[Image: Broadway Boogie-Woogie (oil on canvas, 1943), by Piet Mondrian. For more details, see the note at the foot of this post.]

From whiskey river:

The art of living is based on rhythm — on give and take, ebb and flow, light and dark, life and death. By acceptance of all the aspects of life, good and bad, right and wrong, yours and mine, the static, defensive life, which is what most people are cursed with, is converted into a dance, “the dance of life”… The real function of the dance is — metamorphosis. One can dance to sorrow or to joy; one can even dance abstractly… But the point is that, by the mere act of dancing, the elements which compose it are transformed; the dance is an end in itself, just like life. The acceptance of the situation, any situation, brings about a flow, a rhythmic impulse towards self-expression. To relax is, of course, the first thing a dancer has to learn. It is also the first thing a patient has to learn when he confronts the analyst. It is the first thing any one has to learn in order to live. It is extremely difficult, because it means surrender, full surrender.

(Henry Miller [source])

…and:

About Angels and About Trees

Where do angels
fly in the firmament,
and how many can dance
on the head of a pin?

Well, I don’t care
about that pin dance,
what I know is that
they rest, sometimes,
in the tops of the trees

and you can see them,
or almost see them,
or, anyway, think: what a
wonderful idea.

I have lost as you and
others have possibly lost a
beloved one,
and wonder, where are they now?

The trees, anyway, are
miraculous, full of
angels (ideas); even
empty they are a
good place to look, to put
the heart at rest — all those
leaves breathing the air, so

peaceful and diligent, and certainly
ready to be
the resting place of
strange, winged creatures
that we, in this world, have loved.

(Mary Oliver [source])

…and:

Out of the dimming sky a speck appeared, then another, and another. It was the starlings going to roost. They gathered deep in the distance, flock sifting into flock, and strayed towards me, transparent and whirling, like smoke. They seemed to unravel as they flew, lengthening in curves, like a loosened skein. I didn’t move; they flew directly over my head for half an hour. The flight extended like a fluttering banner, an unfurled oriflamme, in either direction as far as I could see. Each individual bird bobbed and knitted up and down in the flight at apparent random, for no known reason except that that’s how starlings fly, yet all remained perfectly spaced. The flocks each tapered at either end from a rounded middle, like an eye. Over my head I heard a sound of beaten air, like a million shook rugs, a muffled whuff. Into the woods they sifted without shifting a twig, right through the crowns of trees, intricate and rushing, like wind.

After half an hour, the last of the stragglers had vanished into the trees. I stood with difficulty, bashed by the unexpectedness of this beauty, and my spread lungs roared. My eyes pricked from the effort of trying to trace a feathered dot’s passage through a weft of limbs. Could tiny birds be sifting through me right now, birds winging through the gaps between my cells, touching nothing, but quickening in my tissues, fleet?

(Annie Dillard [source])

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