[Image: ‘L’agonie du soleil,’ by Michel Schmid on Flickr (used here under a Creative Commons license — thank you!)]
From whiskey river:
And we the people are so vulnerable. Our bodies are shot with mortality. Our legs are fear and our arms are time. These chill humors seep through our capillaries, weighting each cell with an icy dab of nonbeing, and that dab grows and swells and sucks the cell dry. That is why physical courage is so important — it fills, as it were, the holes — and why it is so invigorating. The least brave act, chance taken and passage won, makes you feel loud as a child.
(Annie Dillard [source])
…and (italicized lines):
February Elegy
This bald year, frozen now in February.
This cold day winging over the ugly
Imperfect horizon line,
So often a teeth line of ten buildings.
A red flag flapping
In the wind. An orange curtain is noon.
It all hurts her eyes. This curtain is so bright.
Here is what is noticeably true: sight.
The face that looks back from the side
Of the butter knife.
A torn-bread awkwardness.
The mind makes its daily pilgrimage
Through riff-raff moments. Then,
Back into the caprice case to dream
In a circle, a pony goes round.
The circle’s association: There’s a center
To almost everything but never
Any certainty. Nothing is
More malleable than a moment. We were
Only yesterday breathing in a sea.
Some summer sun
Asked us over and over we went. The sand was hot.
We were only yesterday tender hearted
Waiting. To be something.
A spring. And then someone says, Sit down,
We have a heart for you to forget. A mind to suffer
With. So, experience. So, the circus tent.
You, over there, you be the girl
In red sequins on the front of a card selling love.
You, over there, you, in black satin.
You be the Maiden’s Mister Death.
(Mary Jo Bang [source])
…and:
Silent Journal
Inaudible consonant inaudible vowel
The word continues to fall
in splendor around us
Window half shadow window half moon
back yard like a book of snow
That holds nothing and that nothing holds
Immaculate text
not too prescient not too true.
(Charles Wright [source])