The time: late fall, 1990.
The place: Ashland, Virginia.
A young(ish) man sits at a card table by his bedroom window. He is temporarily jobless, by choice, and living on accumulated savings while he writes what will become his first book.
And he is panicking, inwardly, because nowhere in his budget is there sufficient flexibility for anything like Christmas presents for his family…
I think back on it now and know, know with certainty, that the panic was silly (if not foolish). Nevertheless, panicky I was.
And then I suddenly thought to myself: Well, self, you are after all presuming to be a writer. Surely you can put that to use. Give them something unique, something written, something true (if fuzzily factual)…



I don’t pay much — well, all right, any — attention to baseball. In practice, this means for example that in the photograph at the left, if you masked the team names and logos, for all I knew I’d be looking at… gee, what are those other teams with red in their uniforms? Cardinals? (I hear they’re not in St. Louis anymore, right?) Red Sox? Braves? (Uh… Milwaukee? Atlanta? When did that happen?)
When I was a kid, the family habit was to stop on the way home from church at the L&M Bakery. (I’m so happy to see
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His time as a boy had passed many years ago. But, he suspected, he would always and forever be The Boy. His mind would ever run like two trains on two parallel tracks at once, one inside his head and the other outside, the trains always synced up, The Boy always and effortlessly stepping back and forth between the two, roaming the cars, visiting the locomotives, sounding the whistles, liking the way the views from the two trains mirrored each other but were never the same. He recognized his voice in each train, though the voice was different.
Then as they talked, The Boy suddenly became aware of flashing red lights on the country road which he could see from the deck. He could hear the rising warble of a siren, the way the tree frogs silenced respectfully the way they always did.
Stewart Neville (who participates as “Conduit” in the blogalogue at various writerly sites) is an Irishman with a hard-boiled fictional voice and a voice of sweet reason — or at least reason, period — when not constrained by a “Once upon a time… The End” frame.