[Image: “Athena’s Annex,” by John E. Simpson; #802 (December 8, 2019) in my #everydaybandw series. (Shared here under a Creative Commons License; for more information, see this page at RAMH.)]
From whiskey river:
Early Morning In Your Room
It’s morning. The brown scoops of coffee, the wasplike
Coffee grinder, the neighbors still asleep.
The gray light as you pour gleaming water—
It seems you’ve traveled years to get here.Finally you deserve a house. If not deserve
It, have it; no one can get you out. Misery
Had its way, poverty, no money at least.
Or maybe it was confusion. But that’s over.Now you have a room. Those lighthearted books:
The Anatomy of Melancholy, Kafka’s Letter
to his Father, are all here. You can dance
With only one leg, and see the snowflake fallingWith only one eye. Even the blind man
Can see. That’s what they say. If you had
A sad childhood, so what? When Robert Burton
Said he was melancholy, he meant he was home.
(Robert Bly [source])
…and (italicized portion):
Marrying, founding a family, accepting all the children that come, supporting them in this insecure world and even guiding them a little as well, is, I am convinced, the utmost a human being can succeed in doing at all. That seemingly so many succeeded in this is no evidence to the contrary, for, first, there are not many who do, in fact, succeed, and secondly, these not-many usually don’t “do” it, it merely “happens” to them; although this is not that Utmost, yet it is still very great and very honorable (particularly since “doing” and “happening” cannot be kept clearly distinct), And finally, it is not a matter of this Utmost at all, anyway, but only of some distant but decent approximation; it is, after all, not necessary to fly right into the middle of the sun, but it is necessary to crawl to a clean little spot on earth where the sun sometimes shines and one can warm oneself a little.
(Franz Kafka, Letter to my Father [source])
Not from whiskey river:
Nox Borealis
If Socrates drank his portion of hemlock willingly,
if the Appalachians have endured unending ages of erosion,
if the wind can learn to read our minds
and moonlight moonlight as a master pickpocket,
surely we can contend with contentment as our commission.Deer in a stubble field, small birds dreaming
unimaginable dreams in hollow trees,
even the icicles, darling, even the icicles shame us
with their stoicism, their radiant resolve.Listen to me now: think of something you love
but not too dearly, so the night will steal from us
only what we can afford to lose.
(Campbell McGrath [source])
…and:
If Feeling Isn’t In It
You can take it away, as far as I’m concerned—I’d rather spend the afternoon with a nice dog. I’m not kidding. Dogs have what a lot of poems lack: excitements and responses, a sense of play, the ability to impart warmth, elation….
—Howard MossDogs will also lick your face if you let them.
Their bodies will shiver with happiness.
A simple walk in the park is just about
the height of contentment for them, followed
by a bowl of food, a bowl of water,
a place to curl up and sleep. Someone
to scratch them where they can’t reach
and smooth their foreheads and talk to them.
Dogs also have a natural dislike of mailmen
and other bringers of bad news and will
bite them on your behalf. Dogs can smell
fear and also love with perfect accuracy.
There is no use pretending with them.
Nor do they pretend. If a dog is happy
or sad or nervous or bored or ashamed
or sunk in contemplation, everybody knows it.
They make no secret of themselves.
You can even tell what they’re dreaming about
by the way their legs jerk and try to run
on the slippery ground of sleep.
Nor are they given to pretentious self-importance.
They don’t try to impress you with how serious
or sensitive they are. They just feel everything
full blast. Everything is off the charts
with them. More than once I’ve seen a dog
waiting for its owner outside a café
practically implode with worry. “Oh, God,
what if she doesn’t come back this time?
What will I do? Who will take care of me?
I loved her so much and now she’s gone
and I’m tied to a post surrounded by people
who don’t look or smell or sound like her at all.”
And when she does come, what a flurry
of commotion, what a chorus of yelping
and cooing and leaps straight up into the air!
It’s almost unbearable, this sudden
fullness after such total loss, to see
the world made whole again by a hand
on the shoulder and a voice like no other.
(John Brehm [source; also used in this 2013 post])
…and:
The bigness of the world is redemption. Despair compresses you into a small space, and a depression is literally a hollow in the ground. To dig deeper into the self, to go underground, is sometimes necessary, but so is the other route of getting out of yourself, into the larger world, into the openness in which you need not clutch your story and your troubles so tightly to your chest. Being able to travel both ways matters, and sometimes the way back into the heart of the question begins by going outward and beyond. This is the expansiveness that sometimes comes literally in a landscape or that tugs you out of yourself in a story.
I used to go to Ocean Beach, the long strip of sand facing the churning Pacific at the end of my own city, for reinforcement, and it always put things in perspective, a term that can be literal too. The city turned into sand and the sand into surf and the surf into ocean and just to know that the ocean went on for many thousands of miles was to know that there was an outer border to my own story, and even to human stories, and that something else picked up beyond. It was the familiar edge of the unknown, forever licking at the shore.
(Rebecca Solnit [source])
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