(Part 1 of this N-part series was here.)
Let’s see, where were we… Oh. Right. I’d just posted excerpts from the Prologue to Crossed Wires, my 1992 mystery, and Chapter 1 from its never-published sequel, Trapdoor. And I said that the differences between those two excerpts sprang from “something” that happened in the roughly one year that elapsed between their two writings — something whose principal result was to relax me.
This isn’t the story of how I came to write Crossed Wires. (A lot of that crosses over into autobiography — not relevant right now.) No, it’s the story of what happened after I wrote it.



His time as a boy had passed many years ago. But, he suspected, he would always and forever be The Boy. His mind would ever run like two trains on two parallel tracks at once, one inside his head and the other outside, the trains always synced up, The Boy always and effortlessly stepping back and forth between the two, roaming the cars, visiting the locomotives, sounding the whistles, liking the way the views from the two trains mirrored each other but were never the same. He recognized his voice in each train, though the voice was different.
Then as they talked, The Boy suddenly became aware of flashing red lights on the country road which he could see from the deck. He could hear the rising warble of a siren, the way the tree frogs silenced respectfully the way they always did.
Running After My Hat passed one milestone this week: the hundredth post. (I’m not sure which surprises me more — that it’s (a) that many, or (b) that few.)
The most recent category for the links here, all the way at the bottom of the right-hand menu, is labeled “The Pantheon.” These aren’t authors who’ve necessarily influenced my style (although no doubt many of them have); they aren’t all authors who’ve meant a lot to me for my whole life (although some of them have). Instead, they’re authors who at one time or another bowled me over with the unexpected, offering surprising insights into what writing could possibly achieve.
…as I was
Stewart Neville (who participates as “Conduit” in the blogalogue at various writerly sites) is an Irishman with a hard-boiled fictional voice and a voice of sweet reason — or at least reason, period — when not constrained by a “Once upon a time… The End” frame.