John – Page 177

Beacon

October 21, 2008 by John

[In the wake of yesterday’s post (which began as a study of someone else’s neurosis but ended as a study of my own), I’m really feeling the need today to just write about something completely free (for me) of any, y’know, import. Here’s what floated to the surface, as it were.]

A while back, I participated in one of those “blog parties” which seem to come along periodically. The topic (selected by the party’s organizer, Rebecca Ramsey) was Wonders of the World, in which participants celebrated, well, wonderful things or occasions which held some special appeal for them.

My topic was waterfalls. As I explained in an aside there, for some unknown reason I’ve been fascinated by the country of Wales, which I’ve never visited. (Nor, as far as I know, has anyone I know ever visited there.) (Okay, you can all announce yourselves now.) Although I’m not actively looking for information on the Welsh language, Welsh countryside, Welsh history or folklore, whatever, my mind still goes into heightened-interest mode when I come across any of that stuff.

The lighthouse shown here has not been operational for some time. It’s referred to as the Whitford (or alternatively Whiteford) lighthouse. Built in 1866 to replace the original (which was in turn erected in 1854), it was deactivated in 1926. It’s 130 feet high, made of cast iron, and at low tide — as shown here — requires a five-mile walk to reach. The Whitford lighthouse watches over the Burry Inlet, on the southern coast of Wales.

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The Bathroom Talker

October 20, 2008 by John

This is almost, but not quite, a tale for the Ear Job series of posts. But no, this is a tale of… let’s call it social maladjustment. Someone else’s. Or mine. Or both.

The first words exchanged between this guy at work and me were simple, even innocent: “I said, where d’ya get your hair cut?”

But the context for these words was not simple. They were uttered by him, to me, and they were his third or fourth attempt to get a response out of me. And they were uttered — as were all the previous attempts, one after another, in the space of about a minute — as we stood at adjacent urinals in the men’s room.

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Somebody Else’s Perfect Moment

October 18, 2008 by John

There’s a particular category of human experience unlike any other. It’s got nothing to do with personality or intelligence; it crosses geographic and linguistic borders as if they didn’t exist (because they don’t, except in our minds and on the paper where we record the products of those faulty machines). Such an experience comes and goes so quickly that a single blink of the eye, the least distraction can cause us to miss it. It’s grounded in the senses, not in words — nor even in the heart, except in retrospect.

There’s really no way to sum up this category except via the facile phrase the perfect moment.

The work of the late, great photographer Henri Cartier-Bresson came to be associated with the phrase “the decisive moment.” He adopted it as the title of his 1952 collection (all of which is online), having borrowed it from a seventeenth century Cardinal de Retz:

There is nothing in this world that does not have a decisive moment.

I’ve been considering a series of occasional posts on this subject for a couple of months now. The essence of what I hope to get at with these perfect-moment posts is embodied in a passage from Cartier-Bresson’s introduction to the great book:

…the world is movement, and you cannot be stationary in your attitude toward something that is moving.

He was speaking of photography, of course, and therefore speaking of the visual sense. But we’re awash in sensory experiences of all kinds, tumbling through them as though bobbing and thrashing about in whitewater rapids. Every now and then, without conscious thought, we grab hold of a rock. For a fraction of a second, we’re completely engaged with it — the way the light darts over its wet surface, the feel of its grainy bumpy surface beneath our fingertips or against the palm of our hands, the background roar of water and its smell as it floods our nostrils and its taste in our screaming mouth, perhaps the sixth-sense fear of what will happen when we lose our hold on the rock…

Then we’re moving on, tugged away by the rush of events and voices, the sheer force of all the moments still blasting by. We never go back to that rock. But we never forget it, either.

Those are the perfect moments I’m going to be seeking out here.

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The Thing That Happened, Once

October 17, 2008 by John

From whiskey river:

At Blackwater Pond

At Blackwater Pond the tossed waters have
settled
after a night of rain.
I dip my cupped hands. I drink
a long time. It tastes
like stone, leaves, fire. It falls cold
into my body, waking the bones. I hear them
deep inside me, whispering
oh what is that beautiful thing
that just happened?

