[Image: “Dry Summer (Until It Wasn’t,” by John E. Simpson. (Shared here under a Creative Commons License; for more information, see this page at RAMH.) This photo is among those in the “#oneoffs#” album at my SmugMug site.]
From whiskey river (all but the last sentence):
I hate endings. Just detest them. Beginnings are definitely the most exciting, middles are perplexing and endings are a disaster.The temptation towards resolution, towards wrapping up the package, seems to me a terrible trap. Why not be more honest with the moment? The most authentic endings are the ones which are already revolving towards another beginning. That’s genius. Somebody told me once that fugue means to flee, so that Bach’s melody lines are like he’s running away.
(Sam Shepard [source])
…and:
You go on by doing the best you can. You go on by being generous. You go on by being true. You go on by offering comfort to others who can’t go on. You go on by allowing the unbearable days to pass and allowing the pleasure in other days. You go on by finding a channel for your love and another for your rage.
(Cheryl Strayed [source (#24)])
…and:
The narrator is well aware of how regrettable is his inability to record at this point something of a really spectacular order—some heroic feat, or memorable deed like those that thrill us in the chronicles of the past. The truth is that nothing is less sensational than pestilence and by reason of their very duration. Great misfortunes are monotonous. In the memories of those who lived through them, the grim days of plague do not stand out like vivid flames, ravenous and inextinguishable, beaconing a troubled sky, but rather like the slow, deliberate progress of some monstrous thing crushing out all upon its path.
(Albert Camus [source])
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