[Image: “Down & Out,” by user “Alberto_VO5” on Flickr; used here under a Creative Commons license. (Thank you!) I really liked this photo, but I’m actually not sure why it struck me as apt for this post… perhaps because Gumby seems so clearly headed in one direction or another?]
From whiskey river:
I would like to visit the factory that makes train horns, and ask them how they are able to arrive at that chord of eternal mournfulness. Is it deliberately sad? Are the horns saying, Be careful, stay away from this train or it will run you over and then people will grieve, and their grief will be as the inconsolable wail of this horn through the night? The out-of-tuneness of the triad is part of its beauty.
(Nicholson Baker [source])
…and:
Sunlight
After days of darkness I didn’t understand
a second of yellow sunlight
here and gone through a hole in clouds
as quickly as a flashbulb, an immense
memory of a moment of grace withdrawn.
It is said that we are here but seconds in cosmic
time, twelve and a half billion years,
but who is saying this and why?
In the Salt Lake City airport eight out of ten
were fiddling relentlessly with cell phones.
The world is too grand to reshape with babble.
Outside the hot sun beat down on clumsy metal
birds and an actual ten-million-year-old
crow flew by squawking in bemusement.
We’re doubtless as old as our mothers, thousands
of generations waiting for the sunlight.
(Jim Harrison [source])
…and:
We know that we come from the winds, and that we shall return to them; that all of life is perhaps a knot, a tangle, a blemish in the eternal smoothness. But why should this make us unhappy? Let us rather love one another, and work and rejoice. I don’t believe in this world sorrow.
(E. M. Forster [source])
…and:
Your problem is how you are going to spend this one and precious life you have been issued. Whether you’re going to spend it trying to look good and creating the illusion that you have power over circumstances, or whether you are going to taste it, enjoy it and find out the truth about who you are.
(Anne Lamott [source])
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