay. I don’t see that situation arriving. I think one by one, we all free ourselves from the chains we have chained ourselves to. But I don’t think that suddenly some magic happens and the whole lot of us will all be liberated in one throw.
(George Harrison [source])
…and:
At Seventy-Five: Re-Reading An Old Book
My prayers have been answered, if they were prayers. I live.
I’m alive, and even in rather good health, I believe.
If I’d quit smoking I might live to be a hundred.
Truly this is astonishing, after the poverty and pain,
The suffering. Who would have thought that petty
Endurance could achieve so much?
And prayers—
Were they prayers? Always I was adamant
In my irreligion, and had good reason to be.
Yet prayer is not, I see in old age now,
A matter of doctrine or discipline, but rather
A movement of the natural human mind
Bereft of its place among the animals, the other
Animals. I prayed. Then on paper I wrote
Some of the words I said, which are these poems.
(Hayden Carruth, Dr. Jazz [source: none canonical, but found here])
Not from whiskey river:
Proof
Spring comes slow and late in Cleveland, so we learn to look for
signs: the yellow hard-sheathed head of daffodil
which has been visible for days, but won’t unfurl—
and then a loosening, as if one lock had come undone,
a single curl of promise.
We humans, we can’t feel Spring coming,
so we sulk and mumble, numbly wait;
but the black-throated sparrows are different,
they’ve built a nest already in an opened hinge of window,
when I look up I see tail-feathers, sitting and sitting on that wedged-in
pile of sticks, saying faith and faith,and tonight on my way home, outside a brick apartment building,
suddenly a row of pansies! Such familiar
speckled faces, openings of purple, freckled gold,
and a man standing besied them, pointing,
and the woman he’d brought there, gazing
at the flowers, saying proof and proof,and I turned the corner into the sun, that bright
setting sun which blinds us
sometimes, in our failings, in our grace.
(Ruth Schwartz [source])
…and:
At the Gym
This salt-stain spot
marks the place where men
lay down their heads,
back to the bench,and hoist nothing
that need be lifted
but some burden they’ve chosen
this time: more reps,more weight, the upward shove
of it leaving, collectively,
this sign of where we’ve been:
shroud-stain, negativeflashed onto the vinyl
where we push something
unyielding skyward,
gaining some powerat least over flesh,
which goads with desire,
and terrifies with frailty.
Who could say who’sadded his heat to the nimbus
of our intent, here where
we make ourselves:
something difficultlifted, pressed or curled,
Power over beauty,
power over power!
Though there’s something moretender, beneath our vanity,
our will to become objects
of desire: we sweat the mark
of our presence onto the cloth.Here is some halo
the living made together.
(Mark Doty [source])
…and:
#40: Most people think of our memories as possessions or gifts (things which we have); some, as products of our own activity (things which we do); some, as personal attributes (things which we are). You can find elements of truth in all of those perspectives. The very language for defining our relationship to memory flows naturally, requiring no effort or, really, even attention.
Yet I wonder if there might be a fourth way of regarding memories — not, that is, merely as phenomena for which we are somehow responsible, as phenomena which exist only because we ourselves do. Try this mind game instead: consider memories as the agents, and ourselves as the results. Suppose I am something which my memories have, do, are. Liberation! Suddenly, the burden of remembering truth, of deciding what happened for real and what grew out of my imagination — suddenly that burden goes away. Truth or fantasy, no difference: I am owned by these things; they shape me; I am a facet of them. Then out from the cloud of all possible memories, true or false, have coalesced you, me, us. Maybe we’ve just tricked ourselves into thinking we’re the stars of the show. Maybe each of us is Chekhov’s pistol hanging on the wall, suddenly — just when apt, not before or after — selected for memory’s practical (and often dramatic) use.
(JES, Maxims for Nostalgists)
Froog says
So, what are we up to with the Maxims now??
I think I remember you said once you didn’t yet have yet any overall plan for them and were just assigning them numbers randomly rather than sequentially. But I imagine you have some idea of collecting them as something publishable one day (we hope you do!), so I wonder if you’ve got some kind of – perhaps still unconscious – upper limit? It might get a bit unwieldy as a book over, say, 300 or 400? But you perhaps haven’t broken three figures yet?
It’s looking as though the cumulative work could become something very intriguing.
John says
Good morning*, Mr. Froog!
From time to time, I do think about collecting them. If I do, probably 100 would be a good upper limit — people do like to think in round numbers. Or maybe 99, for the same reason.
But I’ve got a long way to go. While the highest-numbered one is 84, I’ve so far used only about 20 — four of which appeared together. (This count includes an unnumbered one, and there’s a “#1 (alt.)” in the mix as well as a “#1.”) RAMH itself is closing in on ten years old, but the first Maxim I posted here was in 2012. And I’ve never composed one on anything but the spur of the moment, for whatever post was in the works. So they’re not exactly flooding the site, ha.
____________________________
*Well, it’s morning where I am, anyhow. Which raises the question, where are you these days, and what are you up to there? Still Southeast Asia, living the dissipated life of a traveling expat photographer?
Froog says
Yes, indeed. Although I’ve now nearly exhausted my savings, so I’m afraid I will have to return to some more staid and regular mode of life soon – possibly another high school teaching job in China.
John says
It might not be a steady source of income on its own, but I wonder if you could assemble some/many of those photos you shared with me in the last couple years and sell them — accompanied by a suitable narrative — to any of several travel publications? Gods know you both write and shoot well enough. And who knows? These things have a way of snowballing!
Froog says
Well, it’s kind of you to say so, but…. the competition in the freelance writing field is rather daunting these days, particularly in this part of the world. It seems that about one-in-three of the expats here is a prematurely retired journalist – or self-professed travel blogger! – trying to make their rent from this kind of thing.