[Image: “Duck with Slinky- 1,” by user SteveTaint at sxc.hu]
From whiskey river:
The Afterlife
While you are preparing for sleep, brushing your teeth,
or riffling through a magazine in bed,
the dead of the day are setting out on their journey.They’re moving off in all imaginable directions,
each according to his own private belief,
and this is the secret that silent Lazarus would not reveal:
that everyone is right, as it turns out.
you go to the place you always thought you would go,
the place you kept lit in an alcove in your head.Some are being shot into a funnel of flashing colors
into a zone of light, white as a January sun.
Others are standing naked before a forbidding judge who sits
with a golden ladder on one side, a coal chute on the other.Some have already joined the celestial choir
and are singing as if they have been doing this forever,
while the less inventive find themselves stuck
in a big air conditioned room full of food and chorus girls.Some are approaching the apartment of the female God,
a woman in her forties with short wiry hair
and glasses hanging from her neck by a string.
With one eye she regards the dead through a hole in her door.There are those who are squeezing into the bodies
of animals — eagles and leopards — and one trying on
the skin of a monkey like a tight suit,
ready to begin another life in a more simple key,while others float off into some benign vagueness,
little units of energy heading for the ultimate elsewhere.There are even a few classicists being led to an underworld
by a mythological creature with a beard and hooves.
He will bring them to the mouth of the furious cave
guarded over by Edith Hamilton and her three-headed dog.The rest just lie on their backs in their coffins
wishing they could return so they could learn Italian
or see the pyramids, or play some golf in a light rain.
They wish they could wake in the morning like you
and stand at a window examining the winter trees,
every branch traced with the ghost writing of snow.
(Billy Collins [note: first stanza not always included in quotations around the Web])
…and:
It’s a weird thing, writing.
Sometimes you can look out across what you’re writing, and it’s like looking out over a landscape on a glorious, clear summer’s day. You can see every leaf on every tree, and hear the birdsong, and you know where you’ll be going on your walk.
And that’s wonderful.
Sometimes it’s like driving through fog. You can’t really see where you’re going. You have just enough of the road in front of you to know that you’re probably still on the road, and if you drive slowly and keep your headlamps lowered you’ll still get where you were going.
And that’s hard while you’re doing it, but satisfying at the end of a day like that, where you look down and you got 1500 words that didn’t exist in that order down on paper, half of what you’d get on a good day, and you drove slowly, but you drove.
And sometimes you come out of the fog into clarity, and you can see just what you’re doing and where you’re going, and you couldn’t see or know any of that five minutes before.
And that’s magic.
(Neil Gaiman [source])
…and:
Living is all clumsy delights. Sitting here in this room, for example, listening to you turn pages, overhearing you breathe.
(Seon Joon [source])
