It makes no difference that I’ve been a computer programmer for nearly 30 years now. There are computer programmers and there are computer programmers. If your assignments (actual or potential) don’t require you to use a given technology, chances are you’ll never learn that technology. Meanwhile, the world passes you by in the form of all the folks (generally younger) who can make the technology sing.
Still, it’s nice to fantasize about the sort of project you’d like to work on, someday, if you only knew enough…
In Merry-Go-Round, I did this with a few wholly imaginary (as far as I know) pieces of software. Of these, the one I like the most is called Fotōpic. In the passage which follows, Fotōpic’s general nature is explained, and one character is shown using it.
Background: The character in this passage, Abbie, is on a mission on behalf of an underground/resistance movement which goes by the name of ACME Universal. Her mission: travel by train one night to the (fictional) town of Jessup’s Cut, Maryland, where she will make contact with a man whose description she knows, but whom she has never met.
There’s one problem: Abbie needs to get to Jessup’s Cut, make the contact, and get out of Jessup’s Cut as fast as possible. But she’s never been there, and she can’t go in advance. How’s she going to navigate her way around a town’s building, trees, streets, street lamps, obstacles which a GPS unit or satellite photos won’t help her with?
Here goes. From Merry-Go-Round:


From
What is it that drives people to see their god-figures in everyday objects?


There’s a particular category of human experience unlike any other. It’s got nothing to do with personality or intelligence; it crosses geographic and linguistic borders as if they didn’t exist (because they don’t, except in our minds and on the paper where we record the products of those faulty machines). Such an experience comes and goes so quickly that a single blink of the eye, the least distraction can cause us to miss it. It’s grounded in the senses, not in words — nor even in the heart, except in retrospect.
As of this moment,
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