[First, to get this out of the way, allow me to introduce you to Miss Globe-head. That’s her over there on the right. And if you don’t know why I’m introducing the two of you, please check my previous post.]
For a number of reasons — most of them having to do with writing, by the way — I’ve been fascinated for years by the country of Wales.
(The Missus might argue with that “most of them,” by the way. She believes that I must have lived a former life there, and maybe she’s right. Not that I have any memory of it. Or evidence of it, for that matter, beyond the fascination.)
This Welsh thing of mine has taken several turns. I’ve got books about the history and culture of Wales. I’ve got a Welsh-English/English-Welsh dictionary. Somewhere along the line I even picked up a cassette-tape “teach yourself Welsh” language-instruction course.
Sometime in the early ’90s I was in a used bookstore in Charlottesville, Virginia, and came across a beautiful picture book called The Waterfalls of Wales, by one John Llewelyn Jones. (And it was beautiful, despite the fact that except for the cover, all its photographs were in black-and-white.)
Aside from the Welsh connection, I think what drew me to the book was the subject: waterfalls in general.
Now, if you’ve been following weather news during this hurricane season, you know that the topic of running water is especially fraught for people around the state of Florida right now. But the water-borne terrors of Fay, say, are of a completely different character than the sorts of running water I’m thinking of.
Consider, for example, this photograph (not from the book) of Sgwd Isaf Clun Gwyn, Afon Mellte (roughly, “White Meadow Lower Falls, [on the] River Mellte” — and if anyone can supply more polish to the translation, please speak up!):


Last month, I
My brother the architect once explained to me the key to building things successfully. By building he meant not just framing, erecting walls and roofs and so on, but everything: flooring, painting, pouring foundations, and so on. All of it, he said, had one critical element: edges. How an architect or builder or home handyman handles edges defines his or her success at it. Buildings fall down; patterned wallpaper fails to match up at the seams; bookshelves wobble, and a marble placed on the floor rolls freely from one corner to another.
The Missus and I live in a smallish subdivision some distance away from downtown. Nonetheless, the area around the development is all within City limits — except for the development itself, which for whatever mysterious reason has never agreed to annexation. We (TM and I) refer to it, privately, as The Principality — because it’s so much like a Monaco situation, y’know?
Stewart Neville (who participates as “Conduit” in the blogalogue at various writerly sites) is an Irishman with a hard-boiled fictional voice and a voice of sweet reason — or at least reason, period — when not constrained by a “Once upon a time… The End” frame.
On this day in 1997, the first Harry Potter book (Harry Potter and the Philosopher’s Stone in the UK, …and the Sorcerer’s Stone when it crossed the Atlantic) came to print.