[Image: “The Chariot Race,” by a favorite street photographer, Tom Waterhouse. (Found on Flickr, and used here under a Creative Commons license. Thank you!)]
From whiskey river:
…for just as the universal family of gifted writers transcends national barriers, so is the gifted reader a universal figure, not subject to spatial or temporal laws. It is he—the good, the excellent reader—who has saved the artist again and again from being destroyed by emperors, dictators, priests, puritans, philistines, political moralists, policemen, postmasters, and prigs. Let me define this admirable reader. He does not belong to any specific nation or class. No director of conscience and no book club can manage his soul. His approach to a work of fiction is not governed by those juvenile emotions that make the mediocre reader identify himself with this or that character and ‘skip descriptions.’ The good, the admirable reader identifies himself not with the boy or the girl in the book, but with the mind that conceived and composed that book. The admirable reader does not seek information about Russia in a Russian novel, for he knows that the Russia of Tolstoy or Chekhov is not the average Russia of history but a specific world imagined and created by individual genius. The admirable reader is not concerned with general ideas: he is interested in the particular vision. He likes the novel not because it helps him to get along with the group (to use a diabolical progressive-school cliché); he likes the novel because he imbibes and understands every detail of the text, enjoys what the author meant to be enjoyed, beams inwardly and all over, is thrilled by the magic imageries of the master-forger, the fancy-forger, the conjuror, the artist. Indeed, of all the characters that a great artist creates, his readers are the best.
(Vladimir Nabokov [source])
…and:
Library
(excerpt)I open this book and smoke pours out, I open this book and a bad sleet
slices my face, I open this book: brass knuckles, I open this book: the
spiky scent of curry, I open this book and hands grab forcefully onto my
hair as if in violent sex, I open this book: the wing beat of a seraph, I
open this book: the edgy cat-pain wailing of the damned thrusts up in a
column as sturdy around as a giant redwood, I open this book: the travel
of light, I open this book and it’s as damp as a wound, I open this book
and I fall inside it farther than any physics, stickier than the jelly we
scrape from cracked bones, cleaner than what we tell our children in the
dark when they’re afraid to close their eyes at night.
(Albert Goldbarth [source])
Not from whiskey river:
The writer is a person who is standing apart, like the cheese in “The Farmer in the Dell” standing there alone but deciding to take a few notes. You’re outside, but you can see things up close through your binoculars. Your job is to present clearly your viewpoint, your line of vision. Your job is to see people as they really are, and to do this, you have to know who you are in the most compassionate possible sense. Then you can recognize others. It’s simple in concept, but not that easy to do. My Uncle Ben wrote me a letter twenty years ago in which he said, “Sometimes you run into someone, regardless of age or sex, whom you know absolutely to be an independently operating part of the Whole that goes on all the time inside yourself, and the eye-motes go click and you hear the tribal tones of voice resonate, and there it is—you recognize them.” That is what I am talking about: you want your readers’ eye-motes to go click! with recognition as they begin to understand one of your characters.
(Anne Lamott [source])
…and:
I Move through London Like a Hotep
What you need will come to you at the right time says the tarot card I overturned at my friend Nathalie’s house one evening. I was wondering if she said something worth hearing, What? I’m looking at her face, trying to read it, not a clue what she said but I’ll just say yeah and hope. Me, Tabitha, and her aunt are waffling in Waffle House by the Mississippi River. Tabitha’s aunt is all mumble. She either said Do you want a pancake? or You look melancholic. The less I hear the bigger the swamp, so I smile and nod while my head becomes a faint foghorn, a lost river. Why wasn’t I asking her to microphone? When you tell someone you read lips you become a mysterious captain. You watch their brains navigate channels with BSL interpreters in the corner of night TV. Sometimes it’s hard to get back the smooth sailing and you go down with the whole conversation. I’m a haze of broken jars, a purple bucket and only I know there’s a hole in it. On Twitter @justnoxy tweets I can’t watch TV / movies / without subtitles. It’s just too hard to follow. I’m just sitting there pretending and it’s just not worth it. I tweet back you not being able to follow is not your failure. It’s weird, giving the advice you need to someone else, weird as thinking my American friend said I move through London like a Hotep when she actually said I’m used to London life with no sales tax. Deanna (my friend who owns crystals and mentions the existence of multiple moons) says I should write about my mishearings, she thinks it’ll make a good book for her bathroom. I am still afraid I have grown up missing too much information. I think about that episode of The Twilight Zone where an old man walks around the city bar selling bric-a-brac from his suitcase, knowing what people need—scissors, a leaky pen, a bus ticket, combs. In the scene, music is playing loud, meaning if I were in that bar I would miss the mysticism while the old man’s miracles make the barman say WOAH, this guy is from another planet!
(Raymond Antrobus [source])
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