[Image: well, that’s one way to do it. I’m not really sure what this represents, but it got my attention.]
From whiskey river:
The Meadow
As we walk into words that have waited for us to enter them, so
the meadow, muddy with dreams, is gathering itself togetherand trying, with difficulty, to remember how to make wildflowers.
Imperceptibly heaving with the old impatience, it knowsfor certain that two horses walk upon it, weary of hay.
The horses, sway-backed and self important, cannot designhow the small white pony mysteriously escapes the fence every day.
This is the miracle just beyond their heavy-headed grasp,and they turn from his nuzzling with irritation. Everything
is crying out. Two crows, rising from the hill, fightand caw-cry in mid-flight, then fall and light on the meadow grass
bewildered by their weight. A dozen wasps drone, tiny prop planes,sputtering into a field the farmer has not yet plowed,
and what I thought was a phone, turned down and ringing,is the knock of a woodpecker for food or warning, I can’t say.
I want to add my cry to those who would speak for the sound alone.But in this world, where something is always listening, even
murmuring has meaning, as in the next room you moanin your sleep, turning into late morning. My love, this might be
all we know of forgiveness, this small time when you can forgetwhat you are. There will come a day when the meadow will think
suddenly, water, root, blossom, through no fault of its own,and the horses will lie down in daisies and clover. Bedeviled,
human, your plight, in waking, is to choose from the wordsthat even now sleep on your tongue, and to know that tangled
among them and terribly new is the sentence that could change your life.
(Marie Howe, The Good Thief [source])
…and:
Time is not a straight line, it’s more of a labyrinth, and if you press close to the wall in the right place you can hear the hurrying steps and the voices, you can hear yourself walking past on the other side.
(Tomas Tranströmer [source])