geography

When I was a boy, among my adventure fantasies was being a fighter pilot. There was something tremendously exciting to me in the idea of traveling at superhigh speeds and concentrating not just on the flight path ahead, but on the split-second change in circumstances in all three dimensions at once. You’d have to keep looking up, behind, down, to both sides… and never, ever relax.

(One obvious fallacy seems never to have occurred to me: if Dad’s characteristic high-speed highway driving gave me the willies, as it did, in actual aerial combat I’d almost certainly bail out more often than not.)

Later, fresh out of college, I first worked not as the English teacher I’d been trained to become, but as a cab driver — a position for which, excuse the boast, I was eminently suited.

Two apparently unrelated factoids about my life, separated from each other (and from now) by decades. But if you let your conceptual vision blur just a bit, you might discern the connection: spatial relationships; geography.

For whatever reason, I’ve always been interested in, not to say obsessive about, how one gets from here to there. Even now, I can spend hours poring over maps and atlases; Google Maps (and its macro-offspring, Google Earth and Google Sky) would be like a crack pipe to me if I let it. Furthermore, I’m blessed (or cursed) with a good intuitive sense of direction, so after I’ve driven someplace once I can almost always get back to it without conscious thought. (I say “cursed” only because this sometimes makes me impatient with others’ reluctance to venture into unfamiliar territory.) I actually hold a mental map of the route, including landmarks, traffic bottlenecks, relationship to other routes to other nearby destinations, and so on.

This obsession extends, bizarrely, even into my dreams. I notice and generally remember how I’ve “gotten” from one place to another. As my dream life goes on over the course of years, I recognize intersections I’ve “been to” before (although I’ve never seen them in real life). And, what’s more, I sometimes record these routes — write them up the morning after, in the course of recording especially notable dreams.

(Yes, I’ve tried to keep paper and pen by the bedside so I can jot them down at the moment, so to speak. It never works for me: I’m too caught up in my dreams to want to wake up.)

The most recent such report took me about an hour to write on Saturday morning, when I should have been working on Seems to Fit instead. You can read it here (irrelevant, non-setting-related portions excised, and hyperlinks to real-world places added (because — ha ha — doing so gives me a chance to use Google Maps)).

In the meantime: how about you? Is there any ongoing thread to what happens between your ears as you sleep? Consider the common “Color or black-and-white?” question. Beyond that, though, think of your dreams as a very particular sort of fiction. Do you tend to remember the plots the next morning? or are you a character specialist? what about dialogue?

Have you had the deja vu moment in which you come to a real place for the first time… and realize you’ve already been there in your dreams? Do you find yourself dreaming about the same things, people, places, even in non-recurring dreams, even spread out over years or decades?

C’mon. Spill.

I once read advice from a… novelist? playwright? not sure — anyhow, someone who said something like, “The hardest job in writing a story is getting a character from one room to another.” This stuck in my head because at the time I was struggling with just this difficulty. I kept trying to account for the characters’ every movement: He walked to the door and reached for the doorknob. He turned it. He pulled the door open, hesitated, and then stepped over the threshold onto the bathroom tile… or whatever it was.

Even after I [knock on wood] grew out of that clumsiness, though — it’s a wonder more of my characters didn’t break their necks as I drove them past furniture, pets, fireplaces — I’ve always liked to have a sense of where characters are, relative to their landscapes and to one another. Of all the fears I have of a critic, somewhere, sometime, taking potshots at my stories, one of the biggest is that s/he will be able to sneer, y’know, something like the following:

Simpson can’t even keep his geography straight. In one chapter he refers to a character walking three blocks and turning right; four pages later, the same character — taking the same route — is said to count five traffic signals and then turn left. Well, which is it, Mr. Simpson? Which is it?

[shudder]

Anyhow, when I started on ~~Grail~~ Seems to Fit, I knew I’d be making up a locale from scratch. This seemed clever at the time, because no one would be able to trip me up on mismatches with the real world.

Alas, it also meant that I occasionally got confused when navigating the action around the fictional world.

So then I went back through what I had written to that point, and laid out the town in question, in pencil, on a sheet of lined notebook paper: block by block, labeled with store names, residents’ names, and so on.

I found that map this morning. On one hand, the discovery annoyed me; I’d just typed the words “Chapter 1, Caerleon, Pennsylvania: 1991” at the top of page 1, when I suddenly thought Gee — didn’t I do a map of the town once…? I even knew right where I could find a copy of it. And once I found it, I spent the rest of my morning writing session inspecting it, trying to recall all the details I’d labeled (more or less legibly) 17-18 years ago and why I’d thought they were important.

So there went today’s writing down the drain. Tomorrow ought to go smoother. (Or at least, I’ll have one less excuse for not being productive.)

[For more information about the map in question, including what details I remembered and a larger, more legible copy, see here.]

Fellow writers, how about you? Do you make maps of your world(s) — not just maps in your head, but on paper? Do you draw floor plans? Or is this just some highly localized form of obsessive-compulsive disorder on my part?

Edit to add: Although I never did a map of any of the locations in the Welsh backstory, I do know exactly where the (fictional) village was where the main character lived in the 1700s. It was a village named Cymer Bach (roughly, “Little Confluence”); if you look at the Google Maps “terrain view” of Cymer Bach you can see why.

Navigating My Subconscious

Mapping the WIP