(Mary Oliver)

And:

In the tea ceremony, the expression “once in a lifetime, this one encounter” is often used. The usual way this is interpreted is “a one-and-only encounter.” In Zen, though, we interpret this expression in the following way: In the course of our lifetime, there is one person we must meet. No matter through which grasslands we may walk or which mountains we may climb, we must meet this person. This person is in this world. Who is this person? It is the true self. You must meet the true self. As long as you don’t, it will not be possible to be truly satisfied in the depths of your heart. You will never lose the sense that something is lacking. Nor will you be able to clarify the way things are.

This is the objective of life as well as of the teaching of Buddhism — to meet yourself.

(Sekkei Harada)

And the obvious musical bit (lyrics follow), although the video is a bit… unusual:

Once in a Lifetime
(words and music by Talking Heads;
performance is emphatically not)

And you may find yourself living in a shotgun shack
And you may find yourself in another part of the world
And you may find yourself behind the wheel of a large automobile
And you may find yourself in a beautiful house,
with a beautiful wife
And you may ask yourself: Well… how did I get here?

Letting the days go by/Let the water hold me down
Letting the days go by/Water flowing underground
Into the blue again/After the money’s gone
Once in a lifetime/Water flowing underground.

And you may ask yourself
How do I work this?
And you may ask yourself
Where is that large automobile?
And you may tell yourself
This is not my beautiful house!
And you may tell yourself
This is not my beautiful wife!

Letting the days go by/Let the water hold me down
Letting the days go by/Water flowing underground
Into the blue again/After the money’s gone
Once in a lifetime/Water flowing underground.

Same as it ever was… same as it ever was …same as it ever was…
Same as it ever was… same as it ever was… same as it ever was…
Same as it ever was… same as it ever was…

(Followed by Statler and Waldorf: “Same as it ever was! Same as it ever was! Yeah—” “An hour ago!” [laughter])

Original, longer version, from the concert film Stop Making Sense, can be viewed here.

Well, We Were All Innocent Children Once

October 16, 2008 by John

Baby Krishna As of this moment, this (from Maggie, as it happens) is the one inarguably interesting (albeit inarguably geekoid) item I’ve found among the Twitterings I’ve seen so far: the first page posted on the infant World Wide Web.

The page was last updated Thursday, December 3, 1992, at 3:37:20 a.m. EST.

The Web was originally a project of CERN, the Swiss nuclear research organization more recently in the news for its work on the black-hole-creating, universe-destroying Large Hadron Collider. It grew out of a paper written by one Tim Berners-Lee (a/k/a “TBL,” often referred to in terms such as “the father of the Web”) and Robert Cailliau.

From the introduction to that paper, entitled “WorldWideWeb: Proposal for a HyperText Project”:

The attached document describes in more detail a Hypertext project.

HyperText is a way to link and access information of various kinds as a web of nodes in which the user can browse at will. It provides a single user-interface to large classes of information (reports, notes, data-bases, computer documentation and on-line help). We propose a simple scheme incorporating servers already available at CERN.

The project has two phases: firstly we make use of existing software and hardware as well as implementing simple browsers for the user’s workstations, based on an analysis of the requirements for information access needs by experiments. Secondly, we extend the application area by also allowing the users to add new material.

Phase one should take 3 months with the full manpower complement, phase two a further 3 months, but this phase is more open-ended, and a review of needs and wishes will be incorporated into it.

The manpower required is 4 software engineers and a programmer, (one of which could be a Fellow). Each person works on a specific part (e.g. specific platform support).

Each person will require a state-of-the-art workstation , but there must be one of each of the supported types. These will cost from 10 to 20k each, totalling 50k. In addition, we would like to use commercially available software as much as possible, and foresee an expense of 30k during development for one-user licences, visits to existing installations and consultancy.

We will assume that the project can rely on some computing support at no cost: development file space on existing development systems, installation and system manager support for daemon software*.

Ah, youth.

____________________________

* Aside to His Dark Materials fans: not that kind of daemon. This kind: programs which run in the background. I told you this was geekoid.

The Travels of Mickey Tom (2)

October 15, 2008 by John

[This post continues yesterday’s. I won’t redefine any of the terminology here, so if you find yourself a little confused it probably just means you need to read that one.]

In the fall of 2003, The Missus and I were preparing to host her sisters, brother, and their families for Thanksgiving.

