Another of those words-would-be-superfluous videos… This was one of the numbers performed at this year’s “Nykerk” singing competition, at Hope College in Michigan: a Wizard of Oz medley:
Damn. Now I want to see the movie again.
by John 2 Comments
Another of those words-would-be-superfluous videos… This was one of the numbers performed at this year’s “Nykerk” singing competition, at Hope College in Michigan: a Wizard of Oz medley:
Damn. Now I want to see the movie again.
by John 14 Comments
The whole e-books vs. traditional books debate spins crazily about one question: What is a book, anyhow?
Let’s pursue that question a step further: What is a reader?
Science-fiction (etc.) author Cory Doctorow tackles both questions in a very interesting project of his, called With a Little Help. It’s a self-published “book” — an anthology of short fiction — available in a dizzying variety of forms. For starters, he’s selling multiple physical editions of the anthology: paperback and hardcover print editions, and CDs of an audiobook version. He’s taken it a step further, though, by offering With a Little Help in multiple e-book formats (from plain text on up to EPUB, MOBI, and so on) and multiple audiobook formats (MP3, WAV, OGG)… and all the downloads are free.
He’s taking the free-digital-download release further:
The full text of all the stories in this collection is available as free downloads under the Creative Commons Attribution-NonCommercial-ShareAlike license, meaning that you can copy them and make your own versions, but you can’t make money off them and you have to let others remix your creations. The audiobooks are likewise available as free downloads on the same terms.
I myself am not interested in remixing anything, but I thought you’d enjoy this story, “The Right Book” (read by Neil Gaiman). If you’d like to read along, the text is here (opens in new window/tab). It’s a tale reaching 150 years into the future, giving us a peek into not just how books (or “books”) might be sold, but how the readers (or “readers”) of books may change as well.
[Click Play button to begin listening. While audio is playing, volume control appears at left — a row of little vertical bars. This clip is 17:54 long.]
My latest review is up at The Book Book. This time around, it’s a non-fiction title, Who Hates Whom. (Subtitle: Well-Armed Fanatics, Intractable Conflicts, and Various Things Blowing Up: A Woefully Incomplete Guide.)
In brief, it’s a good overview of world “trouble spots” — where they are, how they became troublesome in the first place, who the major players are — as of the time the book came out, in 2007. One man’s “good,” though, is another man’s “Huh?” So let me rattle off what I liked about Who Hates Whom:
Note for e-book readers: Who Hates Whom includes dozens of maps and photographs. You might want to consider that fact when deciding to go the e- vs. traditional book route. I read it on a Kindle, and didn’t mind it — but I know such things drive some people crazy!
by John 7 Comments
So I just got back from having this test done. It wasn’t a big deal but it held a certain academic interest for me: it was an echocardiogram. Not electro-. Echo-.
Say what?
As the, um, echocardiogrammatical technician (or whatever her title is) led me to the room where the test would be performed, I asked, “So is this like an MRI or something? Or an EKG?”
She didn’t answer that question directly; she just told me what it was. “It’s an ultrasound. Like pregnant women and babies?”
But I wasn’t, uh—
“No.” She smiled. “You’re not pregnant. This is an ultrasound of the four chambers of your heart and a couple of blood vessels in your neck.”
In the examining room, she had me take off my shirt and lie flat on the bed/examining table/whatever they call that thing. She did the gel thing which you see them on TV doing (yes) to pregnant women’s swollen bellies, only to my chest and neck, and then she rolled me on my side and held a wand to the gelled spots, one at a time, for a few minutes each.
I couldn’t see the monitor of the machine from where I lay, so I don’t know if it showed an image of what lay inside. But I do know it had a speaker.
You know how in old Tex Avery (and other) cartoons, when a guy (I think often a wolf, literally) sees a woman he thinks is hot stuff, and his eyes bulge out of his head, and he howls and sometimes says something like Hubba-hubba!, and this heart-shaped protrusion pushes rhythmically in and out of his chest? You know the sound? Right: ba-BOOM… ba-BOOM… ba-BOOM…
For real? What the human heart actually sounds like is, well, say you got a tiny microphone, and you inserted it into a convenient orifice or cavity in the surface of a live snail, and you put the snail on the ground with a wire leading to a powerful stereo speaker, and you touched the snail — gently, repeatedly — with the sole of your foot. That’s what the human heart sounds like:
squ-WISH… SQUOORT… squ-WISH… SQUOORT…
Just in case any of you were wondering.
by John 6 Comments
Just saw this on the BBC’s YouTube channel. Sobering, exciting, fascinating… and sobering. The economic progress of 200 countries over the course of 200 years — demonstrated and discussed in a four-minute video:
As always with simple presentations of complex issues, especially statistics, there’s such a thing as reading too much into this. Politicians and ideologues of all stripes can likely find support for their points of view here. For the rest of us, maybe it’s just the ideal opportunity to contemplate the age we live in.
(Coincidentally — and I swear this really happened — last night a monster cold-front rainstorm passed through. As I was getting ready for bed, I thought, Two hundred years ago, people would have thought it a miracle that I’m getting into a dry bed.)
I’ve been working on a regular post, off and on, for a couple days now. This was just too interesting not to pass on to you!
Update: For a really absorbing view of these statistics, go here. You can track individual countries’ paths of progress (or otherwise), change the statistics used, and so on.
by John 10 Comments
(This post’s title courtesy of Neil Postman.)
