Things Flare Up… and Then — Poof!

Metanoia, by Patricia Wu Wu (via Glasgow School of Art) on Flickr

[Image: “Metanoia: transformation, a change of heart or mind,” by Patricia Wu Wu; found on Flickr, and used here under a Creative Commons license (thank you!). It’s not clear, exactly, but this image seems to be a draft, of sorts — sketches in black ink or paint: Patricia Wu Wu is a fashion/textiles designer. Apparently this image was included in her “Metanoia” show at the Glasgow School of Art (see the corresponding Flickr album for more). You can see more of the work she exhibited there at her own site.]

From whiskey river:

Then again, if physics is right, we shouldn’t exist. You can watch ions hop across synapses, follow nerve impulses from nose to toes; nothing in any of those processes would lead you to expect the emergence of subjective awareness. Physics describes a world of intelligent zombies who do everything we do, except understand that they’re doing it. That’s what we should be, that’s all we should be: meat and computation. Somehow the meat woke up. How the hell does that even work?

(Peter Watts [source])

and:

Prelude

Waking up is a parachute jump from dreams.
Free of the suffocating turbulence the traveler
sinks toward the green zone of morning.
Things flare up. From the viewpoint of the quivering lark
he is aware of the huge root systems of the trees,
their swaying underground lamps. But above ground
there’s greenery—a tropical flood of it—with
lifted arms, listening
to the beat of an invisible pump. And he
sinks toward summer, is lowered
in its dazzling crater, down
through shafts of green damp ages
trembling under the sun’s turbine. Then it’s checked,
this straight-down journey through the moment, and the wings spread
to the osprey’s repose above rushing waters.
The bronze-age trumpet’s
outlawed note
hovers above the bottomless depths.

In day’s first hours consciousness can grasp the world
as the hand grips a sun-warmed stone.
The traveler is standing under a tree. After
the crash through death’s turbulence, shall
a great light unfold above his head?

(Tomas Tranströmer [source])

and:

The plain truth is we are going to die. Here I am, a teeny speck surrounded by boundless space and time, arguing with the whole of creation, shaking my fist, sputtering, growing even eloquent at times, and then — poof! I am gone. Swept off once and for all. I think that is very, very funny.

(Charles Simic [source (via)])

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Present But Unaccounted For

'Absence,' by Derrick Tyson on Flickr

[Image: “Absence,” by Derrick Tyson on Flickr. (Used here under a Creative Commons license.)]

From whiskey river:

Sometimes I get mail for people who lived in my home before I did, and sometimes my own body seems like a home through which successive people have passed like tenants, leaving behind memories, habits, scars, skills, and other souvenirs.

(Rebecca Solnit [source])

and:

We are not idealized wild things.

We are imperfect mortal beings, aware of that mortality even as we push it away, failed by our very complication, so wired that when we mourn our losses we also mourn, for better or for worse, ourselves. As we were. As we are no longer. As we will one day not be at all.

(Joan Didion [source])

and:

Standing Alone

Empty skies. And beyond, one hawk.
Between river banks, two white gulls
Drift and flutter. Fit for an easy kill,
To and fro, they follow contentment.

Dew shrouds grasses. Spiderwebs are still
Not gathered in. The purpose driving
Heaven become human now, I stand where
Uncounted sorrows begin beginning alone.

(Tu Fu [source])

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Perfectly Mistaken

'D1 / typo incident,' by Zoolette Des Bois on Flickr

[Image: “D1 / typo incident,” by Zoolette Des Bois on Flickr.com. Used under a Creative Commons license. Edit to add: the sign seems to be a marker at this location in London, on a particularly bad day I guess.]

From whiskey river (italicized portion):

if i have made, my lady, intricate

if i have made, my lady, intricate
imperfect various things chiefly which wrong
your eyes (frailer than most deep dreams are frail)
songs less firm than your body’s whitest song
upon my mind—if i have failed to snare
the glance too shy—if through my singing slips
the very skillful strangeness of your smile
the keen primeval silence of your hair

—let the world say “his most wise music stole
nothing from death”—
you will only create
(who are so perfectly alive) my shame:
lady whose profound and fragile lips
the sweet small clumsy feet of April came

into the ragged meadow of my soul.

(E.E. Cummings [source])

and:

Based on my experience of life, which I have not exactly hit out of the park, I tend to agree with that thing about, If it’s not broke, don’t fix it. And would go even further, to: Even if it is broke, leave it alone, you’ll probably make it worse.

(George Saunders [source])

and:

Descriptions of Heaven and Hell

The wave breaks
And I’m carried into it.
This is hell, I know,
Yet my father laughs,
Chest-deep, proving I’m wrong.
We’re safely rooted,
Rocked on his toes.

Nothing irked him more
Than asking, “What is there
Beyond death?”
His theory once was
That love greets you,
And the loveless
Don’t know what to say.

(Mark Jarman [source])

and:

Every one of us is shadowed by an illusory person: a false self…

I wind my experiences around myself and cover myself with glory like bandages in order to make myself perceptible to myself and to the world, as if I were an invisible body that could only become visible when something visible covered its surface.

But there is no substance under the things with which I am clothed, I am hollow, and my structure of pleasures and ambitions has no foundation. I am objectified in them. But they are all destined by their contingency to be destroyed. And when they are gone there will be nothing left but my own nakedness and emptiness and hollowness, to tell me I am my own mistake.

(Thomas Merton [source])

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