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Life Lessons

January 11th, 2013 · 2 Comments

One of my few successful attempts at visual art

[Image: The Ultimate Answer, one of my few successful attempts at (representational) visual art]

From whiskey river:

The black sky was underpinned with long silver streaks that looked like scaffolding and depth on depth behind it were thousands of stars that all seemed to be moving very slowly as if they were about some vast construction work that involved the whole universe and would take all time to complete. No one was paying attention to the sky.

(Flannery O’Connor [source])

…and (italicized portion):

I can often sense the spirit of a place, but I’m not entirely convinced such spirits have an existence separate from their environment. In that sense I’m both believer and skeptic; I’d like to believe, but keep searching for that elusive proof.

I do believe in an everyday sort of magic—the inexplicable connectedness we sometimes experience with places, people, works of art and the like; the eerie appropriateness of moments of syncronicity; the whispered voice, the hidden presence, when we think we’re alone. These are magics that many of us experience, parts of a Mystery that can’t—and perhaps shouldn’t—be explained.

I should add that often the magical elements in my books are standing in for elements of the real world, the small and magical-in-their-own-right sorts of things that we take for granted and no longer pay attention to, like the bonds of friendship that entwine our own lives with those of other people and places. When one of my characters becomes aware of a magical element, it might be because the world is wider than we assume it to be, but it might also be a reminder to pay attention to what is here already, hidden only because it’s been forgotten.

(Charles de Lint [source])

…and:

Passing Remark

In scenery I like flat country.
In life I don’t like much to happen.

In personalities I like mild colorless people.
And in colors I prefer gray and brown.

My wife, a vivid girl from the mountains,
says, “Then why did you choose me?”

Mildly I lower my brown eyes —
there are so many things admirable people do not understand.

(William Stafford [source])

Not from whiskey river:

An Oregon Message

When we first moved here, pulled
the trees in around us, curled
our backs to the wind, no one
had ever hit the moon—no one.
Now our trees are safer than the stars,
and only other people’s neglect
is our precious and abiding shell,
pierced by meteors, radar, and the telephone.

From our snug place we shout
religiously for attention, in order to hide:
only silence or evasion will bring
dangerous notice, the hovering hawk
of the state, or the sudden quiet stare
and fatal estimate of an alerted neighbor.

This message we smuggle out in
its plain cover, to be opened
quietly: Friends everywhere—
we are alive! Those moon rockets
have missed millions of secret
places! Best wishes.

Burn this.

(William Stafford [source (via Check It Out]))

…and:

The capacity to leap across mountains of information to land lightly on the wrong side represents the highest of human endowments.

It may be that this is a uniquely human gift, perhaps even stipulated in our genetic instructions. Other creatures do not seem to have DNA sequences for making mistakes as a routine part of daily living, certainly not for programmed error as a guide for action.

We are at our human finest, dancing with our minds, when there are more choices than two. Sometimes there are ten, even twenty different ways to go, all but one bound to be the wrong, and the richness of selection in such situations can lift us onto totally new ground. This process is called exploration and is based on human fallibility. If we had only a single center in our brains, capable of responding only when a correct decision was to be made, instead of the jumble of different credulous, easily conned clusters of neurons that provide for being flung off into blind alleys, up trees, down dead ends, out into blue sky, along wrong turnings, around bends, we could only stay the way we are today, stuck fast

The lower animals do not have this splendid freedom. They are limited most of them, to absolute infallibility. Cats, for all their good side, never make mistakes. I have never seen a maladroit, clumsy, or blundering cat. Dogs are sometimes fallible, occasionally able to make charming minor mistakes, but they get this way by trying to mimic their masters. Fish are flawless in everything they do. Individual cells in a tissue are mindless machines, perfect in their performance, as absolutely inhuman as bees.

(Lewis Thomas [source])

…and:

Dark Charms

Eventually the future shows up everywhere:
those burly summers and unslept nights in deep
lines and dark splotches, thinning skin.
Here’s the corner store grown to a condo,
the bike reduced to one spinning wheel,
the ghost of a dog that used to be, her trail
no longer trodden, just a dip in the weeds.
The clear water we drank as thirsty children
still runs through our veins. Stars we saw then
we still see now, only fewer, dimmer, less often.
The old tunes play and continue to move us
in spite of our learning, the wraith of romance,
lost innocence, literature, the death of the poets.
We continue to speak, if only in whispers,
to something inside us that longs to be named.
We name it the past and drag it behind us,
bag like a lung filled with shadow and song,
dreams of running, the keys to lost names.

(Dorianne Laux [source])

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Tags: Art & Photography · Everyday Life · Nature & Pets · Poetry · Ruminations · whiskey river Fridays · Writing

2 responses so far ↓

  • 1 s.o.m.e. one's brudder // Jan 11, 2013 at 1:29 pm

    Well, if we’re going to get all “representational” here – couldn’t you have just “represented” the Ultimate Answer with just posting: 42 ? Or is the actual image a 42 sided “hedron” in white on a snow ensconced midwestern pasture surrounded by white cows, snowbunnies, and doves?

  • 2 s.o.m.e. one's brudder // Jan 11, 2013 at 1:32 pm

    Also, just happened to be listening to Joni Mitchell’s Night Ride Home today, and “Dark Charms kind of feels like a lost tyric to a non-published song from that album. Maybe we should suggest that she put it to music?

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