Long-time visitors to RAMH may be reminded of the crdl: the toy described here.
[For information about this image, see the note at the foot of this post.]
From whiskey river:
This is the Dream
This is the dream we carry through the world
that something fantastic will happen
that it has to happen
that time will open by itself
that doors shall open by themselves
that the heart will find itself open
that mountain springs will jump up
that the dream will open by itself
that we one early morning
will slip into a harbor
that we have never known.
(Olav H. Hauge, translated by Robert Bly and Robert Hedin, from The Dream We Carry: Selected and Last Poems)
…and:
Wonder begins with the element of surprise. The now almost obsolete word “wonderstruck” suggests that wonder breaks into consciousness with a dramatic suddenness that produces amazement or astonishment. Because of the suddenness with which it appears, wonder reduces us momentarily to silence. We associate gaping, breathlessness, bewilderment, and even stupor with wonder, because it jolts us out of the world of common sense in which our language is at home. The language and categories we customarily use to deal with experience are inadequate to the encounter, and hence we are initially immobilized and dumbfounded. We are silent before some new dimension of meaning which is being revealed.
(Sam Keen, from Apology for Wonder)
…and (italicized portion):
You are standing in the sky. When we think of the sky, we tend to look up, but the sky actually begins at the earth. We walk through it, yell into it, rake leaves, wash the dog, and drive cars in it. We breathe it deep within us. With every breath, we inhale millions of molecules of sky, heat them briefly, and then exhale them back into the world. At this moment, you are breathing some of the same molecules once breathed by Leonardo da Vinci, William Shakespeare, Anne Bradstreet, or Colette. Inhale deeply. Think of The Tempest. Air works the bellows of our lungs, and it powers our cells. We say “light as air,” but there is nothing lightweight about our atmosphere, which weighs 5,000 trillion tons. Only a clench as stubborn as gravity’s could hold it to the earth; otherwise it would simply float away and seep into the cornerless expanse of space.
(Diane Ackerman, from A Natural History of the Senses)
by John 8 Comments
Lyrics:
Atheists Don’t Have No Songs
(Steve Martin and the Steep Canyon Rangers
Christians have their hymns and pages,
Hava Nagila’s for the Jews,
Baptists have the rock of ages,
Atheists just sing the blues.Romantics play Claire de Lune,
Born agains sing He is risen,
But no one ever wrote a tune
For godless existentialism.For Atheists,
There’s no good news,
They’ll never sing a song of faith.For atheists,
They have a rule,
The “he” is always lowercase.
The “he” is always lowercase.Some folks sing a Bach cantata,
Lutherans get Christmas trees,
Atheist songs add up to nada,
But they do have Sundays free.Pentecostalists sing they sing to heaven,
Coptics have the books of scrolls,
Numerologists can count to seven,
Atheists have rock and roll.For Atheists,
There’s no good news,
They’ll never sing a song of Faith.In their songs,
They have a rule,
The “he” is always lowercase.
The “he” is always lowercase.Catholics dress up for Mass,
And listen to, Gregorian chants.Atheists just take a pass,
Watch football in their underpants.
Watch football in their underpants.Atheists, Atheists, Atheists,
Don’t have no songs!
Thanks, Jules. And thanks to Pacificvs (Adrian Covert) for the lyrics! (Also see John Kinney’s comment on the Pacificvs post, which stitches together a more complete version of the lyrics from several different performances he found online.)
______________________________
* …and not only Mac Davis and friends.
by John 3 Comments
by John 8 Comments
[Image found at What My World’s Like]
From whiskey river:
Visiting the Graveyard
When I think of death
it is a bright enough city,
and every year more faces there
are familiarbut not a single one
notices me,
though I long for it,
and when they talk together,which they do
very quietly,
it’s in an unknowable language —
I can catch the tonebut understand not a single word —
and when I open my eyes
there’s the mysterious field, the beautiful trees.
There are the stones.
(Mary Oliver, from Red bird [source])
…and:
…Time is a measure of energy, a measure of motion.
We have agreed internationally on the speed of the clock. And I want you to think about clocks and watches for a moment. We are of course slaves to them. And you will notice that your watch is a circle, and that it is calibrated, and that each minute, or second, is marked by a hairline which is made as narrow as possible, as yet to be consistent with being visible. And when we think of a moment of time, when we think what we mean by the word now, we think of the shortest possible instant that is here and gone, because that corresponds with the hairline calibrations on the watch.
As a result, we are a people who feel that we don’t have any present, because we believe that the present is always instantly vanishing. This is the problem of Goethe’s Faust. He attains his great moment and says to it, “Oh still delay, thou art so fair.” But the moment never stays. It is always disappearing into the past.
Therefore we have the sensation that our lives are constantly flowing away from us. And so we have a sense of urgency. Time is not to waste; time is money. And so, because of the tyranny of clocks, we feel that we have a past, and that we know who we were in the past — nobody can ever tell you who they are, they can only tell you who they were — and we believe we also have a future. And that belief is terribly important, because we have a naive hope that the future is somehow going to supply us with everything we’re looking for.
You see, if you live in a present that is so short that it is not really here at all, you will always feel vaguely frustrated.
(Alan Watts [source, in slightly different form])