At the time, the four families were holding annual “reunions” like this, one purpose of which was to remember their parents, Mabel and Tom, who had died a few years earlier. “Events” (such as they were) thus were frequently on a Mabel-and-Tom theme; for instance, since Mabel loved playing Bingo, there was an annual “Mabel Bingo” night. They also gave out prizes for this sort of thing, such as used books by people named Mabel or Lyndall (which was Tom’s real first name).

Now, The Missus and I love games: cards, PC and console-video games, board games, and yes, Bingo. She tends to be the more aggressively competitive one; I like to win, of course, but also tend more to trying to figure out in advance how best to achieve victory.

So we decided that year that we would come up with a new “game” for the four families to play. We called it Tom’s Snipe Hunt.

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Fairly Creepy Little Quiz

October 15, 2008 by John

Or at least, quiz results. For Yoda, I am:

A venerated sage with vast power and knowledge, you gently guide forces around you while serving as a champion of the light.

Judge me by my size, do you? And well you should not — for my ally is the Force. And a powerful ally it is. Life creates it, makes it grow. Its energy surrounds us, and binds us. Luminescent beings are we, not this crude matter! You must feel the Force around you, everywhere.

For now, I won’t deign to reply to that sideswiping remark about judging me by my size. But I will say the one answer which probably earned me this “Which Fantasy/SciFi Character Are You?” designation was the one to the question about skin and spinal conditions. Should’ve been a tip-off, in retrospect.

On that note, I’ll try to wrap up the sequel to The Travels of Mickey Tom, Part 1.

The Travels of Mickey Tom (1)

October 14, 2008 by John

In the second part of this two-part series, I’ll introduce you to a handsome fellow named Mickey Tom. I’ll tell you where he started out, where he is now, how he got to where he is now, and where he’s headed.

But before I can do any of that, I need to provide some background for readers who might not be familiar with a particular, some would say peculiar… hmm… pastime? hobby? obsession? adventuring nerd’s side quest?

Any of those terms might suffice as a descriptor for the mysterious word geocaching.

If you’ve paid attention to car commercials in the last couple of years, you probably already know the phrase “GPS unit.” This is a small boxy electronic gizmo, typically mounted on the dashboard, which displays a real-time map of the route you’re currently driving. Sophisticated GPS units allow you to specify a destination, for which the machine will select an optimal route to follow; some of them even “talk,” instructing you audibly to (for instance) “Turn left here.”

The main technology which allows car GPS units to work is a network of satellites, collectively called the Global Positioning System. The idea is fairly simple; at root, it’s just geometry: If you know the positions of at least three objects, and can determine your distance from each of them, then you can determine your own position. As the GPS satellites circle the globe, they beam down to earth a signal reporting their current positions. Any device which can receive those transmissions thus can figure out — to a more or less accurate degree — the device’s own latitude and longitude.

That’s all you need to understand in order to “understand” how geocaching works. But that still doesn’t say much about geocaching itself, does it?

Read on.

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The Engaged Photographer

October 13, 2008 by John

I’m working on a two-part series of posts at the moment, with Part 1 due up tomorrow. In the meantime, I thought you’d appreciate this. It’s a promotional video for the New York Public Library Photography Collection:

Among the photographers discussed, you can find more information at these Web sites (besides Wikipedia, of course):

Dorothea Lange: her work and life is documented in various places around the Web. You can get a good introduction from the site of the J. Paul Getty Museum’s “About Life” exhibit of 2002-2003. (The Goethe quote which the narrator mentions says, “Each traveler should know what he has to see, and what properly belongs to him, on a journey.”)
The NYPL’s own Berenice Abbott site
Stephen Dupont

And of course, if you’re interested in documentary photography, you could do much worse than visit the Library’s own online Digital Images Collection.

Happy Birthday, Lester Dent

October 12, 2008 by John

Today marks the 104th anniversary of the birth of Lester Dent, a/k/a Kenneth Robeson.

Not exactly a household name these days, eh? But in his time, which occupied a substantial chunk of the first half of the last century (he died young, in 1959), Dent was one of the most prolific and most successful writers on the planet. And it all came from a single character, the protagonist of — according to Wikipedia — 190 novels to date, and scads of stories. (Nearly all the books are credited exclusively to Dent, with the majority of the others, even those published long after his death, giving him at least partial credit. The “Kenneth Robeson” whose name actually appeared on the covers, though, was just a pseudonym.)

That protagonist: Doc Savage